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Idioma disponible: inglés
It is hard to know where to begin enumerating the beauties of this release by the Pygmalion ensemble and its director, Raphaël Pichon, who enumerates his thoughts on Monteverdi's Vespro della Beata Vergine in the interview-style booklet. There are many good recordings of this work, sometimes known as the Vespers of 1610. Right from the beginning, with the exultant blaze of unchanging harmony in the opening Invitatorium that announced, just as clearly as anything in the opera Orfeo, that the musical world had changed, the effect of this performance is exceptionally powerful, but it is not only the glittering tutti that impresses. Perhaps even more than Orfeo, the Vespers marshal all the musical resources Monteverdi had at his disposal. There are operatic arias in all but text, handled perfectly by well-chosen soloists who master the ornamentation idioms of the day. There are polychoral brass pieces that show Monteverdi's development of that style prior to his move to St. Mark's in Venice. There is old-school polyphony and straight monody. In Pichon's hands, all these styles are held in perfect balance. Harmonia Mundi's sound, from the Temple du Saint-Esprit in Paris, evokes the splendor of the ducal chapel in Mantua for which the Vespers were written. There is much more that could be said, but let it suffice to observe that even those who think they know the Vespers well will rethink that position after hearing this remarkable recording, which rightfully made classical best-seller charts in the late summer of 2023.
© James Manheim /TiVo
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Claudio Monteverdi, Composer - Céline Scheen, MainArtist, SopranoSolo - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist - Perrine Devillers, MainArtist, SopranoSolo
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Claudio Monteverdi, Composer - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist - Pierre Gallon, Organ, MainArtist - Adrien Mabire, MainArtist - Marouan Mankar-Bennis, Harpsichord, MainArtist
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Claudio Monteverdi, Composer - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist - Emiliano Gonzalez Toro, MainArtist, TenorSolo - Zachary Wilder, MainArtist, TenorSolo
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DISCO 2
Claudio Monteverdi, Composer - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist
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Claudio Monteverdi, Composer - Céline Scheen, MainArtist, SopranoSolo - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist - Lucile Richardot, MainArtist, AltoVocals - Perrine Devillers, MainArtist, SopranoSolo
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Claudio Monteverdi, Composer - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist
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Claudio Monteverdi, Composer - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist
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Claudio Monteverdi, Composer - Céline Scheen, MainArtist, SopranoSolo - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist
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Claudio Monteverdi, Composer - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist - Emiliano Gonzalez Toro, MainArtist, TenorSolo - Zachary Wilder, MainArtist, TenorSolo
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Claudio Monteverdi, Composer - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist
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Claudio Monteverdi, Composer - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist - Nicolas Brooymans, MainArtist, BassVocals - Etienne Bazola, MainArtist, BassVocals - Pierre Gallon, Organ, MainArtist - Adrien Mabire, MainArtist - Marouan Mankar-Bennis, Harpsichord, MainArtist
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Claudio Monteverdi, Composer - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist
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Claudio Monteverdi, Composer - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist - Lucile Richardot, MainArtist, AltoVocals
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Claudio Monteverdi, Composer - Pygmalion, MainArtist, MusicalEnsemble - Raphaël Pichon, Conductor, MainArtist
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Presentación del Álbum
It is hard to know where to begin enumerating the beauties of this release by the Pygmalion ensemble and its director, Raphaël Pichon, who enumerates his thoughts on Monteverdi's Vespro della Beata Vergine in the interview-style booklet. There are many good recordings of this work, sometimes known as the Vespers of 1610. Right from the beginning, with the exultant blaze of unchanging harmony in the opening Invitatorium that announced, just as clearly as anything in the opera Orfeo, that the musical world had changed, the effect of this performance is exceptionally powerful, but it is not only the glittering tutti that impresses. Perhaps even more than Orfeo, the Vespers marshal all the musical resources Monteverdi had at his disposal. There are operatic arias in all but text, handled perfectly by well-chosen soloists who master the ornamentation idioms of the day. There are polychoral brass pieces that show Monteverdi's development of that style prior to his move to St. Mark's in Venice. There is old-school polyphony and straight monody. In Pichon's hands, all these styles are held in perfect balance. Harmonia Mundi's sound, from the Temple du Saint-Esprit in Paris, evokes the splendor of the ducal chapel in Mantua for which the Vespers were written. There is much more that could be said, but let it suffice to observe that even those who think they know the Vespers well will rethink that position after hearing this remarkable recording, which rightfully made classical best-seller charts in the late summer of 2023.
© James Manheim /TiVo
Acerca del álbum
- 2 disco(s) - 26 pista(s)
- Duración total: 01:42:34
- 1 Libreto digital
- Artistas principales: Raphaël Pichon, Pygmalion, Céline Scheen, Perrine Devillers, Lucile Richardot, Emiliano Gonzalez Toro, Zachary Wilder, Antonin Rondepierre
- Compositor: Claudio Monteverdi
- Sello: harmonia mundi
- Género Clásica Música vocal sacra Misas, Pasiones, Réquiems
2023 harmonia mundi 2023 harmonia mundi
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