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Private Musicke|Meraviglia d'amore: Love Songs from 17th Century Italy

Meraviglia d'amore: Love Songs from 17th Century Italy

Pierre Pitzl, Private Musicke, Marco Beasley

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Idioma disponible: inglés

Meraviglia d'amore means the marvel of love, and in the graphics of this Accent label release, recorded in 2001 and released 16 years later, you do indeed get the promised love songs from 17th century Italy. Those songs are lovely, but they're not really the main attraction here, as suggested by the fact that the largest print in the graphics billing goes not to tenor Marco Beasley, but to the small ensemble Private Musicke, offering various combinations of Baroque guitar, archlute, theorbo, viola da gamba, and cello. They play instrumental pieces from various manuscripts by a group of Italian guitarist/composer/intabulators, most of whom are all but unknown and about whom very little information survives. This is, then, one of those rare recordings that's of a rather specialized nature but is still entirely listenable and even enchanting for the general listener. The repertory represented here as a whole is semi-popular: these aren't intricate polyphonic songs, but villanelles, canzonettas, and solo madrigals. The instrumental pieces are even more varied: there are a few examples of the canzona transcriptions that often show up in collections of early instrumental music, but most of the pieces come from other popular traditions. There are pieces for the "chitarra spagnola" in a variety of dance rhythms, early ground bass pieces, and intabulations of several kinds of songs. It's a program that might have been heard in the 17th century itself, and Beasley's dulcet tones make a nice change from the ubiquitous countertenors. Sample one of the guitar pieces, like the Sonate di chitarra spagnola (surely one of the earlier works with a form of the "sonata" title) of Antonio Carbonchi, a composer of whom none but specialists will have heard. Superb studio sound from Austrian Radio is another major draw. Highly recommended for Renaissance-Baroque enthusiasts and general listeners alike.
© TiVo

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Meraviglia d'amore: Love Songs from 17th Century Italy

Private Musicke

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Intavolatura di chitarra e chitarriglia (Carlo Calvi)

1
Ballo dell'Granduca
Private Musicke
00:02:51

Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Conductor - Carlo Calvi, Composer

(C) 2017 Accent (P) 2017 Accent

Sfere fermate (Sigismondo d'India)

2
Sfere fermate
Marco Beasley
00:01:30

Sigismondo D'India, Composer - Marco Beasley, Artist, MainArtist - Private Musicke, Ensemble - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Villanelle, Book 3 (Giovanni Girolamo Kapsberger)

3
Libro III di villanelle: O dolci sguardi
Marco Beasley
00:02:58

Giovanni Girolamo Kapsberger, Composer - Marco Beasley, Artist, MainArtist - Private Musicke, Ensemble - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Sonate di chitarra con intavolatura franzese (Antonio Carbonchi)

4
Ciaccona
Private Musicke
00:02:12

Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Conductor - Antonio Carbonchi, Composer

(C) 2017 Accent (P) 2017 Accent

Li 5 libri della chitarra alla spagnola (Giovanni Paolo Foscarini)

5
Toccata
Private Musicke
00:01:22

Giovanni Paolo Foscarini, Composer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Armoniosi concerti sopra la chitarra spagnuola (Domenico Pellegrini)

6
Allemanda
Private Musicke
00:02:33

Domenico Pellegrini, Composer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

O del cielo d'amor unico sole (Sigismondo d'India)

7
O del cielo d'amor unico sole
Marco Beasley
00:06:34

Sigismondo D'India, Composer - Marco Beasley, Artist, MainArtist - Private Musicke, Ensemble - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Varii scherzi di sonate, Book 4 (Francesco Corbetta)

8
Varii scherzi di sonate per la chitarra spagnuola … , Vol. 4: Passacaglia
Private Musicke
00:02:34

Francesco Corbetta, Composer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Scherzi e canzonette, Op. 5 (Biagio Marini)

9
Meraviglia d'amore
Marco Beasley
00:04:06

Biagio Marini, Composer - Marco Beasley, Artist, MainArtist - Private Musicke, Ensemble - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Villanelle, Book 2 (Giovanni Girolamo Kapsberger)

10
Libro II di villanelle: Alma Mia
Marco Beasley
00:03:08

Giovanni Girolamo Kapsberger, Composer - Marco Beasley, Artist, MainArtist - Private Musicke, Ensemble - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Intavolatura di liuto, Book 1 (Michelangelo Galilei)

11
Il primo libro d'intavolatura di liuto: Toccata - Volta
Private Musicke
00:04:55

Michelangelo Galilei, Composer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Villanelle, Book 4 (Giovanni Girolamo Kapsberger)

12
Libro IV di villanelle: Cinta di rose
Marco Beasley
00:02:59

Giovanni Girolamo Kapsberger, Composer - Marco Beasley, Artist, MainArtist - Private Musicke, Ensemble - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Canzoni da sonare, Book 1 (Girolamo Frescobaldi)

13
Canzona
Private Musicke
00:03:45

Girolamo Alessandro Frescobaldi, Composer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Chitarra spagnola, Book 1 (Angelo Michele Bartolotti)

14
Libro primo di chitarra spagnola: Allemanda
Private Musicke
00:01:35

Angelo Michele Bartolotti, Composer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

DISCO 2

Sonate di chitarra con intavolatura franzese (Antonio Carbonchi)

1
Toccata
Private Musicke
00:00:44

Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Conductor - Antonio Carbonchi, Composer

(C) 2017 Accent (P) 2017 Accent

Scherzi e canzonette, Op. 5 (Biagio Marini)

2
Mirami
Marco Beasley
00:03:04

Biagio Marini, Composer - Marco Beasley, Artist, MainArtist - Private Musicke, Ensemble - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Armoniosi concerti sopra la chitarra spagnuola (Domenico Pellegrini)

3
Brando
Private Musicke
00:01:12

Domenico Pellegrini, Composer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Villanelle, Book 4 (Giovanni Girolamo Kapsberger)

4
Ite, sospiri miei
Marco Beasley
00:04:15

Giovanni Girolamo Kapsberger, Composer - Marco Beasley, Artist, MainArtist - Private Musicke, Ensemble - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

5
Già risi
Marco Beasley
00:03:44

Giovanni Girolamo Kapsberger, Composer - Marco Beasley, Artist, MainArtist - Private Musicke, Ensemble - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Varii scherzi di sonate, Book 4 (Francesco Corbetta)

6
Varii scherzi di sonate per la chitarra spagnuola … , Vol. 4: Passacaglia
Private Musicke
00:03:28

Francesco Corbetta, Composer - Private Musicke, Ensemble, MainArtist - Pierre Pitzl, Conductor

(C) 2017 Accent (P) 2017 Accent

Presentación del Álbum

Meraviglia d'amore means the marvel of love, and in the graphics of this Accent label release, recorded in 2001 and released 16 years later, you do indeed get the promised love songs from 17th century Italy. Those songs are lovely, but they're not really the main attraction here, as suggested by the fact that the largest print in the graphics billing goes not to tenor Marco Beasley, but to the small ensemble Private Musicke, offering various combinations of Baroque guitar, archlute, theorbo, viola da gamba, and cello. They play instrumental pieces from various manuscripts by a group of Italian guitarist/composer/intabulators, most of whom are all but unknown and about whom very little information survives. This is, then, one of those rare recordings that's of a rather specialized nature but is still entirely listenable and even enchanting for the general listener. The repertory represented here as a whole is semi-popular: these aren't intricate polyphonic songs, but villanelles, canzonettas, and solo madrigals. The instrumental pieces are even more varied: there are a few examples of the canzona transcriptions that often show up in collections of early instrumental music, but most of the pieces come from other popular traditions. There are pieces for the "chitarra spagnola" in a variety of dance rhythms, early ground bass pieces, and intabulations of several kinds of songs. It's a program that might have been heard in the 17th century itself, and Beasley's dulcet tones make a nice change from the ubiquitous countertenors. Sample one of the guitar pieces, like the Sonate di chitarra spagnola (surely one of the earlier works with a form of the "sonata" title) of Antonio Carbonchi, a composer of whom none but specialists will have heard. Superb studio sound from Austrian Radio is another major draw. Highly recommended for Renaissance-Baroque enthusiasts and general listeners alike.
© TiVo

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