Streaming ilimitado
Escuche este álbum ahora en alta calidad en nuestras apps
Comenzar mi periodo de prueba gratis y escuchar este álbumDisfrute de este álbum en las apps Qobuz con sususcripción
SuscribirDisfrute de este álbum en las apps Qobuz con sususcripción
Idioma disponible: inglés
Martha Argerich, the ageless Argentine, was approaching her 80th birthday when these live recordings were made in Israel in 2019, but it is hard to hear any diminution of her powers. Israel Philharmonic conductor Lahav Shani pushes her with quick tempos in the passagework of the Beethoven Piano Concerto No. 2 in B flat major, Op. 19, and she interacts with him very closely here and in the first movement of the Ravel Piano Concerto in G major, where the blues aspect is deemphasized in favor of keeping things moving. Really, despite the presence of the star Argerich, this is Shani's concert. By 2023, when this album was released, Shani was preparing to take the reins at the Munich Philharmonic and was generally accounted as one of the hottest young conductors on the scene. Those following his career may find this release useful in terms of understanding how he began to get people's attention in the first place. His readings are original. The Beethoven Piano Concerto No. 2 in his hands is quite original, avoiding Haydn's playfulness in favor of a drive and edge that points directly toward the middle-period Beethoven. The central movement of the Ravel is unusually contemplative, and the finale seems exuberant when it arrives. The live recording from the Charles Bronfman Auditorium in Tel Aviv is reasonably clear, and there is a certain electricity to the results; vigorous applause is retained at the end. An intriguing document from Argerich's late career and Shani's early one.
© James Manheim /TiVo
Está escuchando muestras.
Escuche más de 100 millones de pistas con un plan de streaming ilimitado.
Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.
Desde $ 4.259,00/mes
Ludwig van Beethoven, Composer - Martha Argerich, MainArtist - Israel Philharmonic Orchestra, Orchestra - Andrew Mellor, RecordingEngineer, DigitalEditingEngineer - Alexander Van Ingen, PostProducer - Lahav Shani, Conductor - Frédéric Grün, AAndRAdministrator
(C) 2023 Avanticlassic (P) 2023 Avanticlassic
Ludwig van Beethoven, Composer - Martha Argerich, MainArtist - Israel Philharmonic Orchestra, Orchestra - Andrew Mellor, RecordingEngineer, DigitalEditingEngineer - Alexander Van Ingen, PostProducer - Lahav Shani, Conductor - Frédéric Grün, AAndRAdministrator
(C) 2023 Avanticlassic (P) 2023 Avanticlassic
Ludwig van Beethoven, Composer - Martha Argerich, MainArtist - Israel Philharmonic Orchestra, Orchestra - Andrew Mellor, RecordingEngineer, DigitalEditingEngineer - Lahav Shani, Conductor - Alexandre van Ingen, PostProducer
(C) 2023 Avanticlassic (P) 2023 Avanticlassic
Maurice Ravel, Composer - Martha Argerich, MainArtist - Israel Philharmonic Orchestra, Orchestra - Durand Salabert Eschig, MusicPublisher - Lahav Shani, Conductor
(C) 2023 Avanticlassic (P) 2023 Avanticlassic
Maurice Ravel, Composer - Martha Argerich, MainArtist - Israel Philharmonic Orchestra, Orchestra - Durand Salabert Eschig, MusicPublisher - Jiri Heger, Tonmeister - Lahav Shani, Conductor - Bastien Gilson, MasteringEngineer, RecordingEngineer, DigitalEditingEngineer - Frédéric Grün, AAndRAdministrator
(C) 2023 Avanticlassic (P) 2023 Avanticlassic
Maurice Ravel, Composer - Martha Argerich, MainArtist - Israel Philharmonic Orchestra, Orchestra - Durand Salabert Eschig, MusicPublisher - Jiri Heger, Tonmeister - Lahav Shani, Conductor - Bastien Gilson, MasteringEngineer, RecordingEngineer, DigitalEditingEngineer - Frédéric Grün, AAndRAdministrator
(C) 2023 Avanticlassic (P) 2023 Avanticlassic
Presentación del Álbum
Martha Argerich, the ageless Argentine, was approaching her 80th birthday when these live recordings were made in Israel in 2019, but it is hard to hear any diminution of her powers. Israel Philharmonic conductor Lahav Shani pushes her with quick tempos in the passagework of the Beethoven Piano Concerto No. 2 in B flat major, Op. 19, and she interacts with him very closely here and in the first movement of the Ravel Piano Concerto in G major, where the blues aspect is deemphasized in favor of keeping things moving. Really, despite the presence of the star Argerich, this is Shani's concert. By 2023, when this album was released, Shani was preparing to take the reins at the Munich Philharmonic and was generally accounted as one of the hottest young conductors on the scene. Those following his career may find this release useful in terms of understanding how he began to get people's attention in the first place. His readings are original. The Beethoven Piano Concerto No. 2 in his hands is quite original, avoiding Haydn's playfulness in favor of a drive and edge that points directly toward the middle-period Beethoven. The central movement of the Ravel is unusually contemplative, and the finale seems exuberant when it arrives. The live recording from the Charles Bronfman Auditorium in Tel Aviv is reasonably clear, and there is a certain electricity to the results; vigorous applause is retained at the end. An intriguing document from Argerich's late career and Shani's early one.
© James Manheim /TiVo
Acerca del álbum
- 1 disco(s) - 6 pista(s)
- Duración total: 00:50:59
- Artistas principales: Martha Argerich
- Compositor: Various Composers
- Sello: 2023 Avanticlassic
- Género Clásica Música concertante
(C) 2023 Avanticlassic (P) 2023 Avanticlassic
Mejorar la información del álbum