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From the onset, the music in Das Lied von der Erde is permeated by a special mood. Even the texts, based on Far Eastern poetry, are more mood than content. Mahler repeatedly abandons the words’ meaning, but the mood remains. The music implies so much more than the words! For instance, the third poem evokes the reflection of a mirror image in water, but I don’t see those images anywhere in the music. Mahler is not concerned with helping us understand every syllable. If the voice, in its anguish, is drowned out by the orchestra, that is what the music is trying to achieve. Throughout a great number of passages, “beautiful tone” is not what is important. To the contrary. In Das Lied von der Erde, the singers are likewise required to declaim, cry, and shriek. I think that even those concertgoers who have no command of the German language have no problem in gaining a quite precise grasp of what is going on…© CAvi-Music
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Gustav Mahler, Composer - Düsseldorfer Symphoniker, Orchestra, MainArtist - Adam Fischer, Conductor, MainArtist - Hans Bethge, Author - Stuart Skelton, Tenor, MainArtist, AssociatedPerformer
℗ 2019 Deutsche Grammophon GmbH, Berlin
Anna Larsson, Mezzo-Soprano, MainArtist, AssociatedPerformer - Gustav Mahler, Composer - Düsseldorfer Symphoniker, Orchestra, MainArtist - Adam Fischer, Conductor, MainArtist - Hans Bethge, Author
℗ 2019 Deutsche Grammophon GmbH, Berlin
Gustav Mahler, Composer - Düsseldorfer Symphoniker, Orchestra, MainArtist - Adam Fischer, Conductor, MainArtist - Hans Bethge, Author - Stuart Skelton, Tenor, MainArtist, AssociatedPerformer
℗ 2019 Deutsche Grammophon GmbH, Berlin
Anna Larsson, Mezzo-Soprano, MainArtist, AssociatedPerformer - Gustav Mahler, Composer - Düsseldorfer Symphoniker, Orchestra, MainArtist - Adam Fischer, Conductor, MainArtist - Hans Bethge, Author
℗ 2019 Deutsche Grammophon GmbH, Berlin
Gustav Mahler, Composer - Düsseldorfer Symphoniker, Orchestra, MainArtist - Adam Fischer, Conductor, MainArtist - Hans Bethge, Author - Stuart Skelton, Tenor, MainArtist, AssociatedPerformer
℗ 2019 Deutsche Grammophon GmbH, Berlin
Anna Larsson, Mezzo-Soprano, MainArtist, AssociatedPerformer - Gustav Mahler, Composer - Düsseldorfer Symphoniker, Orchestra, MainArtist - Adam Fischer, Conductor, MainArtist - Hans Bethge, Author
℗ 2019 Deutsche Grammophon GmbH, Berlin
Presentación del Álbum
From the onset, the music in Das Lied von der Erde is permeated by a special mood. Even the texts, based on Far Eastern poetry, are more mood than content. Mahler repeatedly abandons the words’ meaning, but the mood remains. The music implies so much more than the words! For instance, the third poem evokes the reflection of a mirror image in water, but I don’t see those images anywhere in the music. Mahler is not concerned with helping us understand every syllable. If the voice, in its anguish, is drowned out by the orchestra, that is what the music is trying to achieve. Throughout a great number of passages, “beautiful tone” is not what is important. To the contrary. In Das Lied von der Erde, the singers are likewise required to declaim, cry, and shriek. I think that even those concertgoers who have no command of the German language have no problem in gaining a quite precise grasp of what is going on…© CAvi-Music
Acerca del álbum
- 1 disco(s) - 6 pista(s)
- Duración total: 01:01:31
- 1 Libreto digital
- Artistas principales: Düsseldorfer Symphoniker Ádám Fischer Stuart Skelton Anna Larsson
- Compositor: Gustav Mahler
- Sello: Cavi-Music
- Género Clásica
© 2018 Deutschlandradio / Deutsche Grammophon GmbH, Berlin ℗ 2019 Deutsche Grammophon GmbH, Berlin
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