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William Parker|Long Hidden: The Olmec Series

Long Hidden: The Olmec Series

William Parker

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William Parker's abiding interest in the "ancient DNA/cultural codex that connects Africa to the Americas" is represented respectively by his use on several tracks of the doson ngoni, an eight-stringed version of the traditional Manding hunting guitar, and the Olmec Group, a merengue quartet of two percussionists, accordion, and alto sax joined by Dave Sewelson on saxophones and Todd Nicholson on bass. The curious combination of merengue's high-energy, Parker's rattling gourd, and free jazz sax sounds strangely clinical in this studio recording, but works well enough when driven forward by a strong bass riff ("Codex"). However, it pales into insignificance when compared to Parker's solo tracks. While his doson ngoni ramblings are pleasant enough, his bass work is magnificent, from the somber take on the spiritual "There Is a Balm in Gilead" to the impassioned "Compassion Seizes Bed-Stuy" (first heard on the 1996 Homestead album of the same name by Parker and In Order to Survive) to the celestial high harmonics of "Cathedral of Light." And another epic solo comes as a bonus cut in the form of "In Case of Accident," originally released on 1994 on Parker's Centering imprint and long unavailable.
© Dan Warburton /TiVo

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Long Hidden: The Olmec Series

William Parker

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1
There Is A Balm In Gilead
William Parker
00:06:16

Traditional, Composer - William Parker, Artist, MainArtist

2006 AUM Fidelity 2006 Copyright Control

2
Long Hidden Part Two
William Parker
00:00:52

William Parker, Composer, Artist, MainArtist

2006 AUM Fidelity 2006 Centering Music (BMI)

3
Codex
William Parker
00:07:04

William Parker, Composer, Artist - William Parker feat. The Olmec Group, MainArtist - The Olmec Group, Artist

2006 AUM Fidelity 2006 Centering Music (BMI)

4
El Puente Seco
William Parker feat. The Olmec Group
00:03:54

William Parker, Artist - William Parker feat. The Olmec Group, MainArtist - The Olmec Group, Artist - Tatico Henriquez, Composer

2006 AUM Fidelity 2006 Copyright Control

5
Long Hidden Part Three
William Parker
00:03:18

William Parker, Composer, Artist, MainArtist

2006 AUM Fidelity 2006 Centering Music (BMI)

6
Cathedral Of Light
William Parker
00:03:47

William Parker, Composer, Artist, MainArtist - Centering Music (BMI), MusicPublisher

2006 AUM Fidelity 2006 Centering Music (BMI)

7
Compassion Seizes Bed-Stuy
William Parker
00:05:06

William Parker, Composer, Artist, MainArtist - Centering Music (BMI), MusicPublisher

2006 AUM Fidelity 2006 Centering Music (BMI)

8
Pok-A-Tok
William Parker
00:11:28

William Parker, Composer, Artist - Centering Music (BMI), MusicPublisher - William Parker feat. The Olmec Group, MainArtist - The Olmec Group, Artist

2006 AUM Fidelity 2006 Centering Music (BMI)

9
Espirito
William Parker
00:01:17

William Parker, Composer, Artist - Centering Music (BMI), MusicPublisher - William Parker feat. The Olmec Group, MainArtist - The Olmec Group, Artist

2006 AUM Fidelity 2006 Centering Music (BMI)

10
Long Hidden Part One
William Parker
00:07:54

William Parker, Composer, Artist, MainArtist - Centering Music (BMI), MusicPublisher

2006 AUM Fidelity 2006 Centering Music (BMI)

11
In Case Of Accident
William Parker
00:14:09

William Parker, Composer, Artist, MainArtist - Centering Music (BMI), MusicPublisher

2006 AUM Fidelity 2006 Centering Music (BMI)

Presentación del Álbum

William Parker's abiding interest in the "ancient DNA/cultural codex that connects Africa to the Americas" is represented respectively by his use on several tracks of the doson ngoni, an eight-stringed version of the traditional Manding hunting guitar, and the Olmec Group, a merengue quartet of two percussionists, accordion, and alto sax joined by Dave Sewelson on saxophones and Todd Nicholson on bass. The curious combination of merengue's high-energy, Parker's rattling gourd, and free jazz sax sounds strangely clinical in this studio recording, but works well enough when driven forward by a strong bass riff ("Codex"). However, it pales into insignificance when compared to Parker's solo tracks. While his doson ngoni ramblings are pleasant enough, his bass work is magnificent, from the somber take on the spiritual "There Is a Balm in Gilead" to the impassioned "Compassion Seizes Bed-Stuy" (first heard on the 1996 Homestead album of the same name by Parker and In Order to Survive) to the celestial high harmonics of "Cathedral of Light." And another epic solo comes as a bonus cut in the form of "In Case of Accident," originally released on 1994 on Parker's Centering imprint and long unavailable.
© Dan Warburton /TiVo

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