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Paul Jacobs|Livre du Saint Sacrement

Livre du Saint Sacrement

Olivier Messiaen

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Idioma disponible: inglés

The Livre du Saint-Sacrement of Olivier Messiaen was the composer's last organ work, composed in the early '80s and premiered at a Detroit, MI, meeting of the American Guild of Organists. Somewhat neglected, it deserves attention as a sort of summation of all the techniques this great original thinker of the 20th century created. The work is inspired by the Communion sacrament and is essentially a programmatic reflection on the sacrament itself and on episodes from the life of Christ, indicated in biblical or philosophical quotations in the score. The music makes use of the unusual scales (known as modes of limited transposition) of Messiaen's later music, of his penchant for birdsong-like music, of his "communicable language" technique (whereby musical notes spell out words, in this case "resurrection"), of tone clusters, of quotations of chant, and generally of the composer's familiarity with the capabilites of the organ. These details may reveal themselves to a greater or lesser degree, but the work's scope, religious fervor, and sheer power will be evident to any listener. It's a colorful work in the extreme, and its long passages in the organ's lowest register will rattle anything in the vicinity that can be rattled. The sound engineering here is excellent; sample the antiphonal cluster effect in the 13th movement, "Les deux murailles d'eau" (The Two Walls of Water, track 13), and hear how the echoes in the space of New York's Church of St. Mary the Virgin almost seem to become part of the music. Credit goes to engineer Stephen Roessner, but most of all to American organist Paul Jacobs, a preeminent Messiaen specialist who does full justice to the music's sheer enthusiasm and makes sure there's never a dull moment. If you've heard Messiaen's better-known works of the 1940s and 1950s and are in the mood for something both weighty and spectacular, give this double disc a try; it may blow your speakers but will definitely blow your mind. Notes are in French and English.
© TiVo

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Livre du Saint Sacrement

Paul Jacobs

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Livre du Saint Sacrement, I/53 (Olivier Messiaen)

1
I. Adoro Te (I Adore Thee)
00:03:52

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

2
II. La Source de Vie (the Fountain of Life)
00:02:23

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

3
III. Le Dieu cache (the Hidden God)
00:05:54

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

Livre du Saint Sacrement, I/53, IV. Acte de Foi (Act of Faith) (Olivier Messiaen)

4
Livre du Saint Sacrement, I/53, IV. Acte de Foi (Act of Faith)
00:02:11

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

Livre du Saint Sacrement, I/53 (Olivier Messiaen)

5
V. Puer natus est nobis (Unto Us a Child Is Born)
00:05:21

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

6
VI. La manne et le Pain de Vie (the Manna and Bread of Life)
00:09:55

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

7
VII. Les ressuscites et la lumiere de Vie (the Resurrected and the Light of Life)
00:04:01

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

8
VIII. Institution de l'Eucharistie (Institution of the Eucharist)
00:05:38

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

9
IX. Les tenebres (the Darkness)
00:04:14

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

10
X. La Resurrection du Christ (the Resurrection of Christ)
00:04:28

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

DISCO 2

1
XI. L'apparition du Christ ressuscite a Marie-Madeleine (the Appearance of the Risen Christ to Mary Magdalene)
00:12:19

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

2
XII. La Transsubstantiation (the Transubstantiation)
00:06:35

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

3
XIII. Les deux murailles d'eau (the 2 Walls of Water)
00:06:38

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

4
XIV. Priere avant la communion (Prayer before Communion)
00:03:53

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

5
XV. La joie de la grace (the Joy of Grace)
00:06:02

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

6
XVI. Priere apres la communion (Prayer After Communion)
00:05:56

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

7
XVII. La Presence multipliee (the Multiplied Presence)
00:02:40

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

8
XVIII. Offrande et Alleluia final (Offering and final Alleluia)
00:07:53

Olivier Messiaen, Composer - Paul Jacobs, Artist, MainArtist

(C) 2010 Naxos (P) 2010 Naxos

Presentación del Álbum

The Livre du Saint-Sacrement of Olivier Messiaen was the composer's last organ work, composed in the early '80s and premiered at a Detroit, MI, meeting of the American Guild of Organists. Somewhat neglected, it deserves attention as a sort of summation of all the techniques this great original thinker of the 20th century created. The work is inspired by the Communion sacrament and is essentially a programmatic reflection on the sacrament itself and on episodes from the life of Christ, indicated in biblical or philosophical quotations in the score. The music makes use of the unusual scales (known as modes of limited transposition) of Messiaen's later music, of his penchant for birdsong-like music, of his "communicable language" technique (whereby musical notes spell out words, in this case "resurrection"), of tone clusters, of quotations of chant, and generally of the composer's familiarity with the capabilites of the organ. These details may reveal themselves to a greater or lesser degree, but the work's scope, religious fervor, and sheer power will be evident to any listener. It's a colorful work in the extreme, and its long passages in the organ's lowest register will rattle anything in the vicinity that can be rattled. The sound engineering here is excellent; sample the antiphonal cluster effect in the 13th movement, "Les deux murailles d'eau" (The Two Walls of Water, track 13), and hear how the echoes in the space of New York's Church of St. Mary the Virgin almost seem to become part of the music. Credit goes to engineer Stephen Roessner, but most of all to American organist Paul Jacobs, a preeminent Messiaen specialist who does full justice to the music's sheer enthusiasm and makes sure there's never a dull moment. If you've heard Messiaen's better-known works of the 1940s and 1950s and are in the mood for something both weighty and spectacular, give this double disc a try; it may blow your speakers but will definitely blow your mind. Notes are in French and English.
© TiVo

Detalles de la grabación original : 48:48 - 52:37 - DDD - Enregistré du 27 au 30 janvier 2009 - Notes en français et anglais

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