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Timothy Fallon|Liszt: 15 Songs

Liszt: 15 Songs

Timothy Fallon and Ammiel Bushakevitz

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Liszt wrote songs during most phases of his career and plainly found them important, revising some of them more than once. American tenor Timothy Fallon touches on several gems here and gives them their due. It's hard to say why the Liszt songs as a group aren't better known. Perhaps it's that they served various purposes and aren't closely tied to a single creative impulse the way those of Schubert and even Schumann are. The ones on this album are in Italian, German, French, and even English, and they're entirely disparate in mood. Fallon handles the variety well, with a quiet, elegant top that would have been quite appropriate in a 19th-century recital room. The songs are evocative of various Lisztian concerns, and a multimedia recital with them might well be absorbing. The Tre Sonetti di Petrarca at the beginning come from Liszt's extended road trip with the Countess Marie d'Agoult and are 19th-century reflections on the heritage of romantic love, heated up by a pair that was experiencing it at the time. The other triptych, the Drei Lieder aus Schillers Wilhelm Tell, evokes Liszt the revolutionary who found things touch and go around the time of the 1848 revolutions. Sample perhaps Go Not, Happy Day, to a text by Tennyson; composed in 1879 and Liszt's only song in English, it's a great and not especially well-known example of Liszt's late style, with unexpected silences and unorthodox harmonic progressions. The songs are linked together by, among other things, the fact that most of them give the piano plenty to do (unsurprisingly enough), and collectively they offer a fresh lens into Liszt's career. Highly recommended.

© TiVo

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Liszt: 15 Songs

Timothy Fallon

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3 Sonetti del Petrarca, S. 270 No. 1 (Franz Liszt)

1
No. 1, Pace non trovo
00:07:19

Franz Liszt, Composer - Petrarch, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

2
No. 2, Benedetto sia 'l giorno
00:06:14

Franz Liszt, Composer - Petrarch, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

3
No. 3, I' vidi in terra angelici
00:06:01

Franz Liszt, Composer - Petrarch, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

4
Angiolin dal biondo crin, S. 269 No. 2
00:05:45

Franz Liszt, Composer - Cesare Boccella, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

5
Comment disaient-ils, S. 276 No. 2
00:02:03

Franz Liszt, Composer - Victor Hugo, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

6
Oh! Quand je dors, S. 282 No. 2
00:05:20

Franz Liszt, Composer - Victor Hugo, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

7
Enfant, si j'étais roi, S. 283 No. 2
00:03:05

Franz Liszt, Composer - Victor Hugo, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

8
S'il est un charmant gazon, S. 284 No. 2
00:02:35

Franz Liszt, Composer - Victor Hugo, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

9
Go Not, Happy Day, S. 335
00:03:12

Franz Liszt, Composer - Alfred Tennyson, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

10
Kling leise, mein Lied, S. 301 No. 2
00:05:16

Franz Liszt, Composer - Johannes Nordmann, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

11
Jugendglück, S. 323
00:01:53

Franz Liszt, Composer - Richard Pohl, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

3 Lieder aus Schillers William Tell, S. 292 No. 1 (Franz Liszt)

12
I. Der Fischerknabe
00:04:40

Franz Liszt, Composer - Friedrich von Schiller, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

13
II. Der Hirt
00:05:06

Franz Liszt, Composer - Friedrich von Schiller, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

14
III. Der Alpenjäger
00:03:25

Franz Liszt, Composer - Friedrich von Schiller, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

15
Ihr Glocken von Marling, S. 328
00:03:55

Franz Liszt, Composer - Emil Kuh, Lyricist - Timothy Fallon, MainArtist, AssociatedPerformer - Ammiel Bushakevitz, MainArtist, AssociatedPerformer

2017 BIS 2017 (P) BIS

Presentación del Álbum

Liszt wrote songs during most phases of his career and plainly found them important, revising some of them more than once. American tenor Timothy Fallon touches on several gems here and gives them their due. It's hard to say why the Liszt songs as a group aren't better known. Perhaps it's that they served various purposes and aren't closely tied to a single creative impulse the way those of Schubert and even Schumann are. The ones on this album are in Italian, German, French, and even English, and they're entirely disparate in mood. Fallon handles the variety well, with a quiet, elegant top that would have been quite appropriate in a 19th-century recital room. The songs are evocative of various Lisztian concerns, and a multimedia recital with them might well be absorbing. The Tre Sonetti di Petrarca at the beginning come from Liszt's extended road trip with the Countess Marie d'Agoult and are 19th-century reflections on the heritage of romantic love, heated up by a pair that was experiencing it at the time. The other triptych, the Drei Lieder aus Schillers Wilhelm Tell, evokes Liszt the revolutionary who found things touch and go around the time of the 1848 revolutions. Sample perhaps Go Not, Happy Day, to a text by Tennyson; composed in 1879 and Liszt's only song in English, it's a great and not especially well-known example of Liszt's late style, with unexpected silences and unorthodox harmonic progressions. The songs are linked together by, among other things, the fact that most of them give the piano plenty to do (unsurprisingly enough), and collectively they offer a fresh lens into Liszt's career. Highly recommended.

© TiVo

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