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Gomez|Liquid Skin

Liquid Skin

Gomez

  • Publicado el 01-01-99 por Hut
  • Artistas principales: Gomez
  • Género Rock
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Idioma disponible: inglés

In the wake of Brit-pop's unraveling and the legitimization of prog rock by Radiohead and Spiritualized, Gomez was seen as the future of Brit-rock upon their debut. Bring It On was caught between those two poles: traditionalist on one hand, yet striving for a larger goal. Gomez's secondhand appropriations of American music, crossed with ambling arrangements and a hazy atmosphere indigenous to home recordings, won them a larger audience who expected the group's second album, Liquid Skin, to be a great breakthrough. They may be disappointed to find that it's not. Instead, Liquid Skin is a cleaner, more streamlined version of the debut; it's clear that the band made the move from the garage into a professional studio. In doing so, they wound up with a dead ringer for Pearl Jam's No Code, in which America's best traditionalist band of the '90s strove for a glorious, pan-ethnic mess and pretty much succeeded. Liquid Skin doesn't rival No Code, not just because Gomez isn't as passionate, but also because Pearl Jam didn't sound as self-conscious or predictable when they decided to stretch out. Throughout the record, Gomez betrays their age, playing music that they believe to be experimental or rootsy, but not quite going far enough in either direction. This was true of Bring It On as well, but the cleaner sound and improved focus brings these factors to the forefront. And, frankly, that's not such a bad thing, either. In this context, they might not seem as adventurous (and, therefore, important), but they do bring back varying strands in interesting ways. They still seem to be trying too hard, and treading water in doing so. Still, Liquid Skin will satisfy fans of the first record, just as it will undoubtedly frustrate those who didn't get with them the first time.

© Stephen Thomas Erlewine /TiVo

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Liquid Skin

Gomez

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1
Hangover
00:03:27

Tom Gray, Composer, Performer, AssociatedPerformer - Ken Nelson, Engineer, StudioPersonnel - Paul Hicks, Engineer, StudioPersonnel - Wil Malone, Conductor, String Arranger, Strings Conductor, AssociatedPerformer - Gomez, Producer, MainArtist - Ben Ottewell, Composer, Performer, AssociatedPerformer - Ian Ball, Composer, Performer, AssociatedPerformer - Olly Peacock, Composer, Performer, AssociatedPerformer - Paul Blackburn, Composer, Performer, AssociatedPerformer - Frank Arkwright, Mastering Engineer, StudioPersonnel - Andrea Wright, Asst. Recording Engineer, StudioPersonnel - Dajon Everett, Percussion, AssociatedPerformer - Alex Scannell, Asst. Recording Engineer, StudioPersonnel - Matt Turner, Composer, Guitar, Additional Vocals, AssociatedPerformer - Nick Kirkland, Asst. Recording Engineer, StudioPersonnel

(C) 1999 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1999 Virgin Records Ltd ℗ 1999 Virgin Records Limited

2
Revolutionary Kind
00:04:31

Tom Gray, Composer, Performer, AssociatedPerformer - Ken Nelson, Engineer, StudioPersonnel - Gomez, Producer, MainArtist - Ben Ottewell, Composer, Performer, AssociatedPerformer - Ian Ball, Composer, Performer, AssociatedPerformer - Olly Peacock, Composer, Performer, AssociatedPerformer - Paul Blackburn, Composer, Performer, AssociatedPerformer - Frank Arkwright, Mastering Engineer, StudioPersonnel - Andrea Wright, Asst. Recording Engineer, StudioPersonnel - Dajon Everett, Percussion, AssociatedPerformer - Dave Hadley, Engineer, StudioPersonnel

(C) 1999 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1999 Virgin Records Ltd ℗ 1999 Virgin Records Limited

3
Bring It On
00:04:10

Tom Gray, Composer - Gomez, Producer, MainArtist - Ben Ottewell, Composer - Ian Ball, Composer - Olly Peacock, Composer - Paul Blackburn, Composer

(C) 1999 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1999 Virgin Records Ltd ℗ 1999 Virgin Records Limited

4
Blue Moon Rising
00:04:48

Tom Gray, Composer, Performer, AssociatedPerformer - Ken Nelson, Engineer, StudioPersonnel - Gomez, Producer, MainArtist - Ben Ottewell, Composer, Performer, AssociatedPerformer - Ian Ball, Composer, Performer, AssociatedPerformer - Olly Peacock, Composer, Performer, AssociatedPerformer - Paul Blackburn, Composer, Performer, AssociatedPerformer - Frank Arkwright, Mastering Engineer, StudioPersonnel - Andrea Wright, Asst. Recording Engineer, StudioPersonnel - Dajon Everett, Percussion, AssociatedPerformer

(C) 1999 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1999 Virgin Records Ltd ℗ 1999 Virgin Records Limited

5
Las Vegas Dealer
00:03:54

Tom Gray, Composer, Performer, AssociatedPerformer - Ken Nelson, Engineer, StudioPersonnel - Gomez, Producer, MainArtist - Ben Ottewell, Composer, Performer, AssociatedPerformer - Ian Ball, Composer, Performer, AssociatedPerformer - Olly Peacock, Composer, Performer, AssociatedPerformer - Paul Blackburn, Composer, Performer, AssociatedPerformer - Frank Arkwright, Mastering Engineer, StudioPersonnel - Andrea Wright, Asst. Recording Engineer, StudioPersonnel - Dajon Everett, Percussion, AssociatedPerformer - Alton Towers, Clapping, AssociatedPerformer - Disco Ken, Clapping, AssociatedPerformer

(C) 1999 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1999 Virgin Records Ltd ℗ 1999 Virgin Records Limited

6
We Haven't Turned Around
00:06:28

Tom Gray, Composer, Performer, AssociatedPerformer - London Session Orchestra, Strings, AssociatedPerformer - Ken Nelson, Engineer, StudioPersonnel - Paul Hicks, Engineer, StudioPersonnel - Wil Malone, Conductor, String Arranger, Strings Conductor, AssociatedPerformer - Gomez, Producer, MainArtist - Ben Ottewell, Composer, Performer, AssociatedPerformer - Ian Ball, Composer, Performer, AssociatedPerformer - Olly Peacock, Composer, Performer, AssociatedPerformer - Paul Blackburn, Composer, Performer, AssociatedPerformer - Frank Arkwright, Mastering Engineer, StudioPersonnel - Andrea Wright, Asst. Recording Engineer, StudioPersonnel - Dajon Everett, Percussion, AssociatedPerformer - Alex Scannell, Asst. Recording Engineer, StudioPersonnel

(C) 1999 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1999 Virgin Records Ltd ℗ 1999 Virgin Records Limited

7
Fill My Cup
00:04:37

Tom Gray, Performer, AssociatedPerformer - Ken Nelson, Engineer, StudioPersonnel - Gomez, Composer, Producer, MainArtist - Ben Ottewell, Performer, AssociatedPerformer - Ian Ball, Performer, AssociatedPerformer - Olly Peacock, Performer, AssociatedPerformer - Paul Blackburn, Performer, AssociatedPerformer - Frank Arkwright, Mastering Engineer, StudioPersonnel - Andrea Wright, Asst. Recording Engineer, StudioPersonnel - Dajon Everett, Percussion, AssociatedPerformer

(C) 1999 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1999 Virgin Records Ltd ℗ 1999 Virgin Records Limited

8
Rhythm And Blues Alibi
00:05:03

Tom Gray, Composer, Performer, AssociatedPerformer - Ken Nelson, Engineer, StudioPersonnel - Gomez, Producer, MainArtist - Ben Ottewell, Composer, Performer, AssociatedPerformer - Ian Ball, Composer, Performer, AssociatedPerformer - Olly Peacock, Composer, Performer, AssociatedPerformer - Paul Blackburn, Composer, Performer, AssociatedPerformer - Frank Arkwright, Mastering Engineer, StudioPersonnel - Andrea Wright, Asst. Recording Engineer, StudioPersonnel - Steve Fellows, Guitar, AssociatedPerformer - Dajon Everett, Percussion, AssociatedPerformer

(C) 1999 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1999 Virgin Records Ltd ℗ 1999 Virgin Records Limited

9
Rosalita
00:04:05

Tom Gray, Composer, Performer, AssociatedPerformer - Ken Nelson, Engineer, StudioPersonnel - Gomez, Producer, MainArtist - Ben Ottewell, Composer, Performer, AssociatedPerformer - Ian Ball, Composer, Performer, AssociatedPerformer - Olly Peacock, Composer, Performer, AssociatedPerformer - Paul Blackburn, Composer, Performer, AssociatedPerformer - Frank Arkwright, Mastering Engineer, StudioPersonnel - Andrea Wright, Asst. Recording Engineer, StudioPersonnel - Dajon Everett, Percussion, AssociatedPerformer

(C) 1999 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1999 Virgin Records Ltd ℗ 1999 Virgin Records Limited

10
California
00:07:24

Tom Gray, Composer, Performer, AssociatedPerformer - Ken Nelson, Engineer, StudioPersonnel - Gomez, Producer, MainArtist - Ben Ottewell, Composer, Performer, AssociatedPerformer - Ian Ball, Composer, Performer, AssociatedPerformer - Olly Peacock, Composer, Performer, AssociatedPerformer - Paul Blackburn, Composer, Performer, AssociatedPerformer - Frank Arkwright, Mastering Engineer, StudioPersonnel - Andrea Wright, Asst. Recording Engineer, StudioPersonnel - Steve Fellows, Guitar, AssociatedPerformer - Dajon Everett, Percussion, AssociatedPerformer

(C) 1999 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1999 Virgin Records Ltd ℗ 1999 Virgin Records Limited

11
Devil Will Ride
00:06:56

Tom Gray, Composer, Performer, AssociatedPerformer - Tony Robinson, Trombone, Trumpet, AssociatedPerformer - Ken Nelson, Engineer, StudioPersonnel - Page, Additional Vocals, AssociatedPerformer - Ward, Additional Vocals, AssociatedPerformer - Paul Hicks, Engineer, StudioPersonnel - Wil Malone, Conductor, String Arranger, Strings Conductor, AssociatedPerformer - Gomez, Producer, MainArtist - Ben Ottewell, Composer, Performer, AssociatedPerformer - Ian Ball, Composer, Performer, AssociatedPerformer - Olly Peacock, Composer, Performer, AssociatedPerformer - Paul Blackburn, Composer, Performer, AssociatedPerformer - Frank Arkwright, Mastering Engineer, StudioPersonnel - Andrea Wright, Asst. Recording Engineer, StudioPersonnel - Mojave 3, Additional Vocals, AssociatedPerformer - Dajon Everett, Percussion, AssociatedPerformer - Alex Scannell, Asst. Recording Engineer, StudioPersonnel - Nick Kirkland, Asst. Recording Engineer, StudioPersonnel - Krishnadasan, Additional Vocals, AssociatedPerformer - Bramham, Additional Vocals, AssociatedPerformer - Joey The Dog, Additional Vocals, AssociatedPerformer - Jack Tinker, Piano, AssociatedPerformer - Tony Looby, Alto Saxophone, AssociatedPerformer - Rob Charles, Tenor Saxophone, AssociatedPerformer

(C) 1999 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1999 Virgin Records Ltd ℗ 1999 Virgin Records Limited

Presentación del Álbum

In the wake of Brit-pop's unraveling and the legitimization of prog rock by Radiohead and Spiritualized, Gomez was seen as the future of Brit-rock upon their debut. Bring It On was caught between those two poles: traditionalist on one hand, yet striving for a larger goal. Gomez's secondhand appropriations of American music, crossed with ambling arrangements and a hazy atmosphere indigenous to home recordings, won them a larger audience who expected the group's second album, Liquid Skin, to be a great breakthrough. They may be disappointed to find that it's not. Instead, Liquid Skin is a cleaner, more streamlined version of the debut; it's clear that the band made the move from the garage into a professional studio. In doing so, they wound up with a dead ringer for Pearl Jam's No Code, in which America's best traditionalist band of the '90s strove for a glorious, pan-ethnic mess and pretty much succeeded. Liquid Skin doesn't rival No Code, not just because Gomez isn't as passionate, but also because Pearl Jam didn't sound as self-conscious or predictable when they decided to stretch out. Throughout the record, Gomez betrays their age, playing music that they believe to be experimental or rootsy, but not quite going far enough in either direction. This was true of Bring It On as well, but the cleaner sound and improved focus brings these factors to the forefront. And, frankly, that's not such a bad thing, either. In this context, they might not seem as adventurous (and, therefore, important), but they do bring back varying strands in interesting ways. They still seem to be trying too hard, and treading water in doing so. Still, Liquid Skin will satisfy fans of the first record, just as it will undoubtedly frustrate those who didn't get with them the first time.

© Stephen Thomas Erlewine /TiVo

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