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Kylie Minogue|Let's Get to It

Let's Get to It

Kylie Minogue

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While it's certainly as danceable as Rhythm of Love, Let's Get to It seems to try too hard. By this point in her career, Kylie had transformed from her innocent dance-pop image to what the press dubbed "SexKylie." Obviously, this wasn't accidental on her part. From the title to the heavy breathing effects to the kind of creepy cover pic, this is Kylie as a self-made sex kitten. What makes this album interesting musically is that she has taken creative control of her career as well as image control. She co-wrote much of the record, and while there are some noticeable missteps (the stadium keyboard part that lays the foundation of "I Guess I Like It Like That," for example), she shows potential. Not her most solid release, but fans of her early work will enjoy it.

© Chris True /TiVo

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Let's Get to It

Kylie Minogue

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1
Word Is Out
00:03:34

Phil Harding, Mixer - Lance Ellington, Backing Vocals - Kylie Minogue, Backing Vocals, Lead Vocals, MainArtist - Julian Gingell, Keyboards - Carol Kenyon, Backing Vocals - Miriam Stockley, Backing Vocals - Pete Waterman, Producer, Writer - Mike Stock, Producer, Keyboards, Backing Vocals, Writer - Mae McKenna, Backing Vocals - Chris Mcdonnell, AssistantEngineer - Dillon Gallagher, AssistantEngineer - Gordon Dennis, AssistantEngineer - Peter Day, Engineer - Dean Murphy, AssistantEngineer - Dave Ford, Mixer - Paul Waterman, AssistantEngineer - Jason Barron, AssistantEngineer - Les Sharma, AssistantEngineer - Leroy Osborne, Backing Vocals - Matt Le Flem, AssistantEngineer

© 1991 KDB PTY Limited under exclusive license to BMG Rights Management (UK) Ltd. ℗ 1991 PAL Productions Ltd.

2
Give Me Just a Little More Time
00:03:08

RONALD DUNBAR, Writer - Phil Harding, Mixer - Lance Ellington, Backing Vocals - Kylie Minogue, Backing Vocals, Lead Vocals, MainArtist - Julian Gingell, Keyboards - Carol Kenyon, Backing Vocals - Miriam Stockley, Vocals, Backing Vocals - Pete Waterman, Producer - Mike Stock, Producer, Keyboards, Backing Vocals, Bass - Mae McKenna, Vocals, Backing Vocals - Chris Mcdonnell, AssistantEngineer - Dillon Gallagher, AssistantEngineer - Gordon Dennis, AssistantEngineer - Peter Day, Engineer - Dean Murphy, AssistantEngineer - A Linn, Drums - Dave Ford, Mixer - Paul Waterman, AssistantEngineer - Edyth Wayne, Writer - Jason Barron, AssistantEngineer - Les Sharma, AssistantEngineer - Leroy Osborne, Backing Vocals - Matt Le Flem, AssistantEngineer

© 1991 KDB PTY Limited under exclusive license to BMG Rights Management (UK) Ltd. ℗ 1991 The copyright in this sound recording is owned by PAL Productions Ltd

3
Too Much of a Good Thing
00:04:24

Paul Riser, Arranger - Phil Harding, Backing Vocals - Lance Ellington, Backing Vocals - Tee Green, Backing Vocals - Kylie Minogue, Lead Vocals, Writer, MainArtist - Julian Gingell, Keyboards - Carol Kenyon, Backing Vocals - Miriam Stockley, Backing Vocals - Pete Waterman, Producer, Writer - Mike Stock, Producer, Arranger, Keyboards, Backing Vocals, Writer - Mae McKenna, Backing Vocals - Chris Mcdonnell, Engineer, AssistantEngineer - Dillon Gallagher, AssistantEngineer - Gordon Dennis, Audio Recording Engineer - Peter Day, Audio Recording Engineer - Leroy Osbourne, Backing Vocals - Gary Barnacle, Saxophone - Dean Murphy, AssistantEngineer - Dave Ford, MixingEngineer - Paul Waterman, Arranger, AssistantEngineer - Jason Barron, AssistantEngineer - Lee Sharma, AssistantEngineer - Matt Le Flem, AssistantEngineer

© 1991 KDB PTY Limited under exclusive license to BMG Rights Management (UK) Ltd. ℗ 1991 PAL Productions Ltd.

4
Finer Feelings
00:03:53

Kylie Minogue, MainArtist - Pete Waterman, Producer, Writer - Mike Stock, Producer, Writer

© 1991 KDB PTY Limited under exclusive license to BMG Rights Management (UK) Ltd. ℗ 1991 PAL Productions Ltd.

5
If You Were with Me Now
00:03:10

Phil Harding, Mixer - Keith Washington, Composer - Lance Ellington, Backing Vocals - Kylie Minogue, Composer, Backing Vocals, Lead Vocals, MainArtist - Julian Gingell, Keyboards - Carol Kenyon, Backing Vocals - Miriam Stockley, Backing Vocals - Pete Waterman, Composer, Producer - Mike Stock, Composer, Producer, Keyboards, Backing Vocals - Mae McKenna, Backing Vocals - Chris Mcdonnell, AssistantEngineer - Dillon Gallagher, AssistantEngineer - Gordon Dennis, AssistantEngineer - Peter Day, Engineer - Dean Murphy, AssistantEngineer - Dave Ford, Mixer - Paul Waterman, AssistantEngineer - Jason Barron, AssistantEngineer - Les Sharma, AssistantEngineer - Leroy Osborne, Backing Vocals - Matt Le Flem, AssistantEngineer

© 1991 KDB PTY Limited under exclusive license to BMG Rights Management (UK) Ltd. ℗ 1991 PAL Productions Ltd.

6
Let's Get to It
00:04:49

Paul Riser, Arranger - Phil Harding, Backing Vocals - Lance Ellington, Backing Vocals - Tee Green, Backing Vocals - Kylie Minogue, Lead Vocals, MainArtist - Julian Gingell, Keyboards - Carol Kenyon, Backing Vocals - Miriam Stockley, Backing Vocals - Pete Waterman, Producer, Writer - Mike Stock, Producer, Arranger, Keyboards, Backing Vocals, Writer - Mae McKenna, Backing Vocals - Chris Mcdonnell, Engineer, AssistantEngineer - Dillon Gallagher, AssistantEngineer - Gordon Dennis, Audio Recording Engineer - Peter Day, Audio Recording Engineer - Leroy Osbourne, Backing Vocals - Gary Barnacle, Saxophone - Dean Murphy, AssistantEngineer - Dave Ford, MixingEngineer - Paul Waterman, Arranger, AssistantEngineer - Jason Barron, AssistantEngineer - Lee Sharma, AssistantEngineer - Matt Le Flem, AssistantEngineer

© 1991 KDB PTY Limited under exclusive license to BMG Rights Management (UK) Ltd. ℗ 1991 PAL Productions Ltd.

7
Right Here, Right Now
00:03:53

Paul Riser, Arranger - Phil Harding, Backing Vocals - Lance Ellington, Backing Vocals - Tee Green, Backing Vocals - Kylie Minogue, Lead Vocals, Writer, MainArtist - Julian Gingell, Keyboards - Carol Kenyon, Backing Vocals - Miriam Stockley, Backing Vocals - Pete Waterman, Producer, Writer - Mike Stock, Producer, Arranger, Keyboards, Backing Vocals, Writer - Mae McKenna, Backing Vocals - Chris Mcdonnell, Engineer, AssistantEngineer - Dillon Gallagher, AssistantEngineer - Gordon Dennis, Audio Recording Engineer - Peter Day, Audio Recording Engineer - Leroy Osbourne, Backing Vocals - Gary Barnacle, Saxophone - Dean Murphy, AssistantEngineer - Dave Ford, MixingEngineer - Paul Waterman, Arranger, AssistantEngineer - Jason Barron, AssistantEngineer - Lee Sharma, AssistantEngineer - Matt Le Flem, AssistantEngineer

© 1991 KDB PTY Limited under exclusive license to BMG Rights Management (UK) Ltd. ℗ 1991 PAL Productions Ltd.

8
Live and Learn
00:03:14

Paul Riser, Arranger - Phil Harding, Backing Vocals - Lance Ellington, Backing Vocals - Tee Green, Backing Vocals - Kylie Minogue, Lead Vocals, Writer, MainArtist - Julian Gingell, Keyboards - Carol Kenyon, Backing Vocals - Miriam Stockley, Backing Vocals - Pete Waterman, Producer, Writer - Mike Stock, Producer, Arranger, Keyboards, Backing Vocals, Writer - Mae McKenna, Backing Vocals - Chris Mcdonnell, Engineer, AssistantEngineer - Dillon Gallagher, AssistantEngineer - Gordon Dennis, Audio Recording Engineer - Peter Day, Audio Recording Engineer - Leroy Osbourne, Backing Vocals - Gary Barnacle, Saxophone - Dean Murphy, AssistantEngineer - Dave Ford, MixingEngineer - Paul Waterman, Arranger, AssistantEngineer - Jason Barron, AssistantEngineer - Lee Sharma, AssistantEngineer - Matt Le Flem, AssistantEngineer

© 1991 KDB PTY Limited under exclusive license to BMG Rights Management (UK) Ltd. ℗ 1991 PAL Productions Ltd.

9
No World Without You
00:02:45

Kylie Minogue, Writer, MainArtist - Pete Waterman, Producer, Writer - Mike Stock, Producer, Writer

© 1991 KDB PTY Limited under exclusive license to BMG Rights Management (UK) Ltd. ℗ 1991 PAL Productions Ltd.

10
I Guess I like It like That
00:06:00

Phil Wilde, Writer - Kylie Minogue, Writer, MainArtist - Pete Waterman, Producer, Writer - Mike Stock, Producer, Writer - Jean-Paul De Coster, Writer

© 1991 KDB PTY Limited under exclusive license to BMG Rights Management (UK) Ltd. ℗ 1991 PAL Productions Ltd.

Presentación del Álbum

While it's certainly as danceable as Rhythm of Love, Let's Get to It seems to try too hard. By this point in her career, Kylie had transformed from her innocent dance-pop image to what the press dubbed "SexKylie." Obviously, this wasn't accidental on her part. From the title to the heavy breathing effects to the kind of creepy cover pic, this is Kylie as a self-made sex kitten. What makes this album interesting musically is that she has taken creative control of her career as well as image control. She co-wrote much of the record, and while there are some noticeable missteps (the stadium keyboard part that lays the foundation of "I Guess I Like It Like That," for example), she shows potential. Not her most solid release, but fans of her early work will enjoy it.

© Chris True /TiVo

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