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James|Laid

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James

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After having become superstars in the U.K. with songs like "Sit Down" and then undergone an acoustic American tour opening for Neil Young, James took a consciously quieter, subtler turn with its follow-up to Seven, Laid. This turned out not merely to be a nice way to undercut expectations, but a creative benchmark for the group, arguably its artistic peak. While there had always been a folky, rushed element to the band's work in its earliest days, the now-sextet, following the departure of trumpet Andy Diagram to concentrate on the Spaceheads, here focused instead on understated, moody compositions. Part of this approach no doubt had something to do with Brian Eno's production work, and certainly it's another feather in his cap. While his work with U2 combined with James' own seeming assumption of that band's throne in big rock terms could have resulted in The Joshua Tree redux, that didn't prove to be the case. Admittedly, a couple of songs are specifically aimed at arena-level singalongs, including lead single "Sometimes," which almost drowns under its own weight and speed, and the title track, a celebration of love and lust that ended up giving the band a surprise stateside radio hit. But Tim Booth generally avoids Bono's melodramatics in both hushed and soaring mode, his ruminative singing sounding more like the calm reflections after energetic action, the band's quiet soundscapes a perfect combination of Eno's ear for space and vastness and the group's own abilities. Strong tracks are legion, including "One of the Three," allegedly about British hostages in Lebanon but much more accurately a sharp, harrowing meditation on Jesus and apparently meaningless sacrifice, and the low-key beauties of "Out to Get You" and "Knuckle Too Far." But the best punch is right at the end -- the heartbreaking "Lullaby," a piano-led sigh of regret and wistful hope, and "Skindiving," Booth's near-wordless keen at his most affecting, floating over the low-volume shuffle and bite of the band.

© Ned Raggett /TiVo

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1
Out To Get You
00:04:27

James, MainArtist - Brian Eno, Producer - Jim Glennie, Bass Guitar, AssociatedPerformer - Ben Findlay, Asst. Recording Engineer, StudioPersonnel - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, Vocalist, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer - Benedict Fenner, Mixer, StudioPersonnel

℗ 1993 Mercury Records Limited

2
Sometimes
00:05:10

James, MainArtist - Brian Eno, Producer, Background Vocalist, AssociatedPerformer - Jim Glennie, Bass Guitar, Vocalist, AssociatedPerformer - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - James Gott, Guitar, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, Vocalist, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer - Benedict Fenner, Mixer, StudioPersonnel - Martine McDonagh, Vocalist, AssociatedPerformer

℗ 1993 Mercury Records Limited

3
Dream Thrum
00:04:47

James, MainArtist - Brian Eno, Producer - Jim Glennie, Bass Guitar, AssociatedPerformer - Mark Hunter, Keyboards, Violin, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer - Benedict Fenner, Mixer, StudioPersonnel

℗ 1993 Mercury Records Limited

4
One Of The Three
00:04:07

James, MainArtist - Brian Eno, Producer - Jim Glennie, Bass Guitar, Electric Bass, AssociatedPerformer - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer - Benedict Fenner, Mixer, StudioPersonnel

℗ 1993 Mercury Records Limited

5
Say Something (Album Version)
00:03:26

James, MainArtist - Brian Eno, Producer, Background Vocalist, AssociatedPerformer - Jim Glennie, Bass Guitar, Vocalist, AssociatedPerformer - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - James Gott, Guitar, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, Vocalist, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer - Benedict Fenner, Mixer, StudioPersonnel - Martine McDonagh, Vocalist, AssociatedPerformer

℗ 1993 Mercury Records Limited

6
Five-O
00:05:26

James, MainArtist - Brian Eno, Producer - Jim Glennie, Bass Guitar, AssociatedPerformer - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer - Benedict Fenner, Mixer, StudioPersonnel

℗ 1993 Mercury Records Limited

7
P.S.
00:05:05

James, MainArtist - Brian Eno, Producer - Jim Glennie, Bass Guitar, AssociatedPerformer - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer - Benedict Fenner, Mixer, StudioPersonnel

℗ 1993 Mercury Records Limited

8
Everybody Knows
00:03:28

James, MainArtist - Brian Eno, Producer - Jim Glennie, Bass Guitar, AssociatedPerformer - Markus Dravs, Mixer, StudioPersonnel - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer

℗ 1993 Mercury Records Limited

9
Knuckle Too Far
00:04:39

James, MainArtist - Brian Eno, Producer - Jim Glennie, Bass Guitar, AssociatedPerformer - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer - Benedict Fenner, Mixer, StudioPersonnel

℗ 1993 Mercury Records Limited

10
Low Low Low
00:02:51

James, MainArtist - Brian Eno, Producer - Jim Glennie, Bass Guitar, AssociatedPerformer - Markus Dravs, Mixer, StudioPersonnel - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer

℗ 1993 Mercury Records Limited

11
Laid (Album Version)
00:02:36

James, MainArtist - Brian Eno, Producer - Jim Glennie, Bass Guitar, Vocalist, AssociatedPerformer - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - James Gott, Guitar, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, Vocalist, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer - Benedict Fenner, Mixer, StudioPersonnel

℗ 1993 Mercury Records Limited

12
Lullaby
00:03:50

James, MainArtist - Brian Eno, Producer - Jim Glennie, Bass Guitar, AssociatedPerformer - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer - Benedict Fenner, Mixer, StudioPersonnel

℗ 1993 Mercury Records Limited

13
Skindiving
00:05:42

James, MainArtist - Brian Eno, Producer - Jim Glennie, Bass Guitar, AssociatedPerformer - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer - Benedict Fenner, Mixer, StudioPersonnel

℗ 1993 Mercury Records Limited

14
Laid (Live At GLR)
00:02:53

James, MainArtist - Jim Glennie, Bass Guitar, AssociatedPerformer - Steve Harrison, Producer - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - Saul Davies, Guitar, AssociatedPerformer - Tim Booth, Vocalist, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Adrian Oxaal, Guitar, AssociatedPerformer - Michael Kulas, Percussion, AssociatedPerformer - Susan Gilfillan, Producer

℗ 1998 BBC Records

15
Sometimes (Live At Maida Vale Studios, London / 2001)
00:04:19

James, MainArtist - Jim Glennie, Bass Guitar, AssociatedPerformer - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer

℗ 2001 Mercury Records Limited

16
Five-O (Live At Maida Vale Studios, London / 2001)
00:05:29

James, MainArtist - Jim Glennie, Bass Guitar, AssociatedPerformer - Mark Hunter, Keyboards, AssociatedPerformer - David Baynton-Power, Drums, AssociatedPerformer - Saul Davies, Guitar, Violin, AssociatedPerformer - Tim Booth, Vocals, AssociatedPerformer - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist - Larry Gott, Guitar, AssociatedPerformer

℗ 1993 Mercury Records Limited

17
Say Something (The Saying Nothing Mix)
00:03:53

James, MainArtist - James Patrick Glennie, ComposerLyricist - Timothy Booth, ComposerLyricist - James Lawrence Gott, ComposerLyricist

℗ 2001 Mercury Records Limited

Presentación del Álbum

After having become superstars in the U.K. with songs like "Sit Down" and then undergone an acoustic American tour opening for Neil Young, James took a consciously quieter, subtler turn with its follow-up to Seven, Laid. This turned out not merely to be a nice way to undercut expectations, but a creative benchmark for the group, arguably its artistic peak. While there had always been a folky, rushed element to the band's work in its earliest days, the now-sextet, following the departure of trumpet Andy Diagram to concentrate on the Spaceheads, here focused instead on understated, moody compositions. Part of this approach no doubt had something to do with Brian Eno's production work, and certainly it's another feather in his cap. While his work with U2 combined with James' own seeming assumption of that band's throne in big rock terms could have resulted in The Joshua Tree redux, that didn't prove to be the case. Admittedly, a couple of songs are specifically aimed at arena-level singalongs, including lead single "Sometimes," which almost drowns under its own weight and speed, and the title track, a celebration of love and lust that ended up giving the band a surprise stateside radio hit. But Tim Booth generally avoids Bono's melodramatics in both hushed and soaring mode, his ruminative singing sounding more like the calm reflections after energetic action, the band's quiet soundscapes a perfect combination of Eno's ear for space and vastness and the group's own abilities. Strong tracks are legion, including "One of the Three," allegedly about British hostages in Lebanon but much more accurately a sharp, harrowing meditation on Jesus and apparently meaningless sacrifice, and the low-key beauties of "Out to Get You" and "Knuckle Too Far." But the best punch is right at the end -- the heartbreaking "Lullaby," a piano-led sigh of regret and wistful hope, and "Skindiving," Booth's near-wordless keen at his most affecting, floating over the low-volume shuffle and bite of the band.

© Ned Raggett /TiVo

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