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Kammerchor Stuttgart|Johann Sebastian Bach: Motetten

Johann Sebastian Bach: Motetten

Kammerchor Stuttgart, Hartwig Groth, Christof Roos, Frieder Bernius

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German conductor Frieder Bernius had already recorded Bach's motets (minus the slightly problematical Lobet den Herrn alle Heiden, BWV 230) for the Sony label; that fine release featured the participation of a small instrumental ensemble. This version for Germany's Carus label has only a continuo, and a very quiet one at that, with just a small organ and a violone. Nevertheless, its virtues are similar to that of the earlier release. In this age of radical experimentation with the performance of Bach's music, it's good to know that there's a place to go for a strong traditional performance, with a good-size group and the classic warm sound of German choral ensembles. This Bernius and his Stuttgart Chamber Choir reliably provide, and this group of motets is an unusually strong outing. The choir's diction in these dense works, where a full-choir performance can overwhelm the texts, is quite clear. The chief appeal is that Bernius modulates the choir's sound in response to the range of textures in these works; for the sinuous polyphony in Singet dem Herrn ein neues Lied, BWV 225, he pares the vibrato back almost to a British-cathedral sound, but elsewhere, once the polyphonic thickets are left behind, he lets the singers engage more with the text. The music connects throughout; it's sober yet shaped with loving detail. A fine old-school reading of these much-recorded works, with excellent sound from the Church of Sts. Peter and Paul in Gönningen, Germany.

© TiVo

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Johann Sebastian Bach: Motetten

Kammerchor Stuttgart

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Singet dem Herrn ein neues Lied, BWV 225 (Johann Sebastian Bach)

1
I. "Singet dem Herrn ein neues Lied"
Kammerchor Stuttgart
00:04:30

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

2
II. Choral: "Wie sich ein Vat'r erbarmet" - Aria: "Gott, nimm dich ferner unser an"
Kammerchor Stuttgart
00:04:13

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Frieder Bernius, Conductor, MainArtist - Johann Gramann, Author

℗ 2012 Carus

3
III. Doppelchor: "Lobet den Herrn in seinen Taten", "Alles, was Odem hat"
Kammerchor Stuttgart
00:03:23

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

Der Geist hilft unser Schwachheit auf, BWV 226 (Johann Sebastian Bach)

4
I. Der Geist hilft unser Schwachheit auf
Christof Roos
00:03:39

Kammerchor Stuttgart, Choir, MainArtist - Traditional, Author - Johann Sebastian Bach, Composer - Frieder Bernius, Conductor, MainArtist - Christof Roos, Organ, MainArtist, AssociatedPerformer - Hartwig Groth, Cello, MainArtist, AssociatedPerformer

℗ 2012 Carus

5
II. Der aber die Herzen forschet
Christof Roos
00:02:08

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Frieder Bernius, Conductor, MainArtist - Christof Roos, Organ, MainArtist, AssociatedPerformer - Hartwig Groth, Cello, MainArtist, AssociatedPerformer

℗ 2012 Carus

6
III. Du heilige Brunst
Christof Roos
00:01:28

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Martin Luther, Author - Frieder Bernius, Conductor, MainArtist - Christof Roos, Organ, MainArtist, AssociatedPerformer - Hartwig Groth, Cello, MainArtist, AssociatedPerformer

℗ 2012 Carus

Jesu meine Freude , BWV 227 (Johann Sebastian Bach)

7
I. Jesu, meine Freude
Kammerchor Stuttgart
00:01:09

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

8
II. Es ist nun nichts Verdammliches an denen
Kammerchor Stuttgart
00:02:45

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

9
III. Unter deinen Schirmen
Kammerchor Stuttgart
00:01:05

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

10
IV. Denn das Gesetz des Geistes
Kammerchor Stuttgart
00:00:54

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

Jesu meine Freude, BWV 227 (Johann Sebastian Bach)

11
V. Trotz dem alten Drachen
Kammerchor Stuttgart
00:02:10

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

Jesu meine Freude , BWV 227 (Johann Sebastian Bach)

12
VI. Ihr aber seid nicht fleischlich
Kammerchor Stuttgart
00:02:20

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

Jesu meine Freude, BWV 227 (Johann Sebastian Bach)

13
VII. Weg mit allen Schätzen
Kammerchor Stuttgart
00:01:10

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

Jesu meine Freude , BWV 227 (Johann Sebastian Bach)

14
VIII. So aber Christus in euch ist
Kammerchor Stuttgart
00:01:56

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

15
IX. Gute Nacht, O Wesen
Kammerchor Stuttgart
00:03:31

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

16
X. So nun der Geist
Kammerchor Stuttgart
00:01:18

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

17
XI. Weicht, ihr Trauergeister
Kammerchor Stuttgart
00:01:09

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Anonymous, Author - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

18
Fürchte dich nicht, ich bin bei dir, BWV 228
Kammerchor Stuttgart
00:08:09

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

Komm, Jesu, komm, BWV 229 (Johann Sebastian Bach)

19
I. Komm, Jesu, komm, mein Leib ist müde
Kammerchor Stuttgart
00:06:41

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

20
IV. Aria: Drum schließ ich mich in Deine Hände
Kammerchor Stuttgart
00:01:11

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

Lobet den Herrn, alle Heiden Motet, BWV 230 (Johann Sebastian Bach)

21
I. Lobet den Herrn, alle Heiden
Hartwig Groth
00:06:30

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Frieder Bernius, Conductor, MainArtist - Christof Roos, Organ, MainArtist, AssociatedPerformer - Hartwig Groth, Cello, MainArtist, AssociatedPerformer

℗ 2012 Carus

22
Ich lasse Dich nicht, Du segnest mich denn, BWV Anh. 159
Kammerchor Stuttgart
00:04:19

Kammerchor Stuttgart, Choir, MainArtist - Johann Sebastian Bach, Composer - Frieder Bernius, Conductor, MainArtist

℗ 2012 Carus

Presentación del Álbum

German conductor Frieder Bernius had already recorded Bach's motets (minus the slightly problematical Lobet den Herrn alle Heiden, BWV 230) for the Sony label; that fine release featured the participation of a small instrumental ensemble. This version for Germany's Carus label has only a continuo, and a very quiet one at that, with just a small organ and a violone. Nevertheless, its virtues are similar to that of the earlier release. In this age of radical experimentation with the performance of Bach's music, it's good to know that there's a place to go for a strong traditional performance, with a good-size group and the classic warm sound of German choral ensembles. This Bernius and his Stuttgart Chamber Choir reliably provide, and this group of motets is an unusually strong outing. The choir's diction in these dense works, where a full-choir performance can overwhelm the texts, is quite clear. The chief appeal is that Bernius modulates the choir's sound in response to the range of textures in these works; for the sinuous polyphony in Singet dem Herrn ein neues Lied, BWV 225, he pares the vibrato back almost to a British-cathedral sound, but elsewhere, once the polyphonic thickets are left behind, he lets the singers engage more with the text. The music connects throughout; it's sober yet shaped with loving detail. A fine old-school reading of these much-recorded works, with excellent sound from the Church of Sts. Peter and Paul in Gönningen, Germany.

© TiVo

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