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Ahmed Abdul Malik|Jazz Sahara

Jazz Sahara

Ahmed Abdul-Malik with Johnny Griffin

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This CD reissue is an early example of fusing jazz with world music. Abdul-Malik switches between bass and oud; interacts closely with the droning violin of Naim Karacand, Jack Ghanaim's kanoon (a 72-string instrument), and Mike Hamway's darabeka (a percussive drum); and mixes in Al Harewood's drums and (on three of the four selections) the tenor of Johnny Griffin. The music is a qualified success, essentially Middle Eastern folk music with Griffin added in. This set is interesting and, in its own way, innovative but not essential.

© Scott Yanow /TiVo

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Jazz Sahara

Ahmed Abdul Malik

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1
Ya Annas (Oh People)
00:11:10

Ahmed Abdul Malik, basse - Al Harewood, basse - Bilal Abdurrahman, percussions - Johnny Griffin, saxophone ténor - Ahmed Abdul Malik, Main Artist, Composer, Author

℗ 1993 Fantasy, Inc.

2
Isma'a (Listen)
00:09:10

Ahmed Abdul Malik, basse - Al Harewood, basse - Bilal Abdurrahman, percussions - Johnny Griffin, saxophone ténor - Ahmed Abdul Malik, Main Artist, Composer, Author

℗ 1993 Fantasy, Inc.

3
El Haris (Anxious)
00:11:28

Ahmed Abdul Malik, basse - Al Harewood, basse - Bilal Abdurrahman, percussions - Johnny Griffin, saxophone ténor - Ahmed Abdul Malik, Main Artist, Composer, Author

℗ 1993 Fantasy, Inc.

4
Farah 'Alaiyna (Joy Upon Us)
00:06:59

Ahmed Abdul Malik, basse - Al Harewood, basse - Bilal Abdurrahman, percussions - Johnny Griffin, saxophone ténor - Ahmed Abdul Malik, Main Artist, Author, Composer

℗ 1993 Fantasy, Inc.

Presentación del Álbum

This CD reissue is an early example of fusing jazz with world music. Abdul-Malik switches between bass and oud; interacts closely with the droning violin of Naim Karacand, Jack Ghanaim's kanoon (a 72-string instrument), and Mike Hamway's darabeka (a percussive drum); and mixes in Al Harewood's drums and (on three of the four selections) the tenor of Johnny Griffin. The music is a qualified success, essentially Middle Eastern folk music with Griffin added in. This set is interesting and, in its own way, innovative but not essential.

© Scott Yanow /TiVo

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