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In 1966, when Freda Payne recorded How Do You Say I Don't Love You Anymore for MGM, she had already recorded a jazz LP for Impulse! but was still a few years away from Invictus and her commercial peak with the polished '70s soul of "Band of Gold." Although the LP was arranged by Benny Golson, one of the finest arranger/composers in jazz, it was closer to a pop date than vocal jazz. Payne sang "Yesterday" and "Let It Be Me" and "You've Lost That Lovin' Feelin'," while the studio charts of Golson (and production by Tom Wilson) looked to the contemporary pop burgeoning across the pond from Petula Clark and Tony Hatch. (Think punchy but compressed brass, perfect for mono speakers in car radios and department stores.) Despite her early jazz leanings, Payne proves herself a far better pop-soul singer, sounding great on the two songs with the most hit potential, the title track and "You Never Should Have Loved Me." By comparison, her interpretations of the standards are clumsy; she holds notes a beat too long and wrings every last note of melodrama from "Yesterday" and "Let It Be Me." Overall, not a bad dry run for her Invictus recordings, which would begin in just a few years.
© John Bush /TiVo
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Irwin Levine, ComposerLyricist - Benny Golson, Recording Arranger, AssociatedPerformer - Al Kooper, ComposerLyricist - Tom Wilson, Producer - Freda Payne, MainArtist
℗ 1966 UMG Recordings, Inc.
John Lennon, ComposerLyricist - Paul Mccartney, ComposerLyricist - Benny Golson, Recording Arranger, AssociatedPerformer - Tom Wilson, Producer - Freda Payne, MainArtist
℗ 1966 UMG Recordings, Inc.
Ben Raleigh, ComposerLyricist - Benny Golson, Recording Arranger, AssociatedPerformer - Helmut Zacharias, ComposerLyricist - Tom Wilson, Producer - Freda Payne, MainArtist
℗ 1966 UMG Recordings, Inc.
Benny Golson, Recording Arranger, AssociatedPerformer - Tom Wilson, Producer - Freda Payne, MainArtist - Thomas Wilson, ComposerLyricist
℗ 1966 UMG Recordings, Inc.
Gilbert Becaud, Composer - Mann Curtis, Adapter - PIERRE DELANOE, Author - Benny Golson, Recording Arranger, AssociatedPerformer - Tom Wilson, Producer - Freda Payne, MainArtist
℗ 1966 UMG Recordings, Inc.
Laurence Weiss, ComposerLyricist - Benny Golson, Recording Arranger, AssociatedPerformer - Tom Wilson, Producer - Freda Payne, MainArtist - Fred Anisfield, ComposerLyricist
℗ 1966 UMG Recordings, Inc.
Barry Mann, ComposerLyricist - Cynthia Weil, ComposerLyricist - PHIL SPECTOR, ComposerLyricist - Benny Golson, Recording Arranger, AssociatedPerformer - Tom Wilson, Producer - Freda Payne, MainArtist
℗ 1966 UMG Recordings, Inc.
Benny Golson, Recording Arranger, AssociatedPerformer - Ted Daryll, ComposerLyricist - Tom Wilson, Producer - Freda Payne, MainArtist
℗ 1966 UMG Recordings, Inc.
Anthony Newley, ComposerLyricist - Leslie Bricusse, ComposerLyricist - Benny Golson, Recording Arranger, AssociatedPerformer - Tom Wilson, Producer - Freda Payne, MainArtist
℗ 1966 UMG Recordings, Inc.
Frank Owens, ComposerLyricist - Benny Golson, Recording Arranger, AssociatedPerformer - Tom Wilson, Producer - Freda Payne, MainArtist
℗ 1966 UMG Recordings, Inc.
Edith Piaf, ComposerLyricist - Benny Golson, Recording Arranger, AssociatedPerformer - Geoffrey Parsons, ComposerLyricist - Tom Wilson, Producer - Freda Payne, MainArtist - Marguerite Angèle Monnot, ComposerLyricist
℗ 1966 UMG Recordings, Inc.
Benny Golson, Recording Arranger, AssociatedPerformer - Robert Maxwell, ComposerLyricist - Tom Wilson, Producer - Freda Payne, MainArtist
℗ 1966 UMG Recordings, Inc.
Presentación del Álbum
In 1966, when Freda Payne recorded How Do You Say I Don't Love You Anymore for MGM, she had already recorded a jazz LP for Impulse! but was still a few years away from Invictus and her commercial peak with the polished '70s soul of "Band of Gold." Although the LP was arranged by Benny Golson, one of the finest arranger/composers in jazz, it was closer to a pop date than vocal jazz. Payne sang "Yesterday" and "Let It Be Me" and "You've Lost That Lovin' Feelin'," while the studio charts of Golson (and production by Tom Wilson) looked to the contemporary pop burgeoning across the pond from Petula Clark and Tony Hatch. (Think punchy but compressed brass, perfect for mono speakers in car radios and department stores.) Despite her early jazz leanings, Payne proves herself a far better pop-soul singer, sounding great on the two songs with the most hit potential, the title track and "You Never Should Have Loved Me." By comparison, her interpretations of the standards are clumsy; she holds notes a beat too long and wrings every last note of melodrama from "Yesterday" and "Let It Be Me." Overall, not a bad dry run for her Invictus recordings, which would begin in just a few years.
© John Bush /TiVo
Acerca del álbum
- 1 disco(s) - 12 pista(s)
- Duración total: 00:32:12
- Artistas principales: Freda Payne
- Compositor: Various Composers
- Sello: Polydor
- Género Jazz
© 1966 UMG Recordings, Inc. ℗ 1966 UMG Recordings, Inc.
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