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Children Of Bodom|Hate Crew Deathroll

Hate Crew Deathroll

Children Of Bodom

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Four albums in and still whacked on speed, Finnish five-piece Children of Bodom continue with its highly entertaining, giddy, pogo-stick metal on Hate Crew Deathroll. Attitude-wise, CoB has become the Manowar of melodic death metal, willfully leaping off the cliff of over-the-top metaldom (not unlike Swedish supergroup Witchery) -- which is refreshing, considering the poker-faced seriousness of most acts in the genre, and here, main Bodom-ite Alexi "Wildchild" Laiho keeps his tongue firmly in cheek while tearing through squirrelly cuts such as "Triple Corpse Hammerblow" and "Lil' Bloodred Ridin' Hood." Like its predecessor, Follow the Reaper, Hate Crew finds Laiho firing off frantic speed metal riffs and technical, shred-heavy solos alongside humorously irritating prog/horror movie keyboards; this time, however, he has tightened up the arrangements (most songs clock in under four minutes) and significantly improved the enunciation of his vocal screech, making for a lean, mean, and infectious listen. The album races to the finish of its 36-minute running time, only slowing down for deathly ballad "Angels Don't Kill" and highlight "Sixpounder," which trades busy fretwork for hackle-raising mid-tempo riff chuggery and a monstrous, sweeping, anthemic chorus. Adding to the album's effectiveness is its crisp, crystal-clear, sharp, and mechanical production (Megadeth's stellar Countdown to Extinction is a reference point), which perfectly suits CoB's slice'n'dice songwriting ethic. Hate Crew Deathroll is easily the band's most accomplished, well-rounded, and enjoyable album, thanks to Laiho's playful, frisky approach to metal's clichés; placing Children of Bodom next to comparable European metal acts gives the overtly serious sensibilities of the genre a well-deserved deflating.

© John Serba /TiVo

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Hate Crew Deathroll

Children Of Bodom

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1
Needled 24 / 7 Explicit
00:04:08

Mika Jussila, SoundEngineer - Mikko Karmila, MixingEngineer - Anssi Kippo, Producer, SoundEngineer - Children Of Bodom, MainArtist - Alexi Laiho, Composer, Guitar - Janne Wirman, Keyboards - Henri Seppälä, BassGuitar - Alexander Kuoppala, Guitar - Jaska Raatikainen, Drums

2006 Spin-Farm Oy 2006 Spin-Farm Oy

2
Sixpounder
00:03:24

Mika Jussila, SoundEngineer - Mikko Karmila, MixingEngineer - Anssi Kippo, Producer, SoundEngineer - Children Of Bodom, MainArtist - Alexi Laiho, Composer, Guitar - Janne Wirman, Keyboards - Henri Seppälä, BassGuitar - Alexander Kuoppala, Guitar - Jaska Raatikainen, Drums

2006 Spin-Farm Oy 2006 Spin-Farm Oy

3
Chokehold (Cocked 'N' Loaded) Explicit
00:04:12

Mika Jussila, SoundEngineer - Mikko Karmila, MixingEngineer - Anssi Kippo, Producer, SoundEngineer - Children Of Bodom, MainArtist - Alexi Laiho, Guitar - Janne Wirman, Keyboards - Henri Seppälä, Composer, BassGuitar - Alexander Kuoppala, Composer, Guitar - Jaska Raatikainen, Drums

2006 Spin-Farm Oy 2006 Spin-Farm Oy

4
Bodom Beach Terror Explicit
00:04:35

Children Of Bodom, MainArtist - Alexi Laiho, Composer

2006 Spin-Farm Oy 2006 Spin-Farm Oy

5
Angels Don't Kill
00:05:13

Mika Jussila, SoundEngineer - Mikko Karmila, MixingEngineer - Anssi Kippo, Producer, SoundEngineer - Children Of Bodom, MainArtist - Alexi Laiho, Composer, Guitar - Janne Wirman, Keyboards - Henri Seppälä, BassGuitar - Alexander Kuoppala, Guitar - Jaska Raatikainen, Drums

2006 Spin-Farm Oy 2006 Spin-Farm Oy

6
Triple Corpse Hammerblow
00:04:06

Mika Jussila, SoundEngineer - Mikko Karmila, MixingEngineer - Anssi Kippo, Producer, SoundEngineer - Children Of Bodom, MainArtist - Alexi Laiho, Composer, Guitar - Janne Wirman, Keyboards - Henri Seppälä, BassGuitar - Alexander Kuoppala, Guitar - Jaska Raatikainen, Drums

2006 Spin-Farm Oy 2006 Spin-Farm Oy

7
You're Better Off Dead Explicit
00:04:01

Mika Jussila, SoundEngineer - Mikko Karmila, MixingEngineer - Anssi Kippo, Producer, SoundEngineer - Children Of Bodom, MainArtist - Alexi Laiho, Composer, Guitar - Janne Wirman, Keyboards - Henri Seppälä, BassGuitar - Alexander Kuoppala, Guitar - Jaska Raatikainen, Drums

2006 Spin-Farm Oy 2006 Spin-Farm Oy

8
Lil' Bloodred Ridin' Hood Explicit
00:03:24

Mika Jussila, SoundEngineer - Mikko Karmila, MixingEngineer - Anssi Kippo, Producer, SoundEngineer - Children Of Bodom, MainArtist - Alexi Laiho, Guitar - Janne Wirman, Keyboards - Henri Seppälä, BassGuitar - Alexander Kuoppala, Composer, Guitar - Jaska Raatikainen, Drums

2006 Spin-Farm Oy 2006 Spin-Farm Oy

9
Hate Crew Deathroll Explicit
00:03:35

Mika Jussila, SoundEngineer - Mikko Karmila, MixingEngineer - Anssi Kippo, Producer, SoundEngineer - Children Of Bodom, MainArtist - Alexi Laiho, Composer, Guitar - Janne Wirman, Keyboards - Henri Seppälä, BassGuitar - Alexander Kuoppala, Guitar - Jaska Raatikainen, Drums

2006 Spin-Farm Oy 2006 Spin-Farm Oy

Presentación del Álbum

Four albums in and still whacked on speed, Finnish five-piece Children of Bodom continue with its highly entertaining, giddy, pogo-stick metal on Hate Crew Deathroll. Attitude-wise, CoB has become the Manowar of melodic death metal, willfully leaping off the cliff of over-the-top metaldom (not unlike Swedish supergroup Witchery) -- which is refreshing, considering the poker-faced seriousness of most acts in the genre, and here, main Bodom-ite Alexi "Wildchild" Laiho keeps his tongue firmly in cheek while tearing through squirrelly cuts such as "Triple Corpse Hammerblow" and "Lil' Bloodred Ridin' Hood." Like its predecessor, Follow the Reaper, Hate Crew finds Laiho firing off frantic speed metal riffs and technical, shred-heavy solos alongside humorously irritating prog/horror movie keyboards; this time, however, he has tightened up the arrangements (most songs clock in under four minutes) and significantly improved the enunciation of his vocal screech, making for a lean, mean, and infectious listen. The album races to the finish of its 36-minute running time, only slowing down for deathly ballad "Angels Don't Kill" and highlight "Sixpounder," which trades busy fretwork for hackle-raising mid-tempo riff chuggery and a monstrous, sweeping, anthemic chorus. Adding to the album's effectiveness is its crisp, crystal-clear, sharp, and mechanical production (Megadeth's stellar Countdown to Extinction is a reference point), which perfectly suits CoB's slice'n'dice songwriting ethic. Hate Crew Deathroll is easily the band's most accomplished, well-rounded, and enjoyable album, thanks to Laiho's playful, frisky approach to metal's clichés; placing Children of Bodom next to comparable European metal acts gives the overtly serious sensibilities of the genre a well-deserved deflating.

© John Serba /TiVo

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