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Sum 41|Half Hour Of Power

Half Hour Of Power

Sum 41

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The first track, "Grab the Devil by the Horns and Fuck Him up the Ass," is a time warp. For a minute and a half the group relives the new wave of British metal and cranks out an Iron Maiden style tune. After a brief trip down memory lane the album quickly morphs into pop punk. The songs are well crafted and the hooks are catchy on "Make No Difference" and "Summer." But in some respects that is problematic, there was a time in the pre-Green Day/Blink 182 years where punk defined itself by not being radio friendly. A good album, but essentially proof that turn of the millennium punk is just as much a corporate rock entity as adult contemporary.
© Curtis Zimmermann /TiVo

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Half Hour Of Power

Sum 41

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1
Grab The Devil By The Horns And **** Him Up The ***
00:01:06

Dave Baksh, ComposerLyricist - Steve Jocz, ComposerLyricist - Greig Nori, Producer - Deryck Whibley, ComposerLyricist - Jay McCaslin, ComposerLyricist - Sum 41, MainArtist

℗ 2000 UMG Recordings, Inc.

2
Machine Gun
00:02:29

Dave Baksh, ComposerLyricist - Steve Jocz, ComposerLyricist - Greig Nori, Producer - Deryck Whibley, ComposerLyricist - Jay McCaslin, ComposerLyricist - Sum 41, MainArtist

℗ 2000 UMG Recordings, Inc.

3
What I Believe
00:02:49

Dave Baksh, ComposerLyricist - Steve Jocz, ComposerLyricist - Greig Nori, Producer, ComposerLyricist - Deryck Whibley, ComposerLyricist - MATT HYDE, Mixer, StudioPersonnel - Jay McCaslin, ComposerLyricist - Sum 41, MainArtist

℗ 2000 UMG Recordings, Inc.

4
T.H.T.
00:00:43

Dave Baksh, ComposerLyricist - Steve Jocz, ComposerLyricist - Greig Nori, Producer - Deryck Whibley, ComposerLyricist - Jay McCaslin, ComposerLyricist - Sum 41, MainArtist

℗ 2000 UMG Recordings, Inc.

5
Makes No Difference
00:03:10

Dave Baksh, ComposerLyricist - Steve Jocz, ComposerLyricist - Greig Nori, Producer, ComposerLyricist - Deryck Whibley, ComposerLyricist - Jerry Finn, Mixer, StudioPersonnel - Ed Krautner, Engineer, StudioPersonnel - Jay McCaslin, ComposerLyricist - Sum 41, MainArtist

℗ 2000 UMG Recordings, Inc.

6
Summer
00:02:40

Dave Baksh, ComposerLyricist - Steve Jocz, ComposerLyricist - Greig Nori, Producer, ComposerLyricist - Deryck Whibley, ComposerLyricist - Jay McCaslin, ComposerLyricist - Sum 41, MainArtist

℗ 2000 UMG Recordings, Inc.

7
32 Ways To Die
00:01:30

Dave Baksh, ComposerLyricist - Steve Jocz, ComposerLyricist - Greig Nori, Producer - Deryck Whibley, ComposerLyricist - Jay McCaslin, ComposerLyricist - Sum 41, MainArtist

℗ 2000 UMG Recordings, Inc.

8
Second Chance For Max Headroom
00:03:51

Dave Baksh, ComposerLyricist - Steve Jocz, ComposerLyricist - Greig Nori, Producer - Deryck Whibley, ComposerLyricist - Jay McCaslin, ComposerLyricist - Sum 41, MainArtist

℗ 2000 UMG Recordings, Inc.

9
Dave's Possessed Hair / What We're All About Explicit
00:03:47

Dave Baksh, ComposerLyricist - Steve Jocz, ComposerLyricist - Greig Nori, Producer - Deryck Whibley, ComposerLyricist - Shawn Moltke, ComposerLyricist - Jay McCaslin, ComposerLyricist - Sum 41, MainArtist

℗ 2000 UMG Recordings, Inc.

10
Ride The Chariot To The Devil
00:00:54

Dave Baksh, ComposerLyricist - Steve Jocz, ComposerLyricist - Greig Nori, Producer - Deryck Whibley, ComposerLyricist - Jay McCaslin, ComposerLyricist - Sum 41, MainArtist

℗ 2000 UMG Recordings, Inc.

11
Another Time Around
00:03:21

Dave Baksh, ComposerLyricist - Steve Jocz, ComposerLyricist - Greig Nori, Producer, ComposerLyricist - Deryck Whibley, ComposerLyricist - Jay McCaslin, ComposerLyricist - Sum 41, MainArtist

℗ 2000 UMG Recordings, Inc.

Presentación del Álbum

The first track, "Grab the Devil by the Horns and Fuck Him up the Ass," is a time warp. For a minute and a half the group relives the new wave of British metal and cranks out an Iron Maiden style tune. After a brief trip down memory lane the album quickly morphs into pop punk. The songs are well crafted and the hooks are catchy on "Make No Difference" and "Summer." But in some respects that is problematic, there was a time in the pre-Green Day/Blink 182 years where punk defined itself by not being radio friendly. A good album, but essentially proof that turn of the millennium punk is just as much a corporate rock entity as adult contemporary.
© Curtis Zimmermann /TiVo

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