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Herbie Hancock|Future Shock

Future Shock

Herbie Hancock

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Herbie Hancock completely overhauled his sound and conquered MTV with his most radical step forward since the sextet days. He brought in Bill Laswell of Material as producer, along with Grand Mixer D.ST on turntables -- and the immediate result was "Rockit," which makes quite a post-industrial metallic racket. Frankly, the whole record is an enigma; for all of its dehumanized, mechanized textures and rigid rhythms, it has a vitality and sense of humor that make it difficult to turn off. Moreover, Herbie can't help but inject a subversive funk element when he comps along to the techno beat -- and yes, some real, honest-to-goodness jazz licks on a grand piano show up in the middle of "Auto Drive."

© Richard S. Ginell /TiVo

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Future Shock

Herbie Hancock

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1
Rockit (Album Version)
00:05:25

M. Beinhorn, Composer - M. Beinhorn, Lyricist - Herbie Hancock, Composer - Herbie Hancock, Lyricist - Herbie Hancock, Keyboards - Herbie Hancock, Producer - Herbie Hancock, Synthesizer - Herbie Hancock, Performer - Material, Producer - B. LASWELL, Composer - B. LASWELL, Lyricist - Michael Beinhorn, Performer - Bill Laswell, Acoustic Bass

(P) 1983 Columbia Records, a division of Sony Music Entertainment

2
Future Shock (Album Version)
00:08:01

Bill Laswell, Bass - C. Mayfield, Composer - C. Mayfield, Lyricist - Martin Bisi, Engineer - Dwight Jackson Jr., Vocal - Pete Cosey, Guitar - Billy Youdelman, Engineer - Bernard Fowler, Background Vocal - Howie Weinberg, Mastering Engineer - Mark Wilder, Mastering Engineer - Material, Producer - Dominic Maita, Engineer - Dave Jerden, Engineer - Dave Jerden, Mixing Engineer - Herbie Hancock, Producer - Herbie Hancock, Keyboards - Herbie Hancock, Synthesizer - Herbie Hancock, Performer - Bryan Bell, Engineer - Sly Dunbar, Drums - Sly Dunbar, Bongos - Mike Krowiak, 2nd Engineer

(P) 1983 Columbia Records, a division of Sony Music Entertainment

3
TFS (Album Version)
00:05:45

Bill Laswell, Bass - Martin Bisi, Engineer - Billy Youdelman, Engineer - Howie Weinberg, Mastering Engineer - Mark Wilder, Mastering Engineer - Material, Producer - Dave Jerden, Engineer - Dave Jerden, Mixing Engineer - Dominic Maita, Engineer - Herbie Hancock, Composer - Herbie Hancock, Lyricist - Herbie Hancock, Keyboards - Herbie Hancock, Producer - Herbie Hancock, Piano - Herbie Hancock, Synthesizer - Herbie Hancock, Performer - Bryan Bell, Engineer - B. LASWELL, Composer - B. LASWELL, Lyricist - M. Beinhorn, Composer - M. Beinhorn, Lyricist - Mike Krowiak, 2nd Engineer

(P) 1983 Columbia Records, a division of Sony Music Entertainment

4
Earth Beat (Album Version)
00:05:09

Bill Laswell, Bass - Martin Bisi, Engineer - Billy Youdelman, Engineer - Howie Weinberg, Mastering Engineer - Mark Wilder, Mastering Engineer - Material, Producer - Dave Jerden, Mixing Engineer - Dave Jerden, Engineer - Dominic Maita, Engineer - Herbie Hancock, Composer - Herbie Hancock, Lyricist - Herbie Hancock, Keyboards - Herbie Hancock, Producer - Herbie Hancock, Piano - Herbie Hancock, Synthesizer - Herbie Hancock, Performer - Bryan Bell, Engineer - B. LASWELL, Composer - B. LASWELL, Lyricist - M. Beinhorn, Composer - M. Beinhorn, Lyricist - Mike Krowiak, 2nd Engineer

(P) 1983 Columbia Records, a division of Sony Music Entertainment

5
Autodrive (Album Version)
00:06:24

Bill Laswell, Bass - Martin Bisi, Engineer - Billy Youdelman, Engineer - Howie Weinberg, Mastering Engineer - Mark Wilder, Mastering Engineer - Material, Producer - Dave Jerden, Engineer - Dave Jerden, Mixing Engineer - Dominic Maita, Engineer - Herbie Hancock, Composer - Herbie Hancock, Lyricist - Herbie Hancock, Keyboards - Herbie Hancock, Producer - Herbie Hancock, Piano - Herbie Hancock, Synthesizer - Herbie Hancock, Performer - Bryan Bell, Engineer - B. LASWELL, Composer - B. LASWELL, Lyricist - M. Beinhorn, Composer - M. Beinhorn, Lyricist - Mike Krowiak, 2nd Engineer

(P) 1983 Columbia Records, a division of Sony Music Entertainment

6
Rough (Album Version)
00:06:55

Roger Trilling, Background Vocal - Roger Trilling, Mixing Engineer - Mike Krowiak, 2nd Engineer - Mark Wilder, Mastering Engineer - Herbie Hancock, Composer - Herbie Hancock, Lyricist - Herbie Hancock, Producer - Herbie Hancock, Keyboards - Herbie Hancock, Piano - Herbie Hancock, Synthesizer - Herbie Hancock, Performer - Nicky Skopeltis, Background Vocal - Nicky Skopeltis, Mixing Engineer - Billy Youdelman, Engineer - Bill Laswell, Bass - M. Beinhorn, Composer - M. Beinhorn, Lyricist - Dave Jerden, Engineer - Dave Jerden, Mixing Engineer - Sly Dunbar, Drums - Martin Bisi, Engineer - Bernard Fowler, Background Vocal - Bernard Fowler, Mixing Engineer - Lamar Wright, Vocal - Lamar Wright, Mixing Engineer - Material, Producer - B. LASWELL, Composer - B. LASWELL, Lyricist - Howie Weinberg, Mastering Engineer - Bryan Bell, Engineer - Dominic Maita, Engineer

(P) 1983 Columbia Records, a division of Sony Music Entertainment

7
Mega Mix (Includes: Rockit, Autodrive, Future Shock, TFS, Rough, & Chameleon) (Album Version)
00:06:18

C. Mayfield, Composer - C. Mayfield, Lyricist - Martin Bisi, Engineer - Billy Youdelman, Engineer - Howie Weinberg, Mastering Engineer - H. Mason, Composer - H. Mason, Lyricist - Mark Wilder, Mastering Engineer - Dave Jerden, Engineer - Dave Jerden, Mixing Engineer - Dominic Maita, Engineer - Various, Producer - Herbie Hancock, Performer - Herbie Hancock, Composer - Herbie Hancock, Lyricist - B. Maupin, Composer - B. Maupin, Lyricist - Bryan Bell, Engineer - B. LASWELL, Composer - B. LASWELL, Lyricist - M. Beinhorn, Composer - M. Beinhorn, Lyricist - P. Jackson, Composer - P. Jackson, Lyricist - Mike Krowiak, 2nd Engineer

(P) 1984 Columbia Records, a division of Sony Music Entertainment

Presentación del Álbum

Herbie Hancock completely overhauled his sound and conquered MTV with his most radical step forward since the sextet days. He brought in Bill Laswell of Material as producer, along with Grand Mixer D.ST on turntables -- and the immediate result was "Rockit," which makes quite a post-industrial metallic racket. Frankly, the whole record is an enigma; for all of its dehumanized, mechanized textures and rigid rhythms, it has a vitality and sense of humor that make it difficult to turn off. Moreover, Herbie can't help but inject a subversive funk element when he comps along to the techno beat -- and yes, some real, honest-to-goodness jazz licks on a grand piano show up in the middle of "Auto Drive."

© Richard S. Ginell /TiVo

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