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Strawbs|From The Witchwood

From The Witchwood

Strawbs

  • Publicado el 01-07-71 por A&M
  • Artistas principales: Strawbs
  • Género Pop
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Idioma disponible: inglés

This album was originally the weak link in the transition of the Strawbs from an acoustic folk-rock outfit to a progressive folk band, being neither fish nor fowl and suffering from an anemic mix. The 1998 British reissue (A&M 540-939-2), however, solves some inherent problems that plagued both the original vinyl edition and the first CD reissues. The new remastering toughens up the bass sound, and brings out more of the sheer power of Rick Wakeman's organ and synthesizer playing, accenting the harder side of the group's sound that was obviously there in the studio but lacking in the analog mix. "A Glimpse of Heaven" and "The Hangman and the Papist," in particular, benefit from the remastering, and "Sheep" finally has the musical fury to match its lyrics. Dave Cousins' voice also comes off as really close, and the effect is to make this a much more potent album than it previously seemed. Overall, it's now far easier to visualize this recording as the step leading to full-blown progressive rock releases such as Grave New World, which followed. The disc includes one bonus track, John Ford's "Keep the Devil Outside," which has an acoustic opening and a hard rock break and finale, which was cut at these same sessions, and which turned up months later as the B-side of "Benedictus," a single drawn from the next album.
© Bruce Eder /TiVo

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From The Witchwood

Strawbs

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1
A Glimpse Of Heaven (Album Version)
00:03:52

Tony Visconti, Producer - Dave Cousins, ComposerLyricist - Strawbs, MainArtist

℗ 1971 UMG Recordings, Inc.

2
Witchwood (Album Version)
00:03:25

Tony Visconti, Producer - Dave Cousins, ComposerLyricist - Strawbs, MainArtist

℗ 1971 UMG Recordings, Inc.

3
Thirty Days (Album Version)
00:02:54

Tony Visconti, Producer - Strawbs, MainArtist - John Ford, ComposerLyricist

℗ 1971 UMG Recordings, Inc.

4
Flight (Album Version)
00:04:27

Tony Visconti, Producer - Strawbs, MainArtist - Richard William Hudson, ComposerLyricist

℗ 1971 UMG Recordings, Inc.

5
The Hangman And The Papist (Album Version)
00:04:13

Tony Visconti, Producer - Dave Cousins, ComposerLyricist - Strawbs, MainArtist

℗ 1971 UMG Recordings, Inc.

6
Sheep (Album Version)
00:04:15

Tony Visconti, Producer - Dave Cousins, ComposerLyricist - Strawbs, MainArtist

℗ 1971 UMG Recordings, Inc.

7
Cannondale (Album Version)
00:03:49

Tony Visconti, Producer - Strawbs, MainArtist - Richard William Hudson, ComposerLyricist

℗ 1971 UMG Recordings, Inc.

8
The Shepherd's Song (Album Version)
00:04:34

Tony Visconti, Producer - Dave Cousins, ComposerLyricist - Strawbs, MainArtist

℗ 1971 UMG Recordings, Inc.

9
In Amongst The Roses (Album Version)
00:03:50

Tony Visconti, Producer - Dave Cousins, ComposerLyricist - Strawbs, MainArtist

℗ 1971 UMG Recordings, Inc.

10
I'll Carry On Beside You (Album Version)
00:03:10

Tony Visconti, Producer - Dave Cousins, ComposerLyricist - Strawbs, MainArtist

℗ 1971 UMG Recordings, Inc.

11
Keep The Devil Outside (Album Version)
00:03:04

Tony Visconti, Producer - Strawbs, MainArtist - John Ford, ComposerLyricist

℗ 1971 UMG Recordings, Inc.

Presentación del Álbum

This album was originally the weak link in the transition of the Strawbs from an acoustic folk-rock outfit to a progressive folk band, being neither fish nor fowl and suffering from an anemic mix. The 1998 British reissue (A&M 540-939-2), however, solves some inherent problems that plagued both the original vinyl edition and the first CD reissues. The new remastering toughens up the bass sound, and brings out more of the sheer power of Rick Wakeman's organ and synthesizer playing, accenting the harder side of the group's sound that was obviously there in the studio but lacking in the analog mix. "A Glimpse of Heaven" and "The Hangman and the Papist," in particular, benefit from the remastering, and "Sheep" finally has the musical fury to match its lyrics. Dave Cousins' voice also comes off as really close, and the effect is to make this a much more potent album than it previously seemed. Overall, it's now far easier to visualize this recording as the step leading to full-blown progressive rock releases such as Grave New World, which followed. The disc includes one bonus track, John Ford's "Keep the Devil Outside," which has an acoustic opening and a hard rock break and finale, which was cut at these same sessions, and which turned up months later as the B-side of "Benedictus," a single drawn from the next album.
© Bruce Eder /TiVo

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