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McCoy Tyner|Echoes Of A Friend

Echoes Of A Friend

McCoy Tyner

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Idioma disponible: inglés

McCoy Tyner dedicated this 1972 recording of piano solos to John Coltrane. Five tunes, two by Coltrane, two by Tyner, and Rodgers & Hammerstein's "My Favorite Things," comprise the album.
On Coltrane's "Naima," Tyner enters softly in the upper register. After some orchestral piano strumming, he brings the listener into the melody. Then, using a chord as a launching pad, he takes off into a virtuoso right-hand piano break. Coming back into the melody, he uses the piano like a harp. "Promise," another Coltrane tune, starts with a Keith Jarrett-like groove, but quickly enters full-fledged McCoy Tyner territory. Sweeping into some low-register rumbling, the tune is stated in its simplest form and it's over. The 17-minute "The Discovery" starts with a gong, and immediately descends into a sweeping sonic torrent. After an outbreak of pianistic rage, there is a beautiful Debussy-like moment, spontaneous and natural. This is emotional and unrestrained music, best enjoyed if you just give in to it. It's beautiful, and innocent.

© Rovi Staff /TiVo

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Echoes Of A Friend

McCoy Tyner

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1
Naima (Album Version)
00:06:38

John Coltrane, Composer - McCoy Tyner, MainArtist

℗ 2006 Concord Music Group, Inc

2
Promise (Album Version)
00:06:09

John Coltrane, ComposerLyricist - McCoy Tyner, MainArtist

℗ 1972 Milestone Records

3
My Favorite Things (Album Version)
00:08:38

Richard Rodgers, Composer - Oscar Hammerstein II , Author - McCoy Tyner, MainArtist

℗ 1972 Milestone Records

4
The Discovery (Album Version)
00:17:30

McCoy Tyner, MainArtist, ComposerLyricist

℗ 1972 Milestone Records

5
Folks (Album Version)
00:07:29

McCoy Tyner, MainArtist, ComposerLyricist

℗ 1972 Milestone Records

Presentación del Álbum

McCoy Tyner dedicated this 1972 recording of piano solos to John Coltrane. Five tunes, two by Coltrane, two by Tyner, and Rodgers & Hammerstein's "My Favorite Things," comprise the album.
On Coltrane's "Naima," Tyner enters softly in the upper register. After some orchestral piano strumming, he brings the listener into the melody. Then, using a chord as a launching pad, he takes off into a virtuoso right-hand piano break. Coming back into the melody, he uses the piano like a harp. "Promise," another Coltrane tune, starts with a Keith Jarrett-like groove, but quickly enters full-fledged McCoy Tyner territory. Sweeping into some low-register rumbling, the tune is stated in its simplest form and it's over. The 17-minute "The Discovery" starts with a gong, and immediately descends into a sweeping sonic torrent. After an outbreak of pianistic rage, there is a beautiful Debussy-like moment, spontaneous and natural. This is emotional and unrestrained music, best enjoyed if you just give in to it. It's beautiful, and innocent.

© Rovi Staff /TiVo

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