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Various Artists|Dictionary of Medieval & Renaissance Instruments

Dictionary of Medieval & Renaissance Instruments

Various Artists

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Cantus has performed an invaluable service for fans of early music by assembling a CD that demystifies the assortment of archaic instruments found in historically correct performances of Medieval and Renaissance repertoire. For anyone who has puzzled over the difference between a shawm and a bombard, a vielle and a vihuela, as well as anyone just curious about the wealth of wonderful but unfamiliar sounds in early music, this CD is a treasure. The collection groups the instruments by families (bowed strings, plucked strings, keyboards, winds, etc.), and offers tracks not only of each instrument playing by itself, but with other instruments and with voices in the most common period groupings. The performances, mostly taken from recordings in the Cantus catalog, but some made especially for this project, are clean and direct -- nothing fancy, but just right for doing the job of familiarizing the listener with the sounds of the instruments.
The set comes with a fat booklet packed with excellent essays by José Carlos Cabello explaining the history, construction, and details of performance practice of the instruments, and the repertoire performed on the two CDs. The essays make an exemplary introduction to the roots of Western instrumental music. The booklet is illustrated with depictions of the instruments in the art of the period. Especially useful is Cabello's inclusion of the variant spellings one is likely to encounter, as well as the names of the instruments in various languages. The set should be of strong interest to anyone looking for a deeper appreciation of early music.

© TiVo

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Dictionary of Medieval & Renaissance Instruments

Various Artists

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1
Medieval violin: Estampie
00:01:20

Various Artists, Main Artist - Anon 13th c, Composer

2
Medieval fiddles: In seculum viellatoris
00:00:54

Various Artists, Main Artist - Anon 13th c, Composer

3
Medieval fiddles: Dame, ne regardes pas
00:01:51

Various Artists, Main Artist - G. de Machaut, Composer

4
Medieval fiddle: Puisque bele dame/Flos filius eius
00:01:06

Various Artists, Main Artist - Anon 13th c, Composer

5
Medieval fiddle: Joie, plaisance
00:01:23

Various Artists, Main Artist - G. de Machaut, Composer

6
Viole da gamba: Tar tara
00:03:16

Various Artists, Main Artist - H. Isaac, Composer

7
Viole da gamba: Fantasia a 3 viole
00:03:07

Various Artists, Main Artist - Anon. 15th-16th c, Composer

8
Viole da gamba: Deh sì, deh no
00:02:04

Various Artists, Main Artist - B.Tromboncino, Composer

9
Viola da gamba: Le Forze d'Hercole
00:02:14

Various Artists, Main Artist - Anon. 15th-16th c, Composer

10
Lyra violl: Life
00:01:47

Various Artists, Main Artist - T. Hume, Composer

11
Renaissance Violin and violas: Gagliarda
00:01:18

Various Artists, Main Artist - G. Mainerio, Composer

12
Renaissance Violin: Saltarello
00:01:42

Various Artists, Main Artist - G. Mainerio, Composer

13
Early 17th century violin: Correnta quarta
00:01:07

Various Artists, Main Artist - C. Farina, Composer

14
17th century violins: Canzon I
00:04:02

Various Artists, Main Artist - M. Mielczewski, Composer

15
Medieval wire strung harp: Improvisation
00:01:13

Various Artists, Main Artist

16
Medieval harp and lute: Fuwëles in the frith
00:01:35

Various Artists, Main Artist - Anon. 13th c, Composer

17
Medieval harp: Chançonnete/A la cheminée/Veritatem
00:02:01

Various Artists, Main Artist - Anon. 13th c, Composer

18
15th c. harp and lute: Mesdisans m'ont cuidie
00:01:17

Various Artists, Main Artist - G. Binchois, Composer

19
16th century Spanish harp: Tiento para harpa
00:00:43

Various Artists, Main Artist - A. Mudarra, Composer

20
Renaissance lute: O dolce vita mia
00:01:33

Various Artists, Main Artist - A.Willaert, Composer

21
Renaissance lute: Poi che volse
00:01:14

Various Artists, Main Artist - J.A. Dalza, Composer

22
Renaissance lute: Fantasia per liuto
00:02:43

Various Artists, Main Artist - P.P. Borrono, Composer

23
Family of renaissance lutes: La Zanetta padovana
00:01:29

Various Artists, Main Artist - G. Mainerio, Composer

24
Family of renaissance lutes: Paduana del Re
00:01:49

Various Artists, Main Artist - Anon. 16th c, Composer

25
Vihuela de mano: Romanesca o Guardame las Vacas
00:02:05

Various Artists, Main Artist - A. Mudarra, Composer

26
Elizabethan lute: Galliard
00:01:03

Various Artists, Main Artist - 16th-17th c, Composer

27
Cittern: The voice of the earth
00:01:50

Various Artists, Main Artist - A. Holborne, Composer

28
Sopranino lute and family of lutes: Gagliarda prima
00:01:19

Various Artists, Main Artist - C. Farina, Composer

29
Medieval recorder: Tels rit au main
00:02:19

Various Artists, Main Artist - G. de Machaut, Composer

30
Ensemble of medieval recorders: In seculum
00:01:01

Various Artists, Main Artist - Anon 13th c, Composer

31
Pair of medieval recorders: Honte, paour, doubtance
00:01:17

Various Artists, Main Artist - G. de Machaut, Composer

32
Renaissance recorder: Triste plaisir
00:02:16

Various Artists, Main Artist - G. Binchois, Composer

33
Renaissance recorder: De tous biens plaine
00:01:31

Various Artists, Main Artist - A. Agricola, Composer

34
Family of renaissance recorders: Schiarazula Marazula
00:01:27

Various Artists, Main Artist - G. Mainerio, Composer

35
Family of renaissance recorders: Gagliarda El tu tu
00:01:25

Various Artists, Main Artist - Anon 16th c, Composer

36
A courtly dance ensemble: Gagliarda La Traditora
00:01:43

Various Artists, Main Artist - Anon 16th c, Composer

37
Quartet of renaissance recorders: Correnta sesta
00:01:31

Various Artists, Main Artist - C. Farina, Composer

38
Renaissance flute and harp: Gentil dame
00:01:55

Various Artists, Main Artist - Anon 16th c, Composer

39
Renaissance flute: Ungarescha
00:01:18

Various Artists, Main Artist - G. Mainerio, Composer

40
Family of renaissance flutes: Ile estoit une fillette
00:01:24

Various Artists, Main Artist - E. du Caurroy, Composer

41
English consort: Nutmiggs and Ginger
00:02:37

Various Artists, Main Artist - Anon 16th c, Composer

42
A renaissance dance orchestra :Correnta settima
00:02:51

Various Artists, Main Artist - C. Farina, Composer

43
Organetto: Improvisation
00:02:37

Various Artists, Main Artist - Anon 14th c, Composer

44
15th-16th c. positive organ: Je ne fais tousjours
00:01:28

Various Artists, Main Artist - G. Binchois, Composer

45
16th c. positive organ: Deposuit potentes
00:01:16

Various Artists, Main Artist - F. Guerrero, Composer

46
16th c. cathedral organ: Un verso de Morales glosado
00:00:54

Various Artists, Main Artist - F. H. Palero, Composer

47
17th c. chamber organ: Canzon
00:02:04

Various Artists, Main Artist - A. Rohaczewski, Composer

48
Clavichord: Mit ganczem willem
00:01:34

Various Artists, Main Artist - K. Paumann, Composer

49
Virginals: My Lady Carreys Dompe
00:01:47

Various Artists, Main Artist - 16th c, Composer

50
Italian 16th c. harpsichord: Le Forze d'Hercole
00:00:52

Various Artists, Main Artist - 16th c, Composer

Presentación del Álbum

Cantus has performed an invaluable service for fans of early music by assembling a CD that demystifies the assortment of archaic instruments found in historically correct performances of Medieval and Renaissance repertoire. For anyone who has puzzled over the difference between a shawm and a bombard, a vielle and a vihuela, as well as anyone just curious about the wealth of wonderful but unfamiliar sounds in early music, this CD is a treasure. The collection groups the instruments by families (bowed strings, plucked strings, keyboards, winds, etc.), and offers tracks not only of each instrument playing by itself, but with other instruments and with voices in the most common period groupings. The performances, mostly taken from recordings in the Cantus catalog, but some made especially for this project, are clean and direct -- nothing fancy, but just right for doing the job of familiarizing the listener with the sounds of the instruments.
The set comes with a fat booklet packed with excellent essays by José Carlos Cabello explaining the history, construction, and details of performance practice of the instruments, and the repertoire performed on the two CDs. The essays make an exemplary introduction to the roots of Western instrumental music. The booklet is illustrated with depictions of the instruments in the art of the period. Especially useful is Cabello's inclusion of the variant spellings one is likely to encounter, as well as the names of the instruments in various languages. The set should be of strong interest to anyone looking for a deeper appreciation of early music.

© TiVo

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