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Steven Osborne|Debussy: Préludes, Books 1 & 2

Debussy: Préludes, Books 1 & 2

Steven osborne

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So good that one could only wish it were better, Steven Osborne's 2006 recording of both books of Debussy's preludes just misses greatness. Osborne manifestly has the technique. Even in the most technically difficult pieces, his hands fly over the keyboard to land with amazing power and ideal balance on exactly the right combination of notes at exactly the right time. He clearly has the insights. Even in the more recondite and recherché pieces, he appears to understand the poetic and symbolic meanings of Debussy's music. But one is always aware of Osborne's technique -- it doesn't disappear into the notes but remains all too firmly in the foreground. And one is always aware of Osborne's insights -- they don't vanish into the music but remain all too clearly explications rather than interpretations. The higher virtuosity and deeper poetry of Richter, Michelangeli, Pollini, or Zimmerman's performances isn't Osborne's, and while his playing is radiantly brilliant and his insights are evidently genuine, he hasn't transcended their limitations yet. Hyperion's recording has its moments -- there are some bass notes with the uncanny "piano in the room" feeling -- but too often seems slightly obscured by a faint sonic haze.

© TiVo

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Debussy: Préludes, Books 1 & 2

Steven Osborne

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1
Préludes, Book 1, CD 125: I. Danseuses de Delphes
00:03:09

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

2
Préludes, Book 1, CD 125: II. Voiles
00:03:39

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

3
Préludes, Book 1, CD 125: III. Le vent dans la plaine
00:02:05

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

4
Préludes, Book 1, CD 125: IV. Les sons et les parfums tournent dans l'air du soir
00:03:18

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

5
Préludes, Book 1, CD 125: V. Les collines d'Anacapri
00:02:59

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

6
Préludes, Book 1, CD 125: VI. Des pas sur la neige
00:04:20

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

7
Préludes, Book 1, CD 125: VII. Ce qu'a vu le vent d'ouest
00:03:31

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

8
Préludes, Book 1, CD 125: VIII. La fille aux cheveux de lin
00:02:24

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

9
Préludes, Book 1, CD 125: IX. La sérénade interrompue
00:02:42

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

10
Préludes, Book 1, CD 125: X. La cathédrale engloutie
00:06:50

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

11
Préludes, Book 1, CD 125: XI. La danse de Puck
00:02:49

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

12
Préludes, Book 1, CD 125: XII. Minstrels
00:02:32

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

13
Préludes, Book 2, CD 131: I. Brouillards
00:03:15

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

14
Préludes, Book 2, CD 131: II. Feuilles mortes
00:02:41

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

15
Préludes, Book 2, CD 131: III. La puerta del vino
00:03:38

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

16
Préludes, Book 2, CD 131: IV. Les fées sont d'exquises danseuses
00:02:42

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

17
Préludes, Book 2, CD 131: V. Bruyères
00:02:42

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

18
Préludes, Book 2, CD 131: VI. Général Lavine – eccentric
00:02:43

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

19
Préludes, Book 2, CD 131: VII. La terrasse des audiences du clair de lune
00:04:22

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

20
Préludes, Book 2, CD 131: VIII. Ondine
00:02:58

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

21
Préludes, Book 2, CD 131: IX. Hommage à S. Pickwick, Esq., P.P.M.P.C.
00:02:10

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

22
Préludes, Book 2, CD 131: X. Canope
00:02:55

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

23
Préludes, Book 2, CD 131: XI. Les tierces alternées
00:02:23

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

24
Préludes, Book 2, CD 131: XII. Feux d'artifice
00:04:49

Claude Debussy, Composer - Steven osborne, Piano, MainArtist, AssociatedPerformer

℗ 2006 Hyperion Records Limited

Presentación del Álbum

So good that one could only wish it were better, Steven Osborne's 2006 recording of both books of Debussy's preludes just misses greatness. Osborne manifestly has the technique. Even in the most technically difficult pieces, his hands fly over the keyboard to land with amazing power and ideal balance on exactly the right combination of notes at exactly the right time. He clearly has the insights. Even in the more recondite and recherché pieces, he appears to understand the poetic and symbolic meanings of Debussy's music. But one is always aware of Osborne's technique -- it doesn't disappear into the notes but remains all too firmly in the foreground. And one is always aware of Osborne's insights -- they don't vanish into the music but remain all too clearly explications rather than interpretations. The higher virtuosity and deeper poetry of Richter, Michelangeli, Pollini, or Zimmerman's performances isn't Osborne's, and while his playing is radiantly brilliant and his insights are evidently genuine, he hasn't transcended their limitations yet. Hyperion's recording has its moments -- there are some bass notes with the uncanny "piano in the room" feeling -- but too often seems slightly obscured by a faint sonic haze.

© TiVo

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