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Alessandro Marangoni|Concertos pour piano n°1 et n°2

Concertos pour piano n°1 et n°2

Mario Castelnuovo-Tedesco

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Both of the piano concertos heard here were written early in the career of Italian composer Mario Castelnuovo-Tedesco, before his flight from Nazism (he was of Jewish background) and move to Hollywood, where he became a successful film composer. But there's a cinematic quality to the music, which brings to mind Audrey Hepburn cavorting in a Roman fountain. The Piano Concerto No. 2 in F minor, Op. 92, is heftier and more intricately structured than the early Piano Concerto No. 1 in G minor, Op. 46, which consists largely of strings of attractive melodies. Nobody would claim either work as profound, but they are airy and evocative pieces that would succeed as light interludes in a program of major Romantic concertos. Neither piece is frequently performed, but both are more common than the Four Dances from Love's Labor's Lost, composed in 1953, which were thought to have been lost in the Florence floods of 1966 but have surfaced in a copy owned by the composer's family. These little Spanish-flavored dances reveal some weaknesses in the strings of the Malmö Symphony Orchestra under Andrew Mogrelia, but the performances by pianist Alessandro Marangoni are sprightly and enthusiastic. Frothy but for many listeners probably irresistible.

© TiVo

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Concertos pour piano n°1 et n°2

Alessandro Marangoni

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Piano Concerto in G Minor, Op. 46 (Mario Castelnuovo-Tedesco)

1
I. Allegro giusto
Alessandro Marangoni
00:12:02

Mario Castelnuovo-Tedesco, Composer - Andrew Mogrelia, Conductor - Malmo Symphony Orchestra, Orchestra - Alessandro Marangoni, Artist, MainArtist

(C) 2012 Naxos (P) 2012 Naxos

2
II. Andantino alla romanza -
Alessandro Marangoni
00:08:42

Mario Castelnuovo-Tedesco, Composer - Andrew Mogrelia, Conductor - Malmo Symphony Orchestra, Orchestra - Alessandro Marangoni, Artist, MainArtist

(C) 2012 Naxos (P) 2012 Naxos

3
III. Vivo e festoso
Alessandro Marangoni
00:08:22

Mario Castelnuovo-Tedesco, Composer - Andrew Mogrelia, Conductor - Malmo Symphony Orchestra, Orchestra - Alessandro Marangoni, Artist, MainArtist

(C) 2012 Naxos (P) 2012 Naxos

Piano Concerto No. 2 in F Major, Op. 92 (Mario Castelnuovo-Tedesco)

4
I. Vivace e brillante
Alessandro Marangoni
00:10:58

Mario Castelnuovo-Tedesco, Composer - Andrew Mogrelia, Conductor - Malmo Symphony Orchestra, Orchestra - Alessandro Marangoni, Artist, MainArtist

(C) 2012 Naxos (P) 2012 Naxos

5
II. Romanza, tranquillo e meditativo -
Alessandro Marangoni
00:10:37

Mario Castelnuovo-Tedesco, Composer - Andrew Mogrelia, Conductor - Malmo Symphony Orchestra, Orchestra - Alessandro Marangoni, Artist, MainArtist

(C) 2012 Naxos (P) 2012 Naxos

6
III. Vivo e impetuoso
Alessandro Marangoni
00:09:28

Mario Castelnuovo-Tedesco, Composer - Andrew Mogrelia, Conductor - Malmo Symphony Orchestra, Orchestra - Alessandro Marangoni, Artist, MainArtist

(C) 2012 Naxos (P) 2012 Naxos

4 Dances for Love's Labour's Lost, Op. 167 (Mario Castelnuovo-Tedesco)

7
No. 1, Sarabande (for the King of Navarre)
Malmö Symphony Orchestra
00:05:34

Mario Castelnuovo-Tedesco, Composer - Andrew Mogrelia, Conductor - Malmo Symphony Orchestra, Orchestra, MainArtist

(C) 2012 Naxos (P) 2012 Naxos

8
No. 2, Gavotte (for the Princess of France)
Malmö Symphony Orchestra
00:03:51

Mario Castelnuovo-Tedesco, Composer - Andrew Mogrelia, Conductor - Malmo Symphony Orchestra, Orchestra, MainArtist

(C) 2012 Naxos (P) 2012 Naxos

9
No. 3, Spanish Dance (for Don Adriano de Armado)
Malmö Symphony Orchestra
00:03:12

Mario Castelnuovo-Tedesco, Composer - Andrew Mogrelia, Conductor - Malmo Symphony Orchestra, Orchestra, MainArtist

(C) 2012 Naxos (P) 2012 Naxos

10
No. 4, Russian Dance (Masque)
Malmö Symphony Orchestra
00:03:29

Mario Castelnuovo-Tedesco, Composer - Andrew Mogrelia, Conductor - Malmo Symphony Orchestra, Orchestra, MainArtist

(C) 2012 Naxos (P) 2012 Naxos

Presentación del Álbum

Both of the piano concertos heard here were written early in the career of Italian composer Mario Castelnuovo-Tedesco, before his flight from Nazism (he was of Jewish background) and move to Hollywood, where he became a successful film composer. But there's a cinematic quality to the music, which brings to mind Audrey Hepburn cavorting in a Roman fountain. The Piano Concerto No. 2 in F minor, Op. 92, is heftier and more intricately structured than the early Piano Concerto No. 1 in G minor, Op. 46, which consists largely of strings of attractive melodies. Nobody would claim either work as profound, but they are airy and evocative pieces that would succeed as light interludes in a program of major Romantic concertos. Neither piece is frequently performed, but both are more common than the Four Dances from Love's Labor's Lost, composed in 1953, which were thought to have been lost in the Florence floods of 1966 but have surfaced in a copy owned by the composer's family. These little Spanish-flavored dances reveal some weaknesses in the strings of the Malmö Symphony Orchestra under Andrew Mogrelia, but the performances by pianist Alessandro Marangoni are sprightly and enthusiastic. Frothy but for many listeners probably irresistible.

© TiVo

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