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Matís Ensemble|Cheron: Sonatas, Op. 2

Cheron: Sonatas, Op. 2

Matís Ensemble

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André Chéron? Who? Unfortunately for him, he is more associated with his famous student Jean-Marie Leclair than with his own music, of which the majority has been lost, in particular his religious Grands Motets, performed at religious concerts. During his lifetime, he made quite a name for himself as a harpsichord player at the Paris Opéra, and then as batteur de mesure and inspecteur de l’orchestre de l’opéra, in which office he presided over performances of many works by Rameau but also by Pergolèse, feeding the interminable Querelle des bouffons, a battle between Francophiles and Italophiles in the French music world of the time. These sonatas from Op. 2, published in 1729, alternate between trio sonatas for two soloists and continuo, and duet sonatas for a single soloist and continuo. Note the cyclical aspect of the collection, with two sonatas in the rather unusual key of E minor, which Charpentier, in his Énergie des modes described as "effeminate, amorous and plaintive". Chéron represents a kind of missing link between the France of Louis XIV's Grand Siècle, and the rather less rigorous France of Louis XV, which marked the end of the French baroque era. The Catalan ensemble Matís – Catalan by birth, but with an international cast, with mainly Asian players – serves up these rarities with great conviction, on two rich, delectable recorders after a design by Pierre Jaillard Bressan, a famous Franco-London manufacturer active at the start of the 18th century. © SM/Qobuz

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Cheron: Sonatas, Op. 2

Matís Ensemble

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Trio Sonata in E Minor, Op. 2 No. 4 (André Cheron)

1
I. Allemande
00:02:51

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

2
II. Courante
00:03:00

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

3
III. 1ere Gavotte - 2e Gavotte
00:02:49

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

4
IV. Tres vitte
00:02:52

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

Duo Sonata in G Major, Op. 2 No. 1 (André Cheron)

5
I. Rondement
00:04:20

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

6
II. 1er Air - 2me Air
00:04:30

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

7
III. Sarabande
00:04:32

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

8
IV. Tres vitte
00:03:12

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

Trio Sonata in F Major, Op. 2 No. 6 (André Cheron)

9
I. Prelude
00:01:58

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

10
II. Fugue
00:02:01

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

11
III. Pesament et marqué
00:03:35

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

12
IV. Fugue
00:02:45

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

Duo Sonata in E Minor, Op. 2 No. 3 (André Cheron)

13
I. Gravement
00:02:19

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

14
II. Allemande
00:04:02

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

15
III. Chaconne
00:08:27

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

DISCO 2

Trio Sonata in C Minor, Op. 2 No. 5 (André Cheron)

1
I. Prelude
00:02:44

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

2
II. Fugue
00:02:15

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

3
III. Sarabande
00:03:57

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

4
IV. Gigue
00:02:33

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

Duo Sonata in G Minor, Op. 2 No. 2 (André Cheron)

5
I. Gravement
00:03:40

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

6
II. Courante
00:02:56

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

7
III. Sarabande
00:03:34

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

8
IV. Gigue
00:02:32

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

Trio Sonata in D Major, Op. 2 No. 7 (André Cheron)

9
I. Prelude
00:04:34

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

10
II. Chaconne
00:07:15

André Chéron, Composer - Matís Ensemble, Ensemble, MainArtist

(C) 2018 Ars Produktion (P) 2018 Ars Produktion

Presentación del Álbum

André Chéron? Who? Unfortunately for him, he is more associated with his famous student Jean-Marie Leclair than with his own music, of which the majority has been lost, in particular his religious Grands Motets, performed at religious concerts. During his lifetime, he made quite a name for himself as a harpsichord player at the Paris Opéra, and then as batteur de mesure and inspecteur de l’orchestre de l’opéra, in which office he presided over performances of many works by Rameau but also by Pergolèse, feeding the interminable Querelle des bouffons, a battle between Francophiles and Italophiles in the French music world of the time. These sonatas from Op. 2, published in 1729, alternate between trio sonatas for two soloists and continuo, and duet sonatas for a single soloist and continuo. Note the cyclical aspect of the collection, with two sonatas in the rather unusual key of E minor, which Charpentier, in his Énergie des modes described as "effeminate, amorous and plaintive". Chéron represents a kind of missing link between the France of Louis XIV's Grand Siècle, and the rather less rigorous France of Louis XV, which marked the end of the French baroque era. The Catalan ensemble Matís – Catalan by birth, but with an international cast, with mainly Asian players – serves up these rarities with great conviction, on two rich, delectable recorders after a design by Pierre Jaillard Bressan, a famous Franco-London manufacturer active at the start of the 18th century. © SM/Qobuz

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