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Orquesta De La Comunidad De Madrid|CHAPI, R.: Symphony in D minor / Fantasia morisca (Madrid Community Orchestra, Encinar)

CHAPI, R.: Symphony in D minor / Fantasia morisca (Madrid Community Orchestra, Encinar)

Ruperto Chapi

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This little disc does not promise much: two student instrumental compositions by a Spanish composer who was mainly active in theatrical forms. In the event, it's never less than enjoyable, and it hints at various currents that were just starting to boil when they were composed in the mid-1870s. Ruperto Chapí, from the vicinity of Alicante in southern Valencia, originally composed his Fantasía morisca (Moorish Fantasy) for military band. Its popularity is attested to by the various other forces for which the work was arranged and revised. The orchestral version, dating from 1879, retains many signs of its band origins, combining marchlike music with hints of Andalusian melody and other proto-nationalist ideas, perhaps inspired by the composer's admiration of Bizet. The four-movement piece also has aspects of symphonic form with its expansive evocation of Granada in the opening movement, followed by a slow "Meditación," motile "Serenata," and straightforward finale. In both this work and the Symphony in D minor, Chapí expertly handles mode mixture, generating several vectors from the juxtaposition of D minor and D major. The symphony itself shares some of the Fantasía's festive orientation, grafting that onto symphonic procedure seemingly inherited from Mendelssohn. It's an enjoyable mix, looking forward to both Spanish nationalism and to neo-classicism. The enthusiastic performances of the Orquesta del la Comunidad de Madrid are marred only by somewhat boxy sound.
© TiVo

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CHAPI, R.: Symphony in D minor / Fantasia morisca (Madrid Community Orchestra, Encinar)

Orquesta De La Comunidad De Madrid

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La Corte de Granada, Fantasia morisca (Ruperto Chapí)

1
I. Introduction. A Granada
00:08:04

Ruperto Chapí, Composer - Orquesta de la Comunidad de Madrid, Orchestra, MainArtist - José Ramón Encinar, Conductor

(C) 2008 Naxos (P) 2008 Naxos

2
II. Meditacion
00:05:17

Ruperto Chapí, Composer - Orquesta de la Comunidad de Madrid, Orchestra, MainArtist - José Ramón Encinar, Conductor

(C) 2008 Naxos (P) 2008 Naxos

3
III. Serenata
00:04:07

Ruperto Chapí, Composer - Orquesta de la Comunidad de Madrid, Orchestra, MainArtist - José Ramón Encinar, Conductor

(C) 2008 Naxos (P) 2008 Naxos

4
IV. Final
00:04:50

Ruperto Chapí, Composer - Orquesta de la Comunidad de Madrid, Orchestra, MainArtist - José Ramón Encinar, Conductor

(C) 2008 Naxos (P) 2008 Naxos

Symphony in D minor (Ruperto Chapí)

5
I. Adagio
00:10:06

Ruperto Chapí, Composer - Orquesta de la Comunidad de Madrid, Orchestra, MainArtist - José Ramón Encinar, Conductor

(C) 2008 Naxos (P) 2008 Naxos

6
II. Andante con moto
00:12:29

Ruperto Chapí, Composer - Orquesta de la Comunidad de Madrid, Orchestra, MainArtist - José Ramón Encinar, Conductor

(C) 2008 Naxos (P) 2008 Naxos

7
III. Presto
00:06:17

Ruperto Chapí, Composer - Orquesta de la Comunidad de Madrid, Orchestra, MainArtist - José Ramón Encinar, Conductor

(C) 2008 Naxos (P) 2008 Naxos

8
IV. Molto allegro e vivace
00:05:35

Ruperto Chapí, Composer - Orquesta de la Comunidad de Madrid, Orchestra, MainArtist - José Ramón Encinar, Conductor

(C) 2008 Naxos (P) 2008 Naxos

Presentación del Álbum

This little disc does not promise much: two student instrumental compositions by a Spanish composer who was mainly active in theatrical forms. In the event, it's never less than enjoyable, and it hints at various currents that were just starting to boil when they were composed in the mid-1870s. Ruperto Chapí, from the vicinity of Alicante in southern Valencia, originally composed his Fantasía morisca (Moorish Fantasy) for military band. Its popularity is attested to by the various other forces for which the work was arranged and revised. The orchestral version, dating from 1879, retains many signs of its band origins, combining marchlike music with hints of Andalusian melody and other proto-nationalist ideas, perhaps inspired by the composer's admiration of Bizet. The four-movement piece also has aspects of symphonic form with its expansive evocation of Granada in the opening movement, followed by a slow "Meditación," motile "Serenata," and straightforward finale. In both this work and the Symphony in D minor, Chapí expertly handles mode mixture, generating several vectors from the juxtaposition of D minor and D major. The symphony itself shares some of the Fantasía's festive orientation, grafting that onto symphonic procedure seemingly inherited from Mendelssohn. It's an enjoyable mix, looking forward to both Spanish nationalism and to neo-classicism. The enthusiastic performances of the Orquesta del la Comunidad de Madrid are marred only by somewhat boxy sound.
© TiVo

Detalles de la grabación original : 56:49 - DDD - Enregistré en juin et octobre 2007 à la Salle de répétition du Chœur et de l'Orchestre de la Communauté de Madrid, le Teatro Isabel Clara Eugenia à Madrid - Notes en anglais et espagnol

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