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The Alarm

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Clearly, change was called for in the Alarm's career, and on their fourth album, the group achieved a tighter hard rock sound by turning to producer Tony Visconti. Their extensive roadwork and promotional efforts had opened doors for them at AOR and college radio, which played "Sold Me Down The River," "Devolution Workin' Man Blues," and "Love Don't Come Easy." "River" even became The Alarm's biggest U.S. hit single, peaking at #50. But the album sold about the same as Eye Of The Hurricane, indicating that all the hard work had only enabled them to run in place. The problem remained the same: The Alarm had calmed down from its early martial style and turned into a competent mainstream rock band, but they still sounded too much like U2, and the rock riffs and throaty vocals still didn't add up to memorable songs.

© William Ruhlmann /TiVo

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1
Sold Me Down The River (Long Version)
00:05:25

Tony Visconti, Producer, Recording Engineer, StudioPersonnel - Mike Peters, Composer - The Alarm, MainArtist - Edward Macdonald, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records Inc.

2
The Rock
00:04:39

Tony Visconti, Producer, Recording Engineer, StudioPersonnel - Mike Peters, Composer - Dave Sharp, Composer - The Alarm, MainArtist - Edward Macdonald, Composer - Nigel Phillips, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records, LLC

3
Devolution Workin' Man Blues
00:04:10

Tony Visconti, Producer - Mike Peters, Composer - The Alarm, MainArtist - Edward Macdonald, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records, LLC

4
Love Don't Come Easy
00:04:08

Tony Visconti, Producer - Mike Peters, Composer - The Alarm, MainArtist - Edward Macdonald, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records, LLC

5
Hardland
00:04:10

Tony Visconti, Producer - Mike Peters, Composer - The Alarm, MainArtist - Edward Macdonald, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records Inc.

6
Change II
00:02:52

Tony Visconti, Producer - Dave Sharp, Composer - The Alarm, MainArtist - Nigel Phillips, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records, LLC

7
No Frontiers
00:03:53

Tony Visconti, Producer - Mike Peters, Composer - The Alarm, MainArtist - Edward Macdonald, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records, LLC

8
Scarlet
00:04:17

Tony Visconti, Producer - Mike Peters, Composer - The Alarm, MainArtist - Edward Macdonald, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records Inc.

9
Where A Town Once Stood
00:04:09

Tony Visconti, Producer - Mike Peters, Composer - Dave Sharp, Composer - The Alarm, MainArtist - Edward Macdonald, Composer - Nigel Phillips, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records Inc.

10
Black Sun
00:04:30

Tony Visconti, Producer - Mike Peters, Composer - Dave Sharp, Composer - The Alarm, MainArtist - Edward Macdonald, Composer - Nigel Phillips, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records Inc.

11
Prison Without Prison Bars
00:03:48

Tony Visconti, Producer - Mike Peters, Composer - The Alarm, MainArtist - Edward Macdonald, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records, LLC

12
How The Mighty Fall
00:04:18

Tony Visconti, Producer - Mike Peters, Composer - The Alarm, MainArtist - Edward Macdonald, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records Inc.

13
Rivers To Cross
00:03:43

Tony Visconti, Producer - Mike Peters, Composer - Dave Sharp, Composer - The Alarm, MainArtist - Edward Macdonald, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records Inc.

14
A New South Wales
00:04:48

Tony Visconti, Producer - Mike Peters, Composer - The Alarm, MainArtist - Edward Macdonald, Composer

(C) 2004 IRS Records, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2004 EMI Records Ltd ℗ 1989 Capitol Records, LLC

Presentación del Álbum

Clearly, change was called for in the Alarm's career, and on their fourth album, the group achieved a tighter hard rock sound by turning to producer Tony Visconti. Their extensive roadwork and promotional efforts had opened doors for them at AOR and college radio, which played "Sold Me Down The River," "Devolution Workin' Man Blues," and "Love Don't Come Easy." "River" even became The Alarm's biggest U.S. hit single, peaking at #50. But the album sold about the same as Eye Of The Hurricane, indicating that all the hard work had only enabled them to run in place. The problem remained the same: The Alarm had calmed down from its early martial style and turned into a competent mainstream rock band, but they still sounded too much like U2, and the rock riffs and throaty vocals still didn't add up to memorable songs.

© William Ruhlmann /TiVo

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