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Aureole|Celtic Grace: Airs, Dances And Ballads From Ireland

Celtic Grace: Airs, Dances And Ballads From Ireland

Auréole

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The Auréole Trio consists of flutist Laura Gilbert, violist Mary Hammann, and harpist Stacey Shames, an instrumental combination ideal for Irish folk music. For a classical ensemble to keep its performances from sounding stilted and drained of spontaneity, it's crucial to stay close to the music's folk roots, and the self-effacing arrangements Auréole uses are completely successful at that, avoiding any fanciness and letting the music speak for itself. While the listener never entirely forgets that this is a classical ensemble, the performances are so direct and unaffected that the music seems perfectly and naturally suited to these instruments. The selection here includes a wide variety of pieces, from the very familiar to the more obscure and newly composed. Some of the more rambunctious pieces may lack the wildness and roughness of a performance by folk musicians playing folk instruments, but that shortcoming is more than compensated for in the more lyrical selections, where the ensemble's sweet and velvety tone makes the music shimmer. The sound quality is warm and intimate. This attractive collection should be of interest to any (except the most purist) fans of Celtic music.
© TiVo

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Celtic Grace: Airs, Dances And Ballads From Ireland

Aureole

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1
The Wind That Shakes The Barley
00:04:04

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

2
Carolan’s Draught
00:02:36

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

3
Carolan’s Dream
00:05:19

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

4
My Darling Asleep
00:02:53

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

5
Believe Me, If All Those Endearing Young Charms
00:02:26

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

6
Down By The Sally Gardens
00:03:12

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

7
Kilarney Sailor’s Lament
00:03:03

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

8
O’riley’s Grave
00:06:39

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

9
Lullaby For Ara-leah
00:02:55

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

10
Danny Boy
00:03:34

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

11
Sheebeg And Sheemore
00:02:46

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

12
The Kerry Dance
00:02:32

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

13
The Lady Of Shalott
00:02:23

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

14
The Walrus
00:03:07

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

15
Butterfly
00:03:36

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

16
O’carolan Medley
00:03:02

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

17
As I Roved Out
00:04:17

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

18
Eliana’s Song
00:03:49

Aureole, MainArtist

2007 KOCH INT'L. CLASSICS 2007 Aureole Trio: Celtic Grace

Presentación del Álbum

The Auréole Trio consists of flutist Laura Gilbert, violist Mary Hammann, and harpist Stacey Shames, an instrumental combination ideal for Irish folk music. For a classical ensemble to keep its performances from sounding stilted and drained of spontaneity, it's crucial to stay close to the music's folk roots, and the self-effacing arrangements Auréole uses are completely successful at that, avoiding any fanciness and letting the music speak for itself. While the listener never entirely forgets that this is a classical ensemble, the performances are so direct and unaffected that the music seems perfectly and naturally suited to these instruments. The selection here includes a wide variety of pieces, from the very familiar to the more obscure and newly composed. Some of the more rambunctious pieces may lack the wildness and roughness of a performance by folk musicians playing folk instruments, but that shortcoming is more than compensated for in the more lyrical selections, where the ensemble's sweet and velvety tone makes the music shimmer. The sound quality is warm and intimate. This attractive collection should be of interest to any (except the most purist) fans of Celtic music.
© TiVo

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