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Idioma disponible: inglés
Musicians did not wait for the contemporary era to illustrate the chirping, trilling and squawking of birds. In the midst of the Renaissance, at the beginning of the 16th century, Clément Janequin was already creating the basis of their re-composition by mankind, with the polyphonic song Le chant des oyseaulx ("The Song of the Birds"). The composer stylized animal song using onomatopes and noise-based sounds.
But it is without contest during the 20th century, with Olivier Messiaen, that we find the first true transcriptions of birdsong as a structural element of the score. In his wake, other composers borrowed the same path, with diverse objectives, means and results. All of them confessed to having a common reference point, upstream of their master, in the tutelary figure of Claude Debussy, inventor of a new style, free, ductile and natural – in a single word, modern. © Paraty
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Francois-Bernard Mache, Composer - Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist
2022 Paraty 2022 Paraty
Michael Levinas, Composer - Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist
2022 Paraty 2022 Paraty
Claude Debussy, Composer - Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist
2022 Paraty 2022 Paraty
Olivier Messiaen, Composer - Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist
2022 Paraty 2022 Paraty
Marie Vermeulin, Piano, MainArtist - Tristan Murail, Composer - Anne Cartel, Flute, MainArtist
2022 Paraty 2022 Paraty
Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist - Philippe Hurel, Composer
2022 Paraty 2022 Paraty
Marie Vermeulin, Piano, MainArtist - Tristan Murail, Composer - Anne Cartel, Flute, MainArtist
2022 Paraty 2022 Paraty
Olivier Messiaen, Composer - Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist
2022 Paraty 2022 Paraty
Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist - Marc Monnet, Composer
2022 Paraty 2022 Paraty
Régis Campo, Composer - Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist
2022 Paraty 2022 Paraty
Presentación del Álbum
Musicians did not wait for the contemporary era to illustrate the chirping, trilling and squawking of birds. In the midst of the Renaissance, at the beginning of the 16th century, Clément Janequin was already creating the basis of their re-composition by mankind, with the polyphonic song Le chant des oyseaulx ("The Song of the Birds"). The composer stylized animal song using onomatopes and noise-based sounds.
But it is without contest during the 20th century, with Olivier Messiaen, that we find the first true transcriptions of birdsong as a structural element of the score. In his wake, other composers borrowed the same path, with diverse objectives, means and results. All of them confessed to having a common reference point, upstream of their master, in the tutelary figure of Claude Debussy, inventor of a new style, free, ductile and natural – in a single word, modern. © Paraty
Acerca del álbum
- 1 disco(s) - 10 pista(s)
- Duración total: 01:08:30
- Artistas principales: Anne Cartel Marie Vermeulin
- Compositor: Various Composers
- Sello: Paraty
- Género Clásica Música de cámara Dúos
2022 Paraty 2022 Paraty
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