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L'Armonia Sonora|Bach: Da Gamba

Bach: Da Gamba

Johann Sebastian Bach

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The viola da gamba is, today, somewhat of a musical anachronism. Ironically, the instrument was not extensively popular during Bach's lifetime, making the fact that he composed solo sonatas for the gamba a historical curiosity. Despite its relative obscurity, Mieneke van der Velden has created a remarkably successful and prolific career out of performing works for the gamba. The Ramee album features the three original Bach gamba sonatas -- by far the most familiar works for the instrument, no doubt because of their usurpation by cellists -- as well as other works Bach transcribed to include the gamba. The performances themselves are somewhat of a mixed bag, a surprise considering the strength of van der Velden's previous albums. The original gamba sonatas in G minor and D major are by far the most successful of the album, although the curious decision to use organ instead of harpsichord in the D major sonata creates some balance problems and does not yield as pleasing of a sound as the gamba-harpsichord combination heard in the G minor sonata. The third original gamba sonata -- in G major -- is heard here in an unsatisfying transcription that includes a violin. Not only does the addition of a violin take a great deal of the solo passages away from the gamba, but intonation in the violin is far from exemplary and the sound quality of the violin and gamba fail to blend well. The same issues remain in the Sinfonia, BWV 76, and Trio Sonata, BWV 1028; the violin is simply too dominant for an album entitled "da Gamba" and its sub-par intonation is a definite detractor from the overall enjoyment.

© TiVo

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Bach: Da Gamba

L'Armonia Sonora

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Sonata in G Major, BWV 1038 (Johann Sebastian Bach)

1
I. Largo
Mieneke van der Velden
00:03:48

Mieneke van der Velden, Performer - L'Armonia Sonora, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

2
II. Vivace
Mieneke van der Velden
00:01:00

Mieneke van der Velden, Performer - L'Armonia Sonora, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

3
III. Adagio
Mieneke van der Velden
00:02:09

Mieneke van der Velden, Performer - L'Armonia Sonora, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

4
IV. Presto
Mieneke van der Velden
00:01:30

Mieneke van der Velden, Performer - L'Armonia Sonora, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

Sinfonia in E Minor, BWV 76 (Johann Sebastian Bach)

5
I. Adagio
Mieneke van der Velden
00:00:41

Mieneke van der Velden, Performer - Leo van Doeselaar, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

6
II. Vivace
Mieneke van der Velden
00:02:23

Mieneke van der Velden, Performer - Leo van Doeselaar, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

Sonata in G Minor, BWV 1029 (Johann Sebastian Bach)

7
I. Vivace
Mieneke van der Velden
00:06:00

Mieneke van der Velden, Performer - Siebe Henstra, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

8
II. Adagio
Mieneke van der Velden
00:05:55

Mieneke van der Velden, Performer - Siebe Henstra, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

9
III. Allegro
Mieneke van der Velden
00:04:06

Mieneke van der Velden, Performer - Siebe Henstra, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

Fantasia in G Minor, BWV 917 (Johann Sebastian Bach)

10
Fantasia duobus subiectis"
Siebe Henstra
00:02:34

Siebe Henstra, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

Sonata in D Major, BWV 1028 (Johann Sebastian Bach)

11
I. Adagio
Mieneke van der Velden
00:02:21

Mieneke van der Velden, Performer - Leo van Doeselaar, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

12
II. Allegro
Mieneke van der Velden
00:04:21

Mieneke van der Velden, Performer - Leo van Doeselaar, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

13
III. Andante
Mieneke van der Velden
00:05:15

Mieneke van der Velden, Performer - Leo van Doeselaar, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

14
IV. Allegro
Mieneke van der Velden
00:04:51

Mieneke van der Velden, Performer - Leo van Doeselaar, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

15
Sinfonia in D Major, BWV 789
Leo van Doeselaar
00:01:22

Leo van Doeselaar, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

Sonata in G Major, BWV 1027 (Johann Sebastian Bach)

16
I. Adagio
Mieneke van der Velden
00:04:10

Mieneke van der Velden, Performer - L'Armonia Sonora, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

17
II. Allegro ma non tanto
Mieneke van der Velden
00:03:50

Mieneke van der Velden, Performer - L'Armonia Sonora, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

18
III. Andante
Mieneke van der Velden
00:02:30

Mieneke van der Velden, Performer - L'Armonia Sonora, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

19
IV. Allegro moderato
Mieneke van der Velden
00:03:15

Mieneke van der Velden, Performer - L'Armonia Sonora, Performer - Johann Sebastian Bach, Composer

2008 Ramée 2008 Ramée

Presentación del Álbum

The viola da gamba is, today, somewhat of a musical anachronism. Ironically, the instrument was not extensively popular during Bach's lifetime, making the fact that he composed solo sonatas for the gamba a historical curiosity. Despite its relative obscurity, Mieneke van der Velden has created a remarkably successful and prolific career out of performing works for the gamba. The Ramee album features the three original Bach gamba sonatas -- by far the most familiar works for the instrument, no doubt because of their usurpation by cellists -- as well as other works Bach transcribed to include the gamba. The performances themselves are somewhat of a mixed bag, a surprise considering the strength of van der Velden's previous albums. The original gamba sonatas in G minor and D major are by far the most successful of the album, although the curious decision to use organ instead of harpsichord in the D major sonata creates some balance problems and does not yield as pleasing of a sound as the gamba-harpsichord combination heard in the G minor sonata. The third original gamba sonata -- in G major -- is heard here in an unsatisfying transcription that includes a violin. Not only does the addition of a violin take a great deal of the solo passages away from the gamba, but intonation in the violin is far from exemplary and the sound quality of the violin and gamba fail to blend well. The same issues remain in the Sinfonia, BWV 76, and Trio Sonata, BWV 1028; the violin is simply too dominant for an album entitled "da Gamba" and its sub-par intonation is a definite detractor from the overall enjoyment.

© TiVo

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