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Tony Williams|Angel  Street

Angel Street

Tony Williams

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All of the recordings by Tony Williams' hard bop quintet of the late '80s/early '90s are worth owning. Trumpeter Wallace Roney, Billy Pierce (on tenor and soprano), and pianist Mulgrew Miller offered consistently satisfying solos, bassist Charnett Moffett was excellent in support, and the drummer-leader constantly pushed his sidemen; in concert his "support" could nearly drown out the soloists. For this 1988 studio session, Williams contributed nine originals including "Pee Wee" from his days with Miles Davis. The music is generally straight-ahead and full of passion.

© Scott Yanow /TiVo

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Angel Street

Tony Williams

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1
Angel Street
00:08:20

Jason Corsaro, Producer - Tony Williams, Composer, Producer, MainArtist

℗ 1988 Blue Note Records

2
Touch Me
00:01:23

Jason Corsaro, Producer - Tony Williams, Composer, Producer, MainArtist

℗ 1988 Blue Note Records

3
Red Mask
00:07:09

Jason Corsaro, Producer, Mixer, Recording Engineer, StudioPersonnel - Tony Williams, Composer, Producer, MainArtist

℗ 1988 Capitol Records, LLC

4
Kiss Me
00:00:54

Jason Corsaro, Producer - Tony Williams, Composer, Producer, MainArtist

℗ 1988 Blue Note Records

5
Dreamland (The Pleasure)
00:09:37

Jason Corsaro, Producer - Tony Williams, Composer, Producer, MainArtist

℗ 1988 Blue Note Records

6
Only With You
00:05:56

Jason Corsaro, Producer - Tony Williams, Composer, Producer, MainArtist

℗ 1988 Blue Note Records

7
Pee Wee
00:06:39

Jason Corsaro, Producer - Tony Williams, Composer, Producer, MainArtist

℗ 1988 Blue Note Records

8
Thrill Me
00:00:46

Jason Corsaro, Producer - Tony Williams, Composer, Producer, MainArtist

℗ 1988 Blue Note Records

9
Obsession
00:04:19

Jason Corsaro, Producer - Tony Williams, Composer, Producer, MainArtist

℗ 1988 Blue Note Records

Presentación del Álbum

All of the recordings by Tony Williams' hard bop quintet of the late '80s/early '90s are worth owning. Trumpeter Wallace Roney, Billy Pierce (on tenor and soprano), and pianist Mulgrew Miller offered consistently satisfying solos, bassist Charnett Moffett was excellent in support, and the drummer-leader constantly pushed his sidemen; in concert his "support" could nearly drown out the soloists. For this 1988 studio session, Williams contributed nine originals including "Pee Wee" from his days with Miles Davis. The music is generally straight-ahead and full of passion.

© Scott Yanow /TiVo

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