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Russell Watson|Amore Musica

Amore Musica

Russell Watson

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Having enjoyed enormous success in Europe, where he was dubbed "The People's Tenor," Russell Watson soon found his career in jeopardy following the release 2002's Reprise. A growth was found on one of his vocal chords and he opted to have it removed, which is an especially frightening procedure for a vocalist -- just ask Julie Andrews. Fortunately, Watson's surgery was a success and Amore Musica is his first recording following an extended recovery. Any doubts that his voice was affected by the surgery are immediately put to rest on the opening song, "Amore e Musica," a grand pop/classical piece that allows Watson to exercise the range of his newly repaired tenor. If anything, he sounds more relaxed with a silkier tone that further embraces Amore Musica's classical crossover selections. While there are still a couple of true classical selections like an adaptation of Sir Edward Elgar's "Nimrod" entitled "We Will Stand Together," the focus is on material that will hook pop-minded adults who love a strong, romantic voice. And nothing screams louder for pop acceptance than "Pray for the Love," a new tune by mega-hit songwriter Diane Warren. Luckily, it is one of her better efforts and Watson delivers a perfect pop performance. But the song's inclusion seems like a calculated effort by Watson to obtain the massive U.S. audience that his North American counterpart, Josh Groban, has already lassoed. To further invite comparison, Watson has included one of Groban's hit songs, "You Raise Me Up," as if to say "here's my version, take your pick." Frankly, Groban's is the better choice, but that is not to say Watson can't acquire a similar following. Amore Musica may not be the disc that does this for him, since it lacks a standout signature track -- something that Groban has been blessed with twice. However, the disc is Watson's most consistent effort thus far. His choice to move further away from true classical pieces is a good decision as his tenor seems better suited to modern pieces like the inspirational "La Fiamma Sacra" or the alluring duet with Lara Fabian "The Alchemist," a theatrical song that sounds like a lost treasure from Broadway's Miss Saigon or Chess (get this man a show!). Sounding more confident than ever with a renewed voice and a new outlook, Russell Watson is moving in the right direction and Amore Musica is a welcome return.

© Aaron Latham /TiVo

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Amore Musica

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1
Amore e Musica
00:03:59

Dean Parks, Acoustic Guitar, AssociatedPerformer - Roberto Pacco, ComposerLyricist - Royal Philharmonic Orchestra, Orchestra - Simon Hale, Conductor, Arranger, Work Arranger - Nick Wollage, Recording Engineer, StudioPersonnel - Jon Bailey, Recording Engineer, StudioPersonnel - Chris Barrett, Asst. Recording Engineer, StudioPersonnel - MICK GUZAUSKI, Mixer, StudioPersonnel - Brad Spence, Asst. Recording Engineer, StudioPersonnel - Simon Franglen, Producer, Keyboards, Programming, Recording Producer, AssociatedPerformer - Russell Watson, MainArtist - Felice di Salvo, ComposerLyricist

℗ 2004 Decca Music Group Limited

2
Magia Sarà
00:03:27

Dean Parks, Acoustic Guitar, AssociatedPerformer - Matteo Saggese, Composer - Royal Philharmonic Orchestra, Orchestra - Simon Hale, Conductor, Arranger, Work Arranger - Nick Wollage, Recording Engineer, StudioPersonnel - Jon Bailey, Recording Engineer, StudioPersonnel - Chris Barrett, Asst. Recording Engineer, StudioPersonnel - MICK GUZAUSKI, Mixer, StudioPersonnel - Brad Spence, Asst. Recording Engineer, StudioPersonnel - Simon Franglen, Producer, Keyboards, Programming, Recording Producer, AssociatedPerformer - Russell Watson, MainArtist - Mino Vergnaghi, ComposerLyricist

℗ 2004 Decca Music Group Limited

3
You Raise Me Up
00:05:00

Royal Philharmonic Orchestra, Orchestra - Jon Bailey, Recording Engineer, StudioPersonnel - Chris Barrett, Asst. Recording Engineer, StudioPersonnel - Geoff Foster, Asst. Recording Engineer, StudioPersonnel - Brendan Graham, Author - Josh Abbey, Recording Engineer, StudioPersonnel - MICK GUZAUSKI, Mixer, StudioPersonnel - Brad Spence, Asst. Recording Engineer, StudioPersonnel - Nicholas Dodd, Conductor, Arranger, Recording Arranger, Work Arranger, AssociatedPerformer - Simon Franglen, Producer, Keyboards, Piano, Programming, Recording Producer, AssociatedPerformer - Steve Menzies, Vocals, AssociatedPerformer - Russell Watson, MainArtist - Nick Cervonaro, Asst. Recording Engineer, StudioPersonnel - Rolf Løvland, Composer - Tony Hinnigan, Tin Whistle, AssociatedPerformer - Steve Piggott, Programming, AssociatedPerformer - Alistair Gordon, Vocals, AssociatedPerformer - Elaine Hanley, Vocals, AssociatedPerformer - Jackie Perkins, Vocals, AssociatedPerformer - James Shenton, Fiddle, AssociatedPerformer - Robert A. White, Uilleann Pipes, AssociatedPerformer - Sue Quin, Vocals, AssociatedPerformer

℗ 2004 Decca Music Group Limited

4
Il Gladiatore (based on themes from the motion picture "Gladiator")
00:03:45

Dean Parks, Acoustic Guitar, AssociatedPerformer - Royal Philharmonic Orchestra, Orchestra - Simon Hale, Arranger, Work Arranger - Nick Wollage, Recording Engineer, StudioPersonnel - Jon Bailey, Mixer, Recording Engineer, StudioPersonnel - Hans Zimmer, Composer - Geoff Foster, Recording Engineer, StudioPersonnel - Jenny O'Grady, Chorus Director, AssociatedPerformer - Brad Spence, Asst. Recording Engineer, StudioPersonnel - Adam Noble, Asst. Recording Engineer, StudioPersonnel - Nicholas Dodd, Conductor - Simon Franglen, Producer, Arranger, Keyboards, Programming, Recording Producer, Work Arranger, AssociatedPerformer - Russell Watson, MainArtist - Nick Cervonaro, Asst. Recording Engineer, StudioPersonnel - Gavin Greenaway, Author - The Metro Voices, Choir - Jeffrey B. Prescetto, Author

℗ 2004 Decca Music Group Limited

5
I' Te Vurría Vasá
00:04:25

Dean Parks, Acoustic Guitar, AssociatedPerformer - Royal Philharmonic Orchestra, Orchestra - Simon Hale, Conductor, Arranger, Work Arranger - Nick Wollage, Recording Engineer, StudioPersonnel - Jon Bailey, Mixer, Recording Engineer, StudioPersonnel - Chris Barrett, Asst. Recording Engineer, StudioPersonnel - Brad Spence, Asst. Recording Engineer, StudioPersonnel - Eduardo Di Capua, Composer - Vincenzo Russo, Author - Simon Franglen, Producer, Keyboards, Programming, Recording Producer, AssociatedPerformer - Russell Watson, MainArtist - Nick Cervonaro, Asst. Recording Engineer, StudioPersonnel - Eddie Hession, Accordion, AssociatedPerformer

℗ 2004 Decca Music Group Limited

6
I Believe
00:04:14

Matt Dunkley, Conductor - Royal Philharmonic Orchestra, Orchestra - Jon Bailey, Mixer, Recording Engineer, StudioPersonnel - Yvan Cassar, Arranger, Vocal Arranger, Work Arranger, AssociatedPerformer - Chris Barrett, Asst. Recording Engineer, StudioPersonnel - Geoff Foster, Recording Engineer, StudioPersonnel - Jenny O'Grady, Chorus Director, AssociatedPerformer - Brad Spence, Asst. Recording Engineer, StudioPersonnel - Simon Franglen, Producer, Keyboards, Programming, Recording Producer, AssociatedPerformer - Russell Watson, MainArtist - Nick Cervonaro, Asst. Recording Engineer, StudioPersonnel - The Metro Voices, Choir - Eric Levisalles, ComposerLyricist - Dave Keary, Acoustic Guitar, AssociatedPerformer

℗ 2004 Decca Music Group Limited

7
La Fiamma Sacra
00:04:18

Paul Bateman, Conductor - Royal Philharmonic Orchestra, Orchestra - Simon Hale, Arranger, Work Arranger - Jon Bailey, Recording Engineer, StudioPersonnel - Chris Barrett, Asst. Recording Engineer, StudioPersonnel - Geoff Foster, Engineer, StudioPersonnel - MICK GUZAUSKI, Mixer, StudioPersonnel - Brad Spence, Asst. Recording Engineer, StudioPersonnel - Frank Musker, Author - Simon Franglen, Producer, Keyboards, Programming, Recording Producer, AssociatedPerformer - Russell Watson, MainArtist - Nick Cervonaro, Asst. Recording Engineer, StudioPersonnel - Ronan Hardiman, Composer - Dave Keary, Guitar, AssociatedPerformer

℗ 2004 Decca Music Group Limited

8
You'll Still Be There For Me (Based On The Theme From "Rob Roy")
00:03:41

Matt Dunkley, Conductor - Royal Philharmonic Orchestra, Orchestra - Simon Hale, Arranger, Work Arranger - Jon Bailey, Mixer, Recording Engineer, StudioPersonnel - Chris Barrett, Asst. Recording Engineer, StudioPersonnel - Geoff Foster, Engineer, StudioPersonnel - Tracey Ackerman, Background Vocalist, AssociatedPerformer - Brad Spence, Asst. Recording Engineer, StudioPersonnel - Simon Franglen, Producer, Keyboards, Piano, Programming, Recording Producer, AssociatedPerformer - Dominic Morley, Asst. Recording Engineer, StudioPersonnel - Russell Watson, Composer, MainArtist - Carter Burwell, Composer - Nick Cervonaro, Asst. Recording Engineer, StudioPersonnel - Tony Hinnigan, Tin Whistle, AssociatedPerformer - Angela Lupino, Author - James Shenton, Fiddle, AssociatedPerformer - Robert A. White, Uilleann Pipes, AssociatedPerformer

℗ 2004 Decca Music Group Limited

9
The Alchemist (Duet with Lara Fabian)
00:05:35

Gary Barlow, Keyboards, Programming, AssociatedPerformer, ComposerLyricist - Eliot Kennedy, ComposerLyricist - Paul Bateman, Conductor - Royal Philharmonic Orchestra, Orchestra - Simon Hale, Arranger, Work Arranger - Jon Bailey, Recording Engineer, StudioPersonnel - Chris Barrett, Asst. Recording Engineer, StudioPersonnel - Geoff Foster, Engineer, StudioPersonnel - Robbie Adams, Recording Engineer, StudioPersonnel - MICK GUZAUSKI, Mixer, StudioPersonnel - Brad Spence, Asst. Recording Engineer, StudioPersonnel - Lara Fabian, MainArtist - Simon Franglen, Producer, Keyboards, Programming, Recording Producer, AssociatedPerformer - Russell Watson, MainArtist - Nick Cervonaro, Asst. Recording Engineer, StudioPersonnel - Jean-Felix Lalanne, Guitar, AssociatedPerformer

℗ 2004 Decca Music Group Limited

10
Pray For The Love
00:04:53

Matt Dunkley, Conductor - Diane Warren, ComposerLyricist - Royal Philharmonic Orchestra, Orchestra - Simon Hale, Arranger, Work Arranger - Jon Bailey, Mixer, Recording Engineer, StudioPersonnel - Chris Barrett, Asst. Recording Engineer, StudioPersonnel - Jenny O'Grady, Chorus Director, AssociatedPerformer - Brad Spence, Asst. Recording Engineer, StudioPersonnel - Simon Franglen, Producer, Keyboards, Programming, Recording Producer, AssociatedPerformer - Russell Watson, MainArtist - Nick Cervonaro, Asst. Recording Engineer, StudioPersonnel - The Metro Voices, Choir - Dave Keary, Guitar, AssociatedPerformer

℗ 2004 Decca Music Group Limited

11
C'è Sempre Musica
00:03:54

Royal Philharmonic Orchestra, Orchestra - Simon Hale, Arranger, Work Arranger - Nick Wollage, Recording Engineer, StudioPersonnel - Jon Bailey, Recording Engineer, StudioPersonnel - CHEOPE, Author - Geoff Foster, Engineer, StudioPersonnel - Antonio Galbiati, Composer - Jenny O'Grady, Chorus Director, AssociatedPerformer - MICK GUZAUSKI, Mixer, StudioPersonnel - Brad Spence, Asst. Recording Engineer, StudioPersonnel - Adam Noble, Asst. Recording Engineer, StudioPersonnel - Nicholas Dodd, Conductor - Simon Franglen, Producer, Keyboards, Programming, Recording Producer, AssociatedPerformer - Russell Watson, MainArtist - The Metro Voices, Choir - Jeffrey B Franzel, Composer - Dave Keary, Guitar, AssociatedPerformer

℗ 2004 Decca Music Group Limited

12
I'll Walk With God (From "The Student Prince")
00:03:01

Royal Philharmonic Orchestra, Orchestra, Artist - Simon Hale, Arranger, Work Arranger - Nick Wollage, Recording Engineer, StudioPersonnel - Jon Bailey, Recording Engineer, StudioPersonnel - Paul Francis Webster, Author - Geoff Foster, Engineer, StudioPersonnel - Jenny O'Grady, Artist, Chorus Director, AssociatedPerformer - Brad Spence, Asst. Recording Engineer, StudioPersonnel - Adam Noble, Asst. Recording Engineer, StudioPersonnel - Nicholas Dodd, Conductor, Artist - Simon Franglen, Producer, Keyboards, Artist, Programming, Recording Producer, AssociatedPerformer - Russell Watson, MainArtist - Nikolaus Brodszky, Composer - Nick Cervonaro, Asst. Recording Engineer, StudioPersonnel - John Bailey, Mixer, StudioPersonnel - The Metro Voices, Choir, Artist

℗ 2004 Decca Music Group Limited

13
We Will Stand Together (based on Variations on an Original Theme, Op. 36 "Nimrod")
00:03:58

Paul Bateman, Conductor - Royal Philharmonic Orchestra, Orchestra - Edward Elgar, Composer - Jon Bailey, Mixer, Recording Engineer, StudioPersonnel - Chris Barrett, Asst. Recording Engineer, StudioPersonnel - Geoff Foster, Engineer, StudioPersonnel - Jenny O'Grady, Chorus Director, AssociatedPerformer - Brad Spence, Asst. Recording Engineer, StudioPersonnel - Simon Franglen, Producer, Arranger, Keyboards, Programming, Recording Producer, Work Arranger, AssociatedPerformer - Russell Watson, MainArtist - Nick Cervonaro, Asst. Recording Engineer, StudioPersonnel - The Metro Voices, Choir - Angela Lupino, Author

℗ 2004 Decca Music Group Limited

Presentación del Álbum

Having enjoyed enormous success in Europe, where he was dubbed "The People's Tenor," Russell Watson soon found his career in jeopardy following the release 2002's Reprise. A growth was found on one of his vocal chords and he opted to have it removed, which is an especially frightening procedure for a vocalist -- just ask Julie Andrews. Fortunately, Watson's surgery was a success and Amore Musica is his first recording following an extended recovery. Any doubts that his voice was affected by the surgery are immediately put to rest on the opening song, "Amore e Musica," a grand pop/classical piece that allows Watson to exercise the range of his newly repaired tenor. If anything, he sounds more relaxed with a silkier tone that further embraces Amore Musica's classical crossover selections. While there are still a couple of true classical selections like an adaptation of Sir Edward Elgar's "Nimrod" entitled "We Will Stand Together," the focus is on material that will hook pop-minded adults who love a strong, romantic voice. And nothing screams louder for pop acceptance than "Pray for the Love," a new tune by mega-hit songwriter Diane Warren. Luckily, it is one of her better efforts and Watson delivers a perfect pop performance. But the song's inclusion seems like a calculated effort by Watson to obtain the massive U.S. audience that his North American counterpart, Josh Groban, has already lassoed. To further invite comparison, Watson has included one of Groban's hit songs, "You Raise Me Up," as if to say "here's my version, take your pick." Frankly, Groban's is the better choice, but that is not to say Watson can't acquire a similar following. Amore Musica may not be the disc that does this for him, since it lacks a standout signature track -- something that Groban has been blessed with twice. However, the disc is Watson's most consistent effort thus far. His choice to move further away from true classical pieces is a good decision as his tenor seems better suited to modern pieces like the inspirational "La Fiamma Sacra" or the alluring duet with Lara Fabian "The Alchemist," a theatrical song that sounds like a lost treasure from Broadway's Miss Saigon or Chess (get this man a show!). Sounding more confident than ever with a renewed voice and a new outlook, Russell Watson is moving in the right direction and Amore Musica is a welcome return.

© Aaron Latham /TiVo

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