Categorías:
Carrito 0

Servicio no disponible por el momento

Dungen|4

4

Dungen

Disponible en
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escuche este álbum ahora en alta calidad en nuestras apps

Comenzar mi periodo de prueba gratis y escuchar este álbum

Disfrute de este álbum en las apps Qobuz con sususcripción

Suscribir

Disfrute de este álbum en las apps Qobuz con sususcripción

While Tio Bitar saw Gustav Ejstes relinquishing some of Dungen's instrumental duties to other musicians, specifically guitarist Reine Fiske, 4 is the closest he's come to employing a full-time band. The frontman confines himself to the piano and microphone this time around, only taking occasional stabs at flute and violin, while bassist Mattias Gustavsson and drummer Johan Holmegard join Fiske in creating Dungen's sonic sprawl. As before, the band brews up a mix of psychedelic rock, free jazz, and other vintage genres associated with mind expansion and counterculture ideals. The folk influence that peppered earlier releases isn't as prominent here, though, with a new emphasis on piano taking its place. That instrument lends softer textures to several songs, especially when combined with washes of woodwinds and strings.
"Marleras Finest," in particular, mixes piano-fueled jazz with vintage elevator music, sounding like something that would've piped through the speakers of a 1960s dentist's office after a laughing gas leak. Elsewhere, the bandmates turn their amplifier knobs to the breaking point while pummeling through a series of improvised psych-rock freak-outs. "Samtidigt 1" is a freewheeling guitar showcase taken from a jam session -- it fades in and fades out, seemingly stretching on for hours on either side of the snippet -- and "Samtidigt 2" reprises the same approach several songs later. Holmegard fills his percussion with Mitch Mitchell-styled fills, and Fiske fills every inch of space with slashes and stabs of crunchy, distorted guitar, earning his keep as the band's second-in-command. There are well-crafted songs here, too: "Mina Damer Och Fasaner" begins like a Brill Building ballad before settling into a bassy groove, and "Det Tar Tid" showcase Ejstes' talent for stacked vocal harmonies. In short, 4 offers a cross-section of the band's catalog, mixing the structure-based songs of Tio Bitar with the instrumental workouts of albums like Ta Det Lugnt. Ejstes' fiddle playing is missed, but that's a minor complaint from an otherwise solid effort.

© Andrew Leahey /TiVo

Más información

4

Dungen

launch qobuz app Ya he descargado Qobuz para Windows / MacOS Abrir

download qobuz app Todavía no he descargado Qobuz para Windows / MacOS Descargar la app Qobuz

Está escuchando muestras.

Escuche más de 100 millones de pistas con un plan de streaming ilimitado.

Escuche esta playlist y más de 100 millones de pistas con nuestros planes de streaming ilimitado.

Desde $ 4.259,00/mes

1
Sätt att se
00:04:45

Gustav Ejstes, Composer - Dungen, MainArtist - Sony/ATV Music Publishing Scandinavia AB, MusicPublisher

2008 Subliminal Sounds 2008 Sony/ATV Music Publishing Scandinavia AB

2
Målerås finest
00:02:22

Gustav Ejstes, Composer - Dungen, MainArtist - Sony/ATV Music Publishing Scandinavia AB, MusicPublisher

2008 Subliminal Sounds 2008 Sony/ATV Music Publishing Scandinavia AB

3
Det tar tid
00:04:16

Gustav Ejstes, Composer - Dungen, MainArtist - Sony/ATV Music Publishing Scandinavia AB, MusicPublisher

2008 Subliminal Sounds 2008 Sony/ATV Music Publishing Scandinavia AB

4
Samtidigt 1
00:03:15

Gustav Ejstes, Composer - Dungen, MainArtist - Reine Fiske, Composer - Sony/ATV Music Publishing Scandinavia AB, MusicPublisher - Mattias Gustavsson, Composer - Johan Holmegard, Composer

2008 Subliminal Sounds 2008 Sony/ATV Music Publishing Scandinavia AB

5
Ingenting är sig likt
00:02:59

Gustav Ejstes, Composer - Dungen, MainArtist - Sony/ATV Music Publishing Scandinavia AB, MusicPublisher

2008 Subliminal Sounds 2008 Sony/ATV Music Publishing Scandinavia AB

6
Fredag
00:04:19

Gustav Ejstes, Composer - Dungen, MainArtist - Sony/ATV Music Publishing Scandinavia AB, MusicPublisher

2008 Subliminal Sounds 2008 Sony/ATV Music Publishing Scandinavia AB

7
Finns det någon möjlighet
00:03:54

Gustav Ejstes, Composer - Dungen, MainArtist - Sony/ATV Music Publishing Scandinavia AB, MusicPublisher

2008 Subliminal Sounds 2008 Sony/ATV Music Publishing Scandinavia AB

8
Mina damer och fasaner
00:03:42

Gustav Ejstes, Composer - Dungen, MainArtist - Sony/ATV Music Publishing Scandinavia AB, MusicPublisher

2008 Subliminal Sounds 2008 Sony/ATV Music Publishing Scandinavia AB

9
Samtidigt 2
00:04:38

Gustav Ejstes, Composer - Dungen, MainArtist - Reine Fiske, Composer - Sony/ATV Music Publishing Scandinavia AB, MusicPublisher - Mattias Gustavsson, Composer - Johan Holmegard, Composer

2008 Subliminal Sounds 2008 Sony/ATV Music Publishing Scandinavia AB

10
Bandhagen
00:03:23

Gustav Ejstes, Composer - Dungen, MainArtist - Sony/ATV Music Publishing Scandinavia AB, MusicPublisher

2008 Subliminal Sounds 2008 Sony/ATV Music Publishing Scandinavia AB

Presentación del Álbum

While Tio Bitar saw Gustav Ejstes relinquishing some of Dungen's instrumental duties to other musicians, specifically guitarist Reine Fiske, 4 is the closest he's come to employing a full-time band. The frontman confines himself to the piano and microphone this time around, only taking occasional stabs at flute and violin, while bassist Mattias Gustavsson and drummer Johan Holmegard join Fiske in creating Dungen's sonic sprawl. As before, the band brews up a mix of psychedelic rock, free jazz, and other vintage genres associated with mind expansion and counterculture ideals. The folk influence that peppered earlier releases isn't as prominent here, though, with a new emphasis on piano taking its place. That instrument lends softer textures to several songs, especially when combined with washes of woodwinds and strings.
"Marleras Finest," in particular, mixes piano-fueled jazz with vintage elevator music, sounding like something that would've piped through the speakers of a 1960s dentist's office after a laughing gas leak. Elsewhere, the bandmates turn their amplifier knobs to the breaking point while pummeling through a series of improvised psych-rock freak-outs. "Samtidigt 1" is a freewheeling guitar showcase taken from a jam session -- it fades in and fades out, seemingly stretching on for hours on either side of the snippet -- and "Samtidigt 2" reprises the same approach several songs later. Holmegard fills his percussion with Mitch Mitchell-styled fills, and Fiske fills every inch of space with slashes and stabs of crunchy, distorted guitar, earning his keep as the band's second-in-command. There are well-crafted songs here, too: "Mina Damer Och Fasaner" begins like a Brill Building ballad before settling into a bassy groove, and "Det Tar Tid" showcase Ejstes' talent for stacked vocal harmonies. In short, 4 offers a cross-section of the band's catalog, mixing the structure-based songs of Tio Bitar with the instrumental workouts of albums like Ta Det Lugnt. Ejstes' fiddle playing is missed, but that's a minor complaint from an otherwise solid effort.

© Andrew Leahey /TiVo

Acerca del álbum

Mejorar la información del álbum
Más en Qobuz
Por Dungen

Ta det lugnt

Dungen

Ta det lugnt Dungen

En Är För Mycket Och Tusen Aldrig Nog

Dungen

Häxan (Versions by Prins Thomas)

Dungen

Häxan

Dungen

Häxan Dungen

Myths 003

Dungen

Myths 003 Dungen

Playlists

Quizás también le guste...

i/o

Peter Gabriel

i/o Peter Gabriel

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Now And Then

The Beatles

Now And Then The Beatles

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Dark Matter

Pearl Jam

Dark Matter Pearl Jam