Orchestre de Paris
Langue disponible : anglaisAlthough it does not have the long history of other European orchestras, the Orchestre de Paris has attracted top talent and played a major role in the cultural life of the French capital since its founding in 1967. The orchestra also has an associated choir, the Chœur de l'Orchestre de Paris, that was established in 1976 and has been highly regarded. The Orchestre de Paris was founded after the demise of the Orchestre de la Société des Concerts du Conservatoire, which dated back to 1828 but had encountered financial difficulties. One of that group's former conductors, Charles Munch, held the auditions for the new orchestra and employed 50 members of the older group; the majority of its members, however, were new, and the orchestra owed its high quality from the start to the stature of Munch, who died in 1968 and was succeeded, as musical advisor rather than as permanent music director, by Herbert von Karajan. Concerts during the orchestra's first several years of existence featured top guest soloists such as Mstislav Rostropovich. The following music directors were of uniformly prestigious stature, including Georg Solti (1972-1975), Daniel Barenboim (1975-1989), Semyon Bychkov (1989-1998), Christoph von Dohnányi (1998-2000, another artistic advisor), Christoph Eschenbach (2000-2010), Paavo Järvi (2010-2016), and Daniel Harding (2016-2019). Principal guest conductor since 2016 has been Thomas Hengelbrock. The orchestra's concert life has been centered in Paris, but its headquarters have moved several times over its comparatively short existence. The orchestra's concerts took place for many years at the venerable Salle Pleyel hall, which was sold in 1998 and finally mothballed in 2002. For several years the orchestra moved among the Théâtre du Chatelet, the Théâtre des Champs-Elysées, and, briefly, the renovated Salle Pleyel. In 2015 the orchestra moved into the new Philharmonie de Paris and has become its resident ensemble. The Orchestre de Paris has had a long recording career, including a 1982 recording of Ravel's Boléro that made the pop charts in the Netherlands. The group has recorded mostly for Deutsche Grammophon, Philips, Erato, Warner Classics, and Harmonia Mundi, for which it participated in a recording of Stravinsky's L'histoire du soldat in 2018.
© James Manheim /TiVo Lire plus
Although it does not have the long history of other European orchestras, the Orchestre de Paris has attracted top talent and played a major role in the cultural life of the French capital since its founding in 1967. The orchestra also has an associated choir, the Chœur de l'Orchestre de Paris, that was established in 1976 and has been highly regarded. The Orchestre de Paris was founded after the demise of the Orchestre de la Société des Concerts du Conservatoire, which dated back to 1828 but had encountered financial difficulties. One of that group's former conductors, Charles Munch, held the auditions for the new orchestra and employed 50 members of the older group; the majority of its members, however, were new, and the orchestra owed its high quality from the start to the stature of Munch, who died in 1968 and was succeeded, as musical advisor rather than as permanent music director, by Herbert von Karajan. Concerts during the orchestra's first several years of existence featured top guest soloists such as Mstislav Rostropovich. The following music directors were of uniformly prestigious stature, including Georg Solti (1972-1975), Daniel Barenboim (1975-1989), Semyon Bychkov (1989-1998), Christoph von Dohnányi (1998-2000, another artistic advisor), Christoph Eschenbach (2000-2010), Paavo Järvi (2010-2016), and Daniel Harding (2016-2019). Principal guest conductor since 2016 has been Thomas Hengelbrock. The orchestra's concert life has been centered in Paris, but its headquarters have moved several times over its comparatively short existence. The orchestra's concerts took place for many years at the venerable Salle Pleyel hall, which was sold in 1998 and finally mothballed in 2002. For several years the orchestra moved among the Théâtre du Chatelet, the Théâtre des Champs-Elysées, and, briefly, the renovated Salle Pleyel. In 2015 the orchestra moved into the new Philharmonie de Paris and has become its resident ensemble. The Orchestre de Paris has had a long recording career, including a 1982 recording of Ravel's Boléro that made the pop charts in the Netherlands. The group has recorded mostly for Deutsche Grammophon, Philips, Erato, Warner Classics, and Harmonia Mundi, for which it participated in a recording of Stravinsky's L'histoire du soldat in 2018.
© James Manheim /TiVo
-
Camille Saint-Saëns : Complete Chamber Music With Winds (Intégrale de la musique de chambre avec vents)
Classique - Paru chez Indésens le 1 avr. 2010
A partir de la fin du XIXe siècle, les bois prirent une place de plus en plus grande au sein de l'orchestre. un répertoire se développa. Saint-Saëns c ...
16-Bit CD Quality 44.1 kHz - Stereo -
Opening Concerts: Live from the Philharmonie de Paris
Classique - Paru chez Orchestre de Paris le 27 févr. 2015
24-Bit 48.0 kHz - Stereo -
Tchaikovsky: Ballet Suites - The Nutcracker; The Sleeping Beauty
Orchestre de Paris, Seiji Ozawa
Classique - Paru chez Decca Music Group Ltd. le 1 janv. 1975
24-Bit 192.0 kHz - Stereo -
Orchestre de Paris - Ravel
Classique - Paru chez Warner Classics le 11 févr. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Zemlinsky: Lyric Symphony
Opéra - Paru chez Planet Blue Records le 1 janv. 2005
16-Bit CD Quality 44.1 kHz - Stereo -
Daniel Barenboim & Orchestre de Paris
Orchestre de Paris, Daniel Barenboim
Classique - Paru chez Deutsche Grammophon (DG) le 7 sept. 2018
16-Bit CD Quality 44.1 kHz - Stereo -
The World's Greatest Orchestras - Orchestre de Paris
Classique - Paru chez UME - Global Clearing House le 9 janv. 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz – Saint-Saëns – Dukas
Orchestre de Paris, Daniel Barenboim
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 1981
16-Bit CD Quality 44.1 kHz - Stereo -
Rachmaninov
Classique - Paru chez Warner Classics le 2 oct. 2015
24-Bit 44.1 kHz - Stereo -
Rachmaninov
Classique - Paru chez Warner Classics le 2 oct. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Saint-Saëns: Samson et Dalila
Orchestre de Paris, Daniel Barenboim
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 2005
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Ride of the Valkyries
Orchestre de Paris, Daniel Barenboim
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 1995
Les Maîtres Chanteurs de Nuremberg - Le Vaisseau Fantôme - Tristan et Isolde - Le Crépuscule des Dieux - La Walkyrie / Alain Denis, cor anglais - Orch ...
16-Bit CD Quality 44.1 kHz - Stereo -
Saint-Saëns: Samson et Dalila
Orchestre de Paris, Daniel Barenboim
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 2005
16-Bit CD Quality 44.1 kHz - Stereo -
Tchaikovsky: Symphony No. 4, Op. 36
Classique - Paru chez Warner Classics le 1 janv. 1971
16-Bit CD Quality 44.1 kHz - Stereo -
Debussy: La Mer; Nocturnes; Prélude à l'après-midi d'un faune
Orchestre de Paris, Daniel Barenboim
Classique - Paru chez Decca Music Group Ltd. le 1 janv. 1993
16-Bit CD Quality 44.1 kHz - Stereo -
Wagner: Orchestral Music
Orchestre de Paris, Daniel Barenboim
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 1995
Les Maîtres Chanteurs de Nuremberg - Le Vaisseau Fantôme - Tristan et Isolde - Le Crépuscule des Dieux - La Walkyrie / Alain Denis, cor anglais - Orch ...
16-Bit CD Quality 44.1 kHz - Stereo -
Ravel: Boléro; Pavane pour une infante défunte; La Valse; Daphnis et Chloë (2e Suite)
Orchestre de Paris, Daniel Barenboim
Classique - Paru chez Deutsche Grammophon (DG) le 15 sept. 1982
Boléro en ut majeur, op. 19 - Pavane pour une infante défunte - La Valse - Daphnis et Chloé, Suite n° 2 / Myron Bloom, cor - Michel Debost, flûte - O ...
16-Bit CD Quality 44.1 kHz - Stereo -
Stravinsky: The Firebird
Classique - Paru chez Warner Classics le 1 janv. 1973
16-Bit CD Quality 44.1 kHz - Stereo -
Bechara El-Khoury: Orages (Live)
Classique - Paru chez Naxos le 9 juin 2017
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: Béatrice et Bénédict
Orchestre de Paris, Daniel Barenboim
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Les Rayons du jour
Classique - Paru chez Solstice le 1 janv. 2007
Alive - Wild - Formes du Vent - Falaises - Les Rayons du Jour / Quatuor Ebène - Emmanuelle Bertrand, violoncelle - Orchestre de Paris - Christoph Esch ...
16-Bit CD Quality 44.1 kHz - Stereo