Influenced by Coleman Hawkins and Ben Webster but definitely his own person, Ike Quebec was one of the finest swing-oriented tenor saxman of the 1940s and '50s. Though he was never an innovator, Quebec had a big, breathy sound that was distinctive and easily recognizable, and he was quite consistent when it came to came to down-home blues, sexy ballads, and up-tempo aggression. Originally a pianist, Quebec switched to tenor in the early '40s and showed that he had made the right decision on excellent 78s for Blue Note and Savoy (including his hit "Blue Harlem"). As a sideman, he worked with Benny Carter, Kenny Clarke, Roy Eldridge, and Cab Calloway. In the late '40s, the saxman did a bit of freelancing behind the scenes as a Blue Note A&R man and brought Thelonious Monk and Bud Powell to the label. Drug problems kept Quebec from recording for most of the 1950s, but he made a triumphant comeback in the early '60s and was once again recording for Blue Note and doing freelance A&R for the company. Quebec was playing as authoritatively as ever well into 1962, giving no indication that he was suffering from lung cancer, which claimed his life at the age of 44 in 1963. ~ Alex Henderson
10 albums triés par Plus distingués et filtrés par Belle Wood
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00:05 Qobuz | Cassius, l'adieu solairehier Qobuz | De la weed, des chevaux, de la country et Willie...mar. Qobuz | L'uppercut Black Midi
jeu. Qobuz | Philippe Zdar, la musique dans l’âmejeu. Qobuz | Keb' Mo', un trip en Oklahomamer. Qobuz | Calexico et Iron & Wine sont dans un bateau
mar. Qobuz | Max Jury, moins country, plus groovylun. Qobuz | Madonna sous Xdim. Qobuz | Brandt Brauer Frick, Berlinois et francophiles
sam. Qobuz | Mattiel ne se connaît pasven. Qobuz | Le Boss hors du tempsjeu. Qobuz | Mariee pleine de grâce