Eugène Goossens
Most often remembered as a highly regarded conductor with substantial tenures as music director of both the Cincinnati and Sydney Symphony orchestras, Eugene Goossens was also an important composer of twentieth-century music. Had the achievements of his career not been overshadowed by an unfortunate scandal and fall from grace in his last years, his legacy would likely have been even more significant.
Born in London and of Belgian heritage, Goossens trained as a violinist at the Bruges Conservatory and the Liverpool College of Music. It was not until he attended the Royal College of Music that he began serious composition study, with Sir Charles Villiers Stanford. Among his first compositions from 1911-13 are the Variations on a Chinese Theme and the Octet (written for flute, clarinet, horn, harp, and strings). These works utilized an early style strongly reminiscent of the French impressionists Claude Debussy and Maurice Ravel, and drew strong praise from the elder statesmen of the composition circle at that time, including Frederick Delius.
In order to support himself, Goossens followed in the footsteps of his father and grandfather, both of whom were conductors. He trained as the assistant conductor to Sir Thomas Beecham, and began to develop an impressive conducting career. In 1921, he gave many Londoners their first Stravinsky experience in the premiere UK performance of Le Sacre du Printemps.
In 1923, George Eastman (of Kodak fame) invited him to become the first music director of his newly formed Eastman-Rochester Philharmonic Orchestra. Following continued success there, he was offered the helm of the Cincinnati Symphony in 1931, where he was active in commissioning a number of new works, including Aaron Copland's masterpiece Fanfare for the Common Man (1942).
Although a composer of modest number, Goossens composed works in nearly every genre. His first significant orchestral work, Sinfonietta (1922), was championed by Arturo Toscanini. His most popular works include his Oboe Concerto from 1927 (written for his brother, Leon Goossens), two symphonies from 1940 and 1945, and two operas drawn on libretti by Arnold Bennett. These include the opera Judith (in which Joan Sutherland made her debut in 1951) and Don Juan de Mañara. With the exception of premieres and a few rare occasions, Goossens never had a strong inclination to conduct his own works.
It was in Sydney that Goossens would reach both the pinnacle of his career and the lowest depths of indignity. The Sydney Symphony Orchestra had been recently organized, and in 1947 Goossens was invited to become its first music director. Goossens was a visionary; although his dreams began small (the introduction of outdoor performances and increased visibility) they culminated with his groundbreaking idea and subsequent proposal for the Sydney Opera House. His many efforts were finally rewarded when he was knighted in 1955.
A 1957 scandal with artist Rosaleen Norton severely affected Goosens and destroyed his Australian career. Forced to resign from his conducting posts, Gossens returned to England. His chronically ill health and a congenital heart defect contributed to a long period of illness following the scandal. Sketches for a ballet and third opera were left unfinished at his death in 1962. He is the author of Overture and Beginners: A Musical Autobiography.
© TiVo
Discographie
18 album(s) • Trié par Meilleures ventes
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Paganini: Violin Concerto in D Major, Op. 6 by Michael Rabin
Michäel Rabin, Eugène Goossens, Philharmonia Orchestra
Classique - Paru chez Alexandre Bak - Classical Music Reference Recording le 27 févr. 2022
24-Bit 96.0 kHz - Stereo -
David Oistrach - Violin Concertos
David Oïstrakh, Eugène Goossens, Franz Konwitschny
Classique - Paru chez Deutsche Grammophon (DG) le 20 févr. 1995
16-Bit CD Quality 44.1 kHz - Stereo -
Johann Sebastian Bach: Concerto for 2 Violins and Continuo in D Minor, Bwv 1043 - Ludwig Van Beethoven: Romance for Violin and Orchestra No.1 In G Major, Op. 40 + No.2 In F Major, Op. 50 - Antonio Vivaldi: Concerto for 2 Violins, Strings and Continuo In (Album of 1961( 60 Anniversery))
David Oïstrakh, Igor Oïstrakh, Royal Philharmonic Orchestra, Eugène Goossens
Pop - Paru chez GazzaLadra le 30 sept. 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Britten: Serenade for tenor, horn & strings; Les Illuminations; Nocturne
Peter Pears, Dennis Brain, The New Symphony Orchestra of London, Eugène Goossens
Classique - Paru chez Decca Music Group Ltd. le 1 janv. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
ELGAR / WALTON: Violin Concertos (Heifetz) (1941, 1949)
Jascha Heifetz, Cincinnati Symphony Orchestra, London Symphony Orchestra, Eugène Goossens, Sir Malcolm Sargent
Classique - Paru chez Naxos le 4 déc. 2000
16-Bit CD Quality 44.1 kHz - Stereo -
Tchaikovsky: Symphony No. 2 & 3
Classique - Paru chez Guild GmbH le 15 juil. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
BRUCH / BRAHMS: Violin Concertos (Kreisler) (1925, 1936)
Fritz Kreisler, London Philharmonic Orchestra, Eugène Goossens, Sir John Barbirolli
Concertos pour violon - Paru chez Naxos le 9 mars 2001
16-Bit CD Quality 44.1 kHz - Stereo -
Piano Concerto Movements
Benno Moiseiwitsch, Royal Philharmonic Orchestra, Eugène Goossens
Classique - Paru chez First Hand Records le 7 avr. 2015
24-Bit 96.0 kHz - Stereo -
Violin Masterpieces: Oistrakh Father & Son (Remastered 2014)
David Oïstrakh, Igor Oïstrakh, Royal Philharmonic Orchestra, Eugène Goossens
Musique concertante - Paru chez Jube Classic le 3 févr. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Great Goossens
Classique - Paru chez Oboe Classics le 1 nov. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Sergei Rachmaninoff: Symphonic Dances, Op. 45 (Album of 1959)
London Symphony Orchestra, Eugène Goossens
Classique - Paru chez GazzaLadra le 15 avr. 2023
16-Bit CD Quality 44.1 kHz - Stereo -
Austin: The Beggar's Opera (after J.C. Pepusch version) - Polly (after J.C. Pepusch version) (John Gay - Frederick Austin - Clifford Bax)
Classique - Paru chez Symposium le 25 mars 2003
16-Bit CD Quality 44.1 kHz - Stereo -
Giacomo Puccini: Madama Butterfly
Chor der Royal Albert Hall London, Orchester der Royal Albert Hall London, Eugène Goossens
Classique - Paru chez Cantus Classics le 9 mars 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Britten: Serenade / Les Illuminations (Pears) (1953)
Peter Pears, Dennis Brain, The New Symphony Orchestra of London, Eugène Goossens, Eugene Goosens
Musique vocale (profane et sacrée) - Paru chez Naxos Classical Archives le 1 janv. 1957
16-Bit CD Quality 44.1 kHz - Stereo -
Orchestral Music - Dvorak, A. / Falla, M. De / Berlioz, H. / Balakirev, M.A. / Tchaikovsky, P.I. (Hollywood Bowl Concert) (Goossens) (1928)
Hollywood Bowl Symphony Orchestra, Eugène Goossens
Classique - Paru chez Cambria le 1 janv. 2004
16-Bit CD Quality 44.1 kHz - Stereo -
Lalo: Symphonie Espagnole, Op. 21
Eugène Goossens, The Philharmonia Orchestra, Yehudi Menuhin
Musique symphonique - Paru chez Sunday Club Records le 6 mars 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Beethoven: 2 Romances for Violin and Orchestra
Eugène Goossens, Royal Philharmonic Orchestra, David Oïstrakh
Classique - Paru chez Sunday Club Records le 10 janv. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Milestones of a Violin Legend: Igor Oistrach, Vol. 1
Igor Oistrach, David Oïstrakh, Philharmonia Orchestra, Eugène Goossens, Wladimir Yampolsky
Classique - Paru chez Intense Media GmbH le 7 juin 2019
16-Bit CD Quality 44.1 kHz - Stereo