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Saya Hashino|Vor deinen Thron

Vor deinen Thron

Saya Hashino

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One of the greatest innovations of Baroque music is undoubtedly the thoroughbass, or basso continuo, of which Bach himself wrote: “Thoroughbass is the entire foundation of music, it is played with both hands, so that the left hand plays the written notes, while the right hand adds consonances and dissonances, creating an agreeable Harmony to the glory of God and to the proper enjoyment of the senses". Because there is basso continuo, the melody can unfold in all its fullness, with that resonant profile that is so characteristic of the Baroque aesthetic. The great majority of the pieces are Preludes, that is to say, they anticipate a continuation: usually a sung chorale, the theme of which is to be found in the Prelude, where it sets the tone for the assembly; these hymns were sung during Lutheran services. And they are lacking because we have concentrated on the instrumental side.

Bach and his composing colleagues have made some small contribution to this, by leaving us instrumental works that directly touch the soul and seem to speak for themselves. The pieces on this album are taken principally from two collections of Bach’s works: the third part of the Clavier-Übung and the eighteen great Preludes for organ.

Saya Hashino is a virtuosic concert pianist, organist, harpsichordist who brings life to a diverse musical repertoire with finesse and expressivity. Truly versatile and versed in early, chamber, orchestral and contemporary music, she plays her keyboard instruments regularly with highly-acclaimed and established orchestras. Saya is titular organist of Saint-Germain Church in Geneva, where this recording was also made on an impressive 18-stop organ built by the German organ builder Lukas Fischer. © solo musica

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Vor deinen Thron

Saya Hashino

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Toccata, Adagio & Fugue in C Major, BWV 564 (Johann Sebastian Bach)

1
Toccata, Adagio & Fugue in C Major, BWV 564
00:15:08

Johann Sebastian Bach, Composer - Saya Hashino, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Nun komm, der Heiden Heiland, BWV 659 (Johann Sebastian Bach)

2
Nun komm, der Heiden Heiland, BWV 659
00:04:58

Johann Sebastian Bach, Composer - Saya Hashino, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Trio super, Allein Gott in der Höh sei Ehr, BWV 664b (Johann Sebastian Bach)

3
Trio super, Allein Gott in der Höh sei Ehr, BWV 664b
00:05:06

Johann Sebastian Bach, Composer - Saya Hashino, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Prelude & Fugue in B Minor, BWV 544 (Johann Sebastian Bach)

4
Prelude & Fugue in B Minor, BWV 544
00:12:22

Johann Sebastian Bach, Composer - Saya Hashino, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Kyrie, Gott Vater in Ewigkeit, BWV 669 (Johann Sebastian Bach)

5
Kyrie, Gott Vater in Ewigkeit, BWV 669
00:03:52

Johann Sebastian Bach, Composer - Saya Hashino, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Christe, aller Welt Trost, BWV 670 (Johann Sebastian Bach)

6
Christe, aller Welt Trost, BWV 670
00:05:10

Johann Sebastian Bach, Composer - Saya Hashino, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Kyrie, Gott heiliger Geist, BWV 671 (Johann Sebastian Bach)

7
Kyrie, Gott heiliger Geist, BWV 671
00:05:07

Johann Sebastian Bach, Composer - Saya Hashino, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Passacaglia in C minor, BWV 582 (Johann Sebastian Bach)

8
Passacaglia in C Minor, BWV 582
00:14:56

Johann Sebastian Bach, Composer - Saya Hashino, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Vor deinen Thron tret' ich, BWV 668a (Johann Sebastian Bach)

9
Vor deinen Thron tret' ich, BWV 668a
00:04:33

Johann Sebastian Bach, Composer - Saya Hashino, Artist, MainArtist

(C) 2022 Solo Musica (P) 2022 Solo Musica

Chronique

One of the greatest innovations of Baroque music is undoubtedly the thoroughbass, or basso continuo, of which Bach himself wrote: “Thoroughbass is the entire foundation of music, it is played with both hands, so that the left hand plays the written notes, while the right hand adds consonances and dissonances, creating an agreeable Harmony to the glory of God and to the proper enjoyment of the senses". Because there is basso continuo, the melody can unfold in all its fullness, with that resonant profile that is so characteristic of the Baroque aesthetic. The great majority of the pieces are Preludes, that is to say, they anticipate a continuation: usually a sung chorale, the theme of which is to be found in the Prelude, where it sets the tone for the assembly; these hymns were sung during Lutheran services. And they are lacking because we have concentrated on the instrumental side.

Bach and his composing colleagues have made some small contribution to this, by leaving us instrumental works that directly touch the soul and seem to speak for themselves. The pieces on this album are taken principally from two collections of Bach’s works: the third part of the Clavier-Übung and the eighteen great Preludes for organ.

Saya Hashino is a virtuosic concert pianist, organist, harpsichordist who brings life to a diverse musical repertoire with finesse and expressivity. Truly versatile and versed in early, chamber, orchestral and contemporary music, she plays her keyboard instruments regularly with highly-acclaimed and established orchestras. Saya is titular organist of Saint-Germain Church in Geneva, where this recording was also made on an impressive 18-stop organ built by the German organ builder Lukas Fischer. © solo musica

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