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Solomon Burke|The Very Best of Solomon Burke

The Very Best of Solomon Burke

Solomon Burke

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Paradoxalement, le principe de la compilation, parfois passablement réducteur, sied à merveille à Solomon Burke, dont la carrière (et les habitudes de consommation de sa période de gloire) s’est jusqu’à très récemment, tournée vers la production de singles, plus performants les uns que les autres.



Seize chansons sont présentées ici, toutes enregistrées entre 1961 et 1968 pour le compte du label Atlantic, et (presque) toutes inscrites dans l’inconscient collectif : du premier succès « Just to Reach (Out of Two Open Arms) » (1961) aux chansons les plus emblématiques : « Cry to Me » (1962) qui servit à la bande musicale du film Dirty Dancing ; ce qu’on doit considérer comme la signature de Burke, « Tonight’s the Night » (1965), et, naturellement, l’immortel « Everybody Needs Somebody to Love » (1964), c’est un menu historique qui nous est donc proposé.



De plus, l’attention mise par ses artisans à ce résumé reste remarquable : les titres – présentés dans l’ordre chronologique – bénéficient  des pressages et mixages originaux, ce qui implique une recherche active des masters de l’époque. Enfin, figure en point d’orgue de l’album un « Soul Meeting » enregistré par Arthur Conley, Don Convay, Joe Tex, Ben E. King et Solomon, réunis de façon éphémère sous l’appellation générique de Soul Clan (1968), pour une chanson initialement enregistrée en vue de lever des fonds au bénéfice de la communauté noire.



Historique et excitant : un Very Best of… qui n’usurpe pas son titre.





©Copyright Music Story 2021

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The Very Best of Solomon Burke

Solomon Burke

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1
Just Out of Reach (Of My Two Empty Arms)
00:02:44

BERT BERNS, Producer - Jerry Wexler, Producer - Ted Sommer, Drums - Bert Keyes, Orchestra - Wendell Marshall, Bass Guitar - Phil Kraus, Band Member - Solomon Burke, Vocals, MainArtist - Alan Hanlon, Guitar - George Barnes, Guitar - Moe Weschler, Piano - Ray Ellis, Conductor, Arranger - Leon Cohen, Alto Saxophone - Billy Bauer, Guitar - V. F. Stewart, Writer

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
Cry to Me (Single/LP Version)
00:02:34

BERT BERNS, Producer - Jerry Wexler, Producer - Al Caiola, Guitar - Gary Chester, Drums - Solomon Burke, Vocals, MainArtist - Bucky Pizzarelli, Bass Guitar - Everett Barkside, Guitar - Leon Cohen, Alto Saxophone - JESSE POWELL, Tenor Saxophone - Don Arnone, Guitar - BERT RUSSELL, Writer - Hank Jones, Piano - Art Davis, Bass Guitar - Klaus Ogerman, Conductor - Robert Mosley, Organ

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1962 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
Down in the Valley (LP Version)
00:02:26

BERT BERNS, Producer, Writer - Jerry Wexler, Producer - Teacho Wiltshire, Organ - Gary Chester, Drums - Solomon Burke, Writer, MainArtist - King Curtis, Tenor Saxophone - Haywood Henry, Saxophone - Panama Francis, Drums - Jimmy Spruill, Guitar - Lamar Wright, Trumpet - Wilbur "Dud" Bascomb, Trumpet - Bob Bushnell, Guitar - Charles Macey, Guitar - Al Lucas, Bass Guitar - Alfred Williams, Piano - Alonzo "Buddy" Lucas, Tenor Saxophone - John "Bucky" Pizzarelli, Guitar

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1962 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
I'm Hanging up My Heart for You (LP Version)
00:03:06

BERT BERNS, Producer - Teacho Wiltshire, Organ - Gary Chester, Drums - Solomon Burke, MainArtist - King Curtis, Tenor Saxophone - Haywood Henry, Saxophone - Panama Francis, Drums - Don Covay, Writer - Jimmy Spruill, Guitar - Lamar Wright, Trumpet - Wilbur "Dud" Bascomb, Trumpet - Bob Bushnell, Guitar - John Berry, Writer - Charles Macey, Guitar - Al Lucas, Bass Guitar - Alfred Williams, Piano - Alonzo "Buddy" Lucas, Tenor Saxophone - John "Bucky" Pizzarelli, Guitar - Jerry Wexsler, Producer

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1962 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
If You Need Me (Single/LP Version)
00:02:34

BERT BERNS, Producer - Jerry Wexler, Producer - Artie Butler, Piano - SAUNDERS, Writer - Ben Smith, Tenor Saxophone - Solomon Burke, Vocals, MainArtist - George Barnes, Bass Guitar - Haywood Henry, Saxophone - Sam Taylor, Tenor Saxophone - Jim Stewart, Producer - Bob Bushnell, Guitar - Pickett, Writer - Ernie Royal, Trumpet - Irving Markowitz, Trumpet - Bateman, Writer - Gary Sherman, Conductor, Arranger

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1963 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
Can't Nobody Love You (LP Version)
00:02:33

BERT BERNS, Producer - Jerry Wexler, Producer - Artie Butler, Piano - Ben Smith, Tenor Saxophone - Phil Kraus, Tambourine - Solomon Burke, MainArtist - George Barnes, Guitar - Haywood Henry, Saxophone - Sam Taylor, Tenor Saxophone - Bobby Donaldson, Drums - Bob Bushnell, Guitar - Ernie Royal, Trumpet - Russ Saunders, Electric Bass Guitar - James Mitchell, Writer - Irving Markowitz, Trumpet - Gary Sherman, Arranger

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

7
You're Good for Me (LP Version)
00:02:51

BERT BERNS, Producer - Jerry Wexler, Producer - Robert Scott, Trumpet - Artie Butler, Piano - Donald Covay, Writer - Ben Smith, Tenor Saxophone - Solomon Burke, MainArtist - George Barnes, Guitar - Haywood Henry, Saxophone - Billy Butler, Guitar - Sam Taylor, Tenor Saxophone - Horace Ott, Writer - Bobby Donaldson, Drums - Bob Bushnell, Guitar - Russ Saunders, Electric Bass Guitar - Irv Markowitz, Trumpet - Gary Sherman, Arranger

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

8
Goodbye Baby (Baby Goodbye) (LP Version)
00:03:22

BERT BERNS, Producer - Wes Farrell, Writer - Jerry Wexler, Producer - Gary Chester, Drums - Solomon Burke, MainArtist - Haywood Henry, Saxophone - Tony Studd, Trombone - Al Shackman, Guitar - Lamar Wright, Trumpet - Bill Suyker, Guitar - Bob Bushnell, Guitar - Russ Saunders, Electric Bass Guitar - BERT RUSSELL, Writer - Paul Griffin, Piano - Gary Sherman, Arranger - Charles DeAngelis, Tenor Saxophone

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1964 Atlantic Recording Corporation

9
Everybody Needs Somebody to Love (Single/LP Version)
00:02:46

BERT BERNS, Producer, Writer - Jerry Wexler, Producer, Writer - Solomon Burke, Writer, MainArtist - Haywood Henry, Saxophone - Jimmy Cleveland, Trombone - Al Shackman, Guitar - Bobby Donaldson, Drums - Georg Barnes, Guitar - Jimmy Lewis, Electric Bass Guitar - Jimmy Spruill, Guitar - Lamar Wright, Trumpet - Leroy Glover, Piano - Wilbur "Dud" Bascomb, Trumpet - William Berry, Trumpet

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

10
The Price (LP Version)
00:02:47

BERT BERNS, Producer, Guitar - Jerry Wexler, Producer - Gary Chester, Drums - Solomon Burke, MainArtist - Ray Ellis, Arranger - Haywood Henry, Saxophone - Billy Butler, Guitar - Bill Suyker, Guitar - Ernie Royal, Trumpet - Russ Saunders, Electric Bass Guitar - Solomon Burke, Jr., Writer - Irving Markowitz, Trumpet - J.B. MOORE, Writer - Joe Venuto, Percussion - Paul Faulise, Percussion - Solomon Burke, Sr., Writer

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1964 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

11
Got to Get You off My Mind (LP Version)
00:02:33

BERT BERNS, Producer - Jerry Wexler, Producer - Artie Butler, Piano - Gene Page, Conductor, Arranger - Ben Smith, Tenor Saxophone - Solomon Burke, Vocals, Writer, MainArtist - The Sweet Inspirations, Backing Vocals - George Barnes, Bass Guitar - Haywood Henry, Saxophone - Tony Studd, Trombone - Sam Taylor, Tenor Saxophone - Moore, Writer - Burke, Writer - Ernie Royal, Trumpet - Bobbushell, Guitar - Delores Burke, Writer

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1965 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

12
Tonight's the Night (LP Version)
00:02:48

BERT BERNS, Producer - Jerry Wexler, Producer - Solomon Burke, Writer, MainArtist - Don Covay, Writer

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1965 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

13
Someone Is Watching (LP Version)
00:02:52

Alvertis Isbell, Writer - Eric Gale, Guitar - Jerry Wexler, Producer - Gene Page, Arranger - Solomon Burke, Writer, MainArtist - Bernie Glow, Trumpet - Haywood Henry, Saxophone - Joe Newman, Trumpet - Tony Studd, Trombone - Panama Francis, Drums - Eddie Floyd, Writer - Carl Lynch, Guitar - Russ Saunders, Electric Bass Guitar - Paul Griffin, Piano - Harry Breuer, Tambourine - Charles Macey, Guitar - Leonard Gaskin, Bass Guitar

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1965 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

14
Take Me Just as I Am (LP Version)
00:03:02

Spooner Oldham, Organ, Writer - Chips Moman, Producer - Jimmy Johnson, Guitar - Roger Hawkins, Drums - Tommy Cogbill, Electric Bass Guitar - Solomon Burke, MainArtist - Reggie Young, Guitar - Dan Penn, Producer, Writer

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1967 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

15
I Wish I Knew (How It Would Feel to Be Free) (LP Version)
00:02:52

Bobby Emmons, Electric Piano - Bobby Wood, Organ, Piano - Arif Mardin, Arranger - Tommy Cogbill, Bass Guitar - Solomon Burke, MainArtist - Gene Chrisman, Drums - Reggie Young, Guitar - TOM DOWD, Producer - BILLY TAYLOR, Writer - Dick Dallas, Writer

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1968 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

16
Soul Meeting (LP Version)
00:03:35

Ben E. King, Writer - Solomon Burke, Writer, MainArtist - Don Covay, Producer, Writer - Tex Joe, Writer - Arthur Covey, Writer

© 2005 Atlantic Records. Manufactured & Marketed by Rhino Entertainment. ℗ 1998 Atlantic Recording Corporation.

Chronique

Paradoxalement, le principe de la compilation, parfois passablement réducteur, sied à merveille à Solomon Burke, dont la carrière (et les habitudes de consommation de sa période de gloire) s’est jusqu’à très récemment, tournée vers la production de singles, plus performants les uns que les autres.



Seize chansons sont présentées ici, toutes enregistrées entre 1961 et 1968 pour le compte du label Atlantic, et (presque) toutes inscrites dans l’inconscient collectif : du premier succès « Just to Reach (Out of Two Open Arms) » (1961) aux chansons les plus emblématiques : « Cry to Me » (1962) qui servit à la bande musicale du film Dirty Dancing ; ce qu’on doit considérer comme la signature de Burke, « Tonight’s the Night » (1965), et, naturellement, l’immortel « Everybody Needs Somebody to Love » (1964), c’est un menu historique qui nous est donc proposé.



De plus, l’attention mise par ses artisans à ce résumé reste remarquable : les titres – présentés dans l’ordre chronologique – bénéficient  des pressages et mixages originaux, ce qui implique une recherche active des masters de l’époque. Enfin, figure en point d’orgue de l’album un « Soul Meeting » enregistré par Arthur Conley, Don Convay, Joe Tex, Ben E. King et Solomon, réunis de façon éphémère sous l’appellation générique de Soul Clan (1968), pour une chanson initialement enregistrée en vue de lever des fonds au bénéfice de la communauté noire.



Historique et excitant : un Very Best of… qui n’usurpe pas son titre.





©Copyright Music Story 2021

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