Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Given the eminence of the performers assembled for this recording, this is a particularly disappointing reading of Schoenberg's Gurrelieder. Both the conductor and the recording engineers must share the blame for the fact that this monumental oratorio, using one of the largest orchestras of any late romantic work, comes across as sounding dinky. The orchestra is especially anemic and colorless in the prelude, a vivid evocation of the sun setting in the forest, which is one of the most sumptuous and richly orchestrated early twentieth century tone paintings. The orchestra improves as the work progresses, and in other sections, such as the Song of the Wood Dove, and in the Hunt, it demonstrates that it's capable of producing a full sound, but the performance is too uneven to be satisfactory. Ozawa fails to convey a broad and meaningful sense of the work's architecture, which is especially critical in order for such a sprawling piece to make sense. This recording stands in sharp contrast to René Leibowitz's 1953 version, still available on Preiser, which captures the fullness of Gurrelieder's sweep and grandeur. James McCracken sings with rich, round tone, but his interpretation seems merely perfunctory. Tatiana Troyanos brings conviction and warmth to the role of the Wood Dove, but it lies uncomfortably low for her voice. Werner Klemperer's narration is dramatic and deeply felt, giving the final sections a momentum that had previously been lacking. Jessye Norman turns in a remarkable performance, her velvety voice at ease and expressive, consistently full throughout the extravagantly wide range that Schoenberg requires. The sound of the Tanglewood Festival Chorus is distant and strained.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Gurre-Lieder / Part 1 (Arnold Schönberg)
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - James McCracken, Tenor, MainArtist, AssociatedPerformer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Jessye Norman, Soprano, MainArtist, AssociatedPerformer - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - James McCracken, Tenor, MainArtist, AssociatedPerformer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Jessye Norman, Soprano, MainArtist, AssociatedPerformer - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - James McCracken, Tenor, MainArtist, AssociatedPerformer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Jessye Norman, Soprano, MainArtist, AssociatedPerformer - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - James McCracken, Tenor, MainArtist, AssociatedPerformer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Jessye Norman, Soprano, MainArtist, AssociatedPerformer - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - James McCracken, Tenor, MainArtist, AssociatedPerformer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - Tatiana Troyanos, Mezzo-Soprano, MainArtist, AssociatedPerformer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
DISQUE 2
Gurre-Lieder / Part 2 (Arnold Schönberg)
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - James McCracken, Tenor, MainArtist, AssociatedPerformer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Gurre-Lieder / Part 3 (Arnold Schönberg)
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - James McCracken, Tenor, MainArtist, AssociatedPerformer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - David Arnold, Baritone, MainArtist, AssociatedPerformer - Wilhelm Hellweg, Producer, Recording Producer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Tanglewood Festival Chorus, Chorus, MainArtist, AssociatedPerformer - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - James McCracken, Tenor, MainArtist, AssociatedPerformer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - Kim Scown, Tenor, MainArtist, AssociatedPerformer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - James McCracken, Tenor, MainArtist, AssociatedPerformer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Tanglewood Festival Chorus, Chorus, MainArtist, AssociatedPerformer - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - Werner Klemperer, Speaker, MainArtist, AssociatedPerformer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Boston Symphony Orchestra, Orchestra, MainArtist - Seiji Ozawa, Conductor, MainArtist - Tanglewood Festival Chorus, Chorus, MainArtist, AssociatedPerformer - Arnold Schoenberg, Composer - Wilhelm Hellweg, Producer, Recording Producer - Jens Peter Jacobsen, Author - Robert Franz Arnold, Translator - Klaus Hiemann, Balance Engineer, StudioPersonnel - Gernot Westhäuser, Recording Engineer, StudioPersonnel
℗ 1979 Universal International Music B.V.
Chronique
Given the eminence of the performers assembled for this recording, this is a particularly disappointing reading of Schoenberg's Gurrelieder. Both the conductor and the recording engineers must share the blame for the fact that this monumental oratorio, using one of the largest orchestras of any late romantic work, comes across as sounding dinky. The orchestra is especially anemic and colorless in the prelude, a vivid evocation of the sun setting in the forest, which is one of the most sumptuous and richly orchestrated early twentieth century tone paintings. The orchestra improves as the work progresses, and in other sections, such as the Song of the Wood Dove, and in the Hunt, it demonstrates that it's capable of producing a full sound, but the performance is too uneven to be satisfactory. Ozawa fails to convey a broad and meaningful sense of the work's architecture, which is especially critical in order for such a sprawling piece to make sense. This recording stands in sharp contrast to René Leibowitz's 1953 version, still available on Preiser, which captures the fullness of Gurrelieder's sweep and grandeur. James McCracken sings with rich, round tone, but his interpretation seems merely perfunctory. Tatiana Troyanos brings conviction and warmth to the role of the Wood Dove, but it lies uncomfortably low for her voice. Werner Klemperer's narration is dramatic and deeply felt, giving the final sections a momentum that had previously been lacking. Jessye Norman turns in a remarkable performance, her velvety voice at ease and expressive, consistently full throughout the extravagantly wide range that Schoenberg requires. The sound of the Tanglewood Festival Chorus is distant and strained.
© TiVo
À propos
- 2 disque(s) - 22 piste(s)
- Durée totale : 01:42:09
- Artistes principaux : Jessye Norman Tatiana Troyanos James McCracken Tanglewood Festival Chorus Boston Symphony Orchestra Seiji Ozawa
- Compositeur : Arnold Schönberg
- Label : Decca Music Group Ltd.
- Genre : Classique
© 1984 Universal International Music B.V. ℗ 1979 Universal International Music B.V.
Améliorer les informations de l'album
Pourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.