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Edward Gardner|Schoenberg: Erwartung

Schoenberg: Erwartung

Edward Gardner, Bergen Philharmonic Orchestra, Sara Jakubiak

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Written only six years apart, these two works share a common narrative of frustrated love, and the concept of the forest as a metaphor for the subconscious mind. Musically they are wildly different, however; Pelleas, which Schoenberg wrote in his late twenties, is the epitome of his late romantic style, indebted to Richard Strauss. Erwartung (his first work for the stage) was written after his conversion to atonality.
Maurice Maeterlinck’s play Pelléas et Mélisande fired the imaginations of several of the greatest composers of the time. Debussy began writing his opera almost immediately after its publication in 1892, and within a decade or so Fauré and Sibelius had created elaborate incidental scores for different stage productions of the play.
Schoenberg composed his tone poem in 1902-1903, for a large-scale (Straussian) orchestra. Schoenberg seems to have put himself into a state of free association to write Erwartung, which he completed in just seventeen days in August 1909. ‘In "Erwartung", the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour’, he wrote. Not only the first solo opera, this is perhaps also the first cinematic one. © Chandos

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Schoenberg: Erwartung

Edward Gardner

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Pelleas und Melisande, Op. 5 (Arnold Schönberg)

1
Die ? ein wenig bewegt
00:01:26

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2020 Chandos Records 2020 Chandos Records

2
Ein wenig bewegter
00:02:07

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2020 Chandos Records 2020 Chandos Records

3
Sehr warm, in breiter Bewegung
00:02:43

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2020 Chandos Records 2020 Chandos Records

4
Lebhaft - Etwas zurückhaltend - Wieder lebhaft
00:03:36

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2020 Chandos Records 2020 Chandos Records

5
Sehr rasch - Wieder im Zeitmaß
00:03:11

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2020 Chandos Records 2020 Chandos Records

6
Sehr langsam - Nach und nach beschleunigen.
00:02:06

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2020 Chandos Records 2020 Chandos Records

7
Sehr langsam, gedehnt
00:02:36

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2020 Chandos Records 2020 Chandos Records

8
Langsam
00:02:48

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2020 Chandos Records 2020 Chandos Records

9
Ein wenig bewegter - Etwas bewegter
00:02:35

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2020 Chandos Records 2020 Chandos Records

10
Viel rascher, beschleunigend
00:00:49

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2020 Chandos Records 2020 Chandos Records

11
Sehr langsam - Etwas langsamer
00:06:09

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2020 Chandos Records 2020 Chandos Records

12
In gehender Bewegung
00:02:03

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2020 Chandos Records 2020 Chandos Records

13
Breit - Langsam - Nach und nach wieder ins Tempo
00:04:57

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist

2020 Chandos Records 2020 Chandos Records

Erwartung, Op. 17, Erste Szene (Arnold Schönberg)

14
Hier hinein?... (Die Frau)
00:02:49

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - Sara Jakubiak, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

Erwartung, Op. 17, Sweite Szene (Arnold Schönberg)

15
Ist das noch der Weg?... (Die Frau)
00:02:58

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - Sara Jakubiak, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

Erwartung, Op. 17, Dritte Szene (Arnold Schönberg)

16
Da kommt ein Licht!... (Die Frau)
00:01:49

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - Sara Jakubiak, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

Erwartung, Op. 17, Vierte Szene (Arnold Schönberg)

17
Er ist auch nicht da...(Die Frau)
00:02:06

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - Sara Jakubiak, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

18
Das Mondlicht...nein, dort...
00:01:08

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - Sara Jakubiak, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

19
Es ist noch da... Herrgott im Himmel...
00:02:32

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - Sara Jakubiak, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

20
Oh! es ist heller Tag...
00:04:46

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - Sara Jakubiak, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

21
Nein, das ist doch nicht möglich...
00:01:42

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - Sara Jakubiak, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

22
Du siehst wieder dort hin!...
00:01:32

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - Sara Jakubiak, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

23
Oh! nicht einmal die Gnade, mit dir sterben zu dürfen...
00:04:07

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - Sara Jakubiak, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

24
Liebster, Liebster, der Morgen kommt!...
00:04:48

Arnold Schoenberg, Composer - Bergen Philharmonic Orchestra, Orchestra, MainArtist - Edward Gardner, Conductor, MainArtist - Sara Jakubiak, MainArtist, SopranoSolo

2020 Chandos Records 2020 Chandos Records

Chronique

Written only six years apart, these two works share a common narrative of frustrated love, and the concept of the forest as a metaphor for the subconscious mind. Musically they are wildly different, however; Pelleas, which Schoenberg wrote in his late twenties, is the epitome of his late romantic style, indebted to Richard Strauss. Erwartung (his first work for the stage) was written after his conversion to atonality.
Maurice Maeterlinck’s play Pelléas et Mélisande fired the imaginations of several of the greatest composers of the time. Debussy began writing his opera almost immediately after its publication in 1892, and within a decade or so Fauré and Sibelius had created elaborate incidental scores for different stage productions of the play.
Schoenberg composed his tone poem in 1902-1903, for a large-scale (Straussian) orchestra. Schoenberg seems to have put himself into a state of free association to write Erwartung, which he completed in just seventeen days in August 1909. ‘In "Erwartung", the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour’, he wrote. Not only the first solo opera, this is perhaps also the first cinematic one. © Chandos

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