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Cesária Evora|Radio Mindelo: Early Recordings

Radio Mindelo: Early Recordings

Cesária Évora

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This 22-track collection contains the very first recordings made by Cape Verdean singer extraordinaire Césaria Evóra in the early 1960s, all of them originally cut for the Mindelo radio station Radio Barlavento. Virtually every one of these tracks is in the predominant coladera style of the era. The majority of these pieces were written by Gregorio Gonçalves, best known as "Ti Goy." He was one of two mentors to the young singer, along with the nation's other prevalent songwriter at the time, Jose Vincente Gomez (better known by his professional name Frank Cavaquim). Ti Goy plays guitar and or drums on all of these tracks that also feature Cavaquim. The tunes are annotated by their session numbers and the kind of recording tape employed in making them by original engineer Gustavo Albuquerque. In addition to the tunes written by Ti Goy, there are four by the legendary B. Leza (Francisco Xavier da Cruz), the legendary Lisbon poet and songwriter who had passed away in 1958. The songs range from love songs to biting social commentaries on the issues of the day. Fans of Evóra's later work might be startled at the early discipline and power of these gorgeous sides. While their fidelity might bother audiophiles, they are recorded so simply and beautifully -- all of them with a single microphone -- their grace, power, passion, and beauty more than make up for their what they lack in sound quality. One listen to either "Vaquinha Mansa," "Mata Morte," or "Cinturão Tem Mele" should dispel any naysaying whatsoever.
© Thom Jurek /TiVo

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Radio Mindelo: Early Recordings

Cesária Evora

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1
Cize (Tape #38)
00:05:01

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher - SM Publishing, MusicPublisher - Musique, MusicPublisher - Communication, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

2
Oriundina
00:03:43

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher - SM Publishing, MusicPublisher - De Bertholene, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

3
Pe Di Boi
00:02:31

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher - SM Publishing, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

4
Nutridinha
00:02:48

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

5
Vaquinha Mansa
00:03:31

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

6
Belga
00:04:21

Cesaria Evora, MainArtist

(C) 2008 Lusafrica (P) 2008 Lusafrica

7
Cize (Tape #46)
00:03:38

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher - SM Publishing, MusicPublisher - Musique et Communication, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

8
Mar azul
00:04:24

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher - SM Publishing, MusicPublisher - De Bertholene, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

9
Terzinha
00:02:03

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

10
Frutu Proibido
00:03:01

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher - SM Publishing, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

11
Falta di força
00:02:14

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

12
Sayko Dayo
00:02:16

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

13
Sangue Di Beirona
00:02:32

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

14
Nho Antone Escaderote
00:02:07

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

15
Mata Morte
00:02:55

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

16
Rabolice Na Ilha Da Madeira
00:01:56

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

17
Nova Sintra
00:04:16

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher - SM Publishing, MusicPublisher - De Bertholene, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

18
Menina D'Fonte Felipe
00:02:06

Cesaria Evora, MainArtist - D.R Copyright Control, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

19
Cinturāo Tem Mele
00:02:19

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher - SM Publishing, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

20
Dor Si Sodade
00:02:56

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

21
Cize (Tape #49)
00:03:24

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher - SM Publishing, MusicPublisher - Musique et Communication, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

22
Caminho de Sāo Tomé
00:03:59

Cesaria Evora, MainArtist - Africa Nostra, MusicPublisher

(C) 2008 Lusafrica (P) 2008 Lusafrica

Chronique

This 22-track collection contains the very first recordings made by Cape Verdean singer extraordinaire Césaria Evóra in the early 1960s, all of them originally cut for the Mindelo radio station Radio Barlavento. Virtually every one of these tracks is in the predominant coladera style of the era. The majority of these pieces were written by Gregorio Gonçalves, best known as "Ti Goy." He was one of two mentors to the young singer, along with the nation's other prevalent songwriter at the time, Jose Vincente Gomez (better known by his professional name Frank Cavaquim). Ti Goy plays guitar and or drums on all of these tracks that also feature Cavaquim. The tunes are annotated by their session numbers and the kind of recording tape employed in making them by original engineer Gustavo Albuquerque. In addition to the tunes written by Ti Goy, there are four by the legendary B. Leza (Francisco Xavier da Cruz), the legendary Lisbon poet and songwriter who had passed away in 1958. The songs range from love songs to biting social commentaries on the issues of the day. Fans of Evóra's later work might be startled at the early discipline and power of these gorgeous sides. While their fidelity might bother audiophiles, they are recorded so simply and beautifully -- all of them with a single microphone -- their grace, power, passion, and beauty more than make up for their what they lack in sound quality. One listen to either "Vaquinha Mansa," "Mata Morte," or "Cinturão Tem Mele" should dispel any naysaying whatsoever.
© Thom Jurek /TiVo

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