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Nora Cismondi|Pierre Wissmer, Concertos et Œuvres orchestrales

Pierre Wissmer, Concertos et Œuvres orchestrales

Nora Cismondi, Orchestre de la Suisse Romande & John Fiore

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Langue disponible : anglais

While twentieth century Swiss composers often synthesize the Latin and Germanic sources of their country’s inspiration in their aesthetics, it is to France that Pierre Wissmer (1915-1992) is resolutely attached, both in his life’s journey as in his artistic ideals. Imbued at first with a post-Ravellian neoclassicism, over the years his style has shifted toward a more distanced relationship with tonality and a more inner language. However, the refinement of the contrapuntal writing and instrumentation will always remain a constant feauture of his art.

The orchestra occupies a preponderant position in his production. If he readily references classical structures, such as the symphony (composing nine of them between 1938 and 1989), or the concerto, he has likewise written free-form works whose construction continues to remain meticulously elaborate.

This is the case of Clamavi, a symphonic triptych composed in 1957 and premiered the same year on Radio-Genève as part of the International Red Cross Day. The most “Honeggerian” work of Wissmer, it is based on the Lutheran chorale Herr, nun lass in Frieden which runs through the three parts uninterruptedly.

That same year of 1957, Pierre Wissmer composed L’Enfant et la rose, a symphonic score inspired by Antoine de Saint-Exupéry’s The Little Prince. The composer did not use the original title on purpose as his goal was to recreate the poetic universe of the book devoid of any descriptive intention. The work bears the incription of the famous quotation “One can only see well with the heart, the essential is invisible to the eyes.” It is constructed in the form of twelve variations, very freely taking up the material set out in the introduction. © Claves Records

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Pierre Wissmer, Concertos et Œuvres orchestrales

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1
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry: I. Thema e Introduzione
John Fiore
00:03:27

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

2
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry: II. Var. 1 - Les moutons
John Fiore
00:01:15

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

3
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry: III. Var. 2 - La planète
John Fiore
00:01:18

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

4
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry: IV. Var. 3 - La fleur
John Fiore
00:01:13

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

5
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry: V. Var. 4 - Visite de diverses planètes
John Fiore
00:01:42

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

6
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry: VI. Var. 5 - Dialogue avec le serpent
John Fiore
00:01:39

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

7
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry*: VII. Intermezzo - A la recherche des hommes
John Fiore
00:01:23

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

8
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry: VIII. Var. 6 - Le jardin fleuri de roses
John Fiore
00:01:37

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

9
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry: IX. Var. 7 - Le renard
John Fiore
00:01:50

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

10
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry: X. Var. 8 - La recherche d'un puits
John Fiore
00:01:45

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

11
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry: XI. Var. 9 - Le puits qui chante
John Fiore
00:01:38

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

12
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry: XII. Var. 10 - Séparation
John Fiore
00:00:50

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

13
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry*: XIII. Var. 11 - Nouvel entretien avec le serpent et retour de l'aviateur
John Fiore
00:02:28

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

14
L'Enfant et la rose, d'après Le Petit Prince de Saint-Exupéry: XIV. Var. 12 et Finale - Mort du petit prince et Retour du petit prince à sa planète
John Fiore
00:03:57

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Durand, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

15
Concerto pour hautbois et orchestre: I. Allegro
John Fiore
00:04:49

Nora Cismondi, MainArtist - Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Eschig, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

16
Concerto pour hautbois et orchestre: II. Andante
John Fiore
00:06:02

Nora Cismondi, MainArtist - Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Eschig, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

17
Concerto pour hautbois et orchestre: III. Allegro giocoso
John Fiore
00:05:23

Nora Cismondi, MainArtist - Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Eschig, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

18
Concerto No. 3 pour violon et orchestre: I. ♩ = 108
John Fiore
00:05:14

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - Oleg Kaskiv, MainArtist - © 1998 by Gérard Billaudot Editeur SA, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

19
Concerto No. 3 pour violon et orchestre: II. ♩ = 62
John Fiore
00:05:44

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - Oleg Kaskiv, MainArtist - © 1998 by Gérard Billaudot Editeur SA, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

20
Concerto No. 3 pour violon et orchestre: III. ♩ = 108
John Fiore
00:05:48

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - Oleg Kaskiv, MainArtist - © 1998 by Gérard Billaudot Editeur SA, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

21
Clamavi, triptyque symphonique: I. Calmo
John Fiore
00:04:50

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Ricordi Paris, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

22
Clamavi, triptyque symphonique: II. Adagio
John Fiore
00:03:47

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Ricordi Paris, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

23
Clamavi, triptyque symphonique: III. Allegro
John Fiore
00:06:36

Orchestre de la Suisse Romande, Orchestra, MainArtist - Pierre Wissmer, Composer - John Fiore, Conductor, MainArtist - © Ricordi Paris, MusicPublisher

(C) 2022 Claves Records (P) 2022 Claves Records

Chronique

While twentieth century Swiss composers often synthesize the Latin and Germanic sources of their country’s inspiration in their aesthetics, it is to France that Pierre Wissmer (1915-1992) is resolutely attached, both in his life’s journey as in his artistic ideals. Imbued at first with a post-Ravellian neoclassicism, over the years his style has shifted toward a more distanced relationship with tonality and a more inner language. However, the refinement of the contrapuntal writing and instrumentation will always remain a constant feauture of his art.

The orchestra occupies a preponderant position in his production. If he readily references classical structures, such as the symphony (composing nine of them between 1938 and 1989), or the concerto, he has likewise written free-form works whose construction continues to remain meticulously elaborate.

This is the case of Clamavi, a symphonic triptych composed in 1957 and premiered the same year on Radio-Genève as part of the International Red Cross Day. The most “Honeggerian” work of Wissmer, it is based on the Lutheran chorale Herr, nun lass in Frieden which runs through the three parts uninterruptedly.

That same year of 1957, Pierre Wissmer composed L’Enfant et la rose, a symphonic score inspired by Antoine de Saint-Exupéry’s The Little Prince. The composer did not use the original title on purpose as his goal was to recreate the poetic universe of the book devoid of any descriptive intention. The work bears the incription of the famous quotation “One can only see well with the heart, the essential is invisible to the eyes.” It is constructed in the form of twelve variations, very freely taking up the material set out in the introduction. © Claves Records

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