Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Europe Galante|Mozart: Violin Concertos Nos. 1 - 3

Mozart: Violin Concertos Nos. 1 - 3

Europa Galante & Fabio Biondi

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

In little more than a decade's time, Fabio Biondi has established himself as one of the world's foremost interpreters of Baroque literature, both as violinist and conductor, and Biondi's group, Europa Galante, fits him like a glove. In Vivaldi, whose status has risen from complete obscurity in the 1920s to that of one of the hottest dead white men in the classical music biz, Biondi knows no peer. So why in blazes would he want to record Mozart? Pick a reason from the following: Mozart moves units, whole festivals are built around Mozart that represent a good opportunity for a group like Biondi's, Virgin asked him to, he personally likes Mozart's music; any of these reasons or yet more will do. If Virgin Classics' Mozart: Violin Concertos 1-3 helps keep Biondi in violin strings and pays the bills, that is great, more power to it. Biondi's Mozart is very gutty, gritty, and rustic, and in the case of the first movement Allegro moderato from the Violin Concerto No. 2 in D, K. 211, this is not such a bad thing, as this particular movement has something of a country-dance flavor to it. Nevertheless, transparency of texture in Mozart is not an accident; nineteenth century practice tended to sweeten and pretty up Mozart's music too much, whereas these performances transform his claret into red wine vinegar. This is not to say that some listeners might not go for this approach in a big way; indeed, if Mozart's name were not above the title, this would be an entirely enjoyable experience as a performance of period orchestral music. In this case, though, the period Biondi is interpreting is the wrong one for the approach that he is utilizing, which makes his Mozart: Violin Concertos 1-3 a hard one to recommend, as well done as it is from the standpoint of playing and recording quality alone.
© TiVo

Plus d'informations

Mozart: Violin Concertos Nos. 1 - 3

Europe Galante

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 90 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 90 millions de titres avec votre abonnement illimité.

À partir de CHF 14,16/mois

1
Violin Concerto No. 1 in B-Flat Major, K. 207: I. Allegro moderato
00:06:22

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin, MainArtist - Europa Galante, Ensemble, MainArtist - Frédéric Briant, Engineer

A Warner Classics/Erato release, © 2006 Parlophone Records Limited ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

2
Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio
00:06:48

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin, MainArtist - Europa Galante, Ensemble, MainArtist - Frédéric Briant, Engineer

A Warner Classics/Erato release, © 2006 Parlophone Records Limited ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

3
Violin Concerto No. 1 in B-Flat Major, K. 207: III. Presto
00:05:47

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin, MainArtist - Europa Galante, Ensemble, MainArtist - Frédéric Briant, Engineer

A Warner Classics/Erato release, © 2006 Parlophone Records Limited ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

4
Violin Concerto No. 2 in D Major, K. 211: I. Allegro moderato
00:07:33

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin, MainArtist - Europa Galante, Ensemble, MainArtist - Frédéric Briant, Engineer

A Warner Classics/Erato release, © 2006 Parlophone Records Limited ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

5
Violin Concerto No. 2 in D Major, K. 211: II. Andante
00:05:35

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin, MainArtist - Europa Galante, Ensemble, MainArtist - Frédéric Briant, Engineer

A Warner Classics/Erato release, © 2006 Parlophone Records Limited ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

6
Violin Concerto No. 2 in D Major, K. 211: III. Rondeau. Allegro
00:03:36

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin, MainArtist - Europa Galante, Ensemble, MainArtist - Frédéric Briant, Engineer

A Warner Classics/Erato release, © 2006 Parlophone Records Limited ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

7
Violin Concerto No. 3 in G Major, K. 216: I. Allegro
00:07:37

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin, MainArtist - Europa Galante, Ensemble, MainArtist - Frédéric Briant, Engineer

A Warner Classics/Erato release, © 2006 Parlophone Records Limited ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

8
Violin Concerto No. 3 in G Major, K. 216: II. Adagio
00:06:19

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin, MainArtist - Europa Galante, Ensemble, MainArtist - Frédéric Briant, Engineer

A Warner Classics/Erato release, © 2006 Parlophone Records Limited ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

9
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau. Allegro
00:06:15

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin, MainArtist - Europa Galante, Ensemble, MainArtist - Frédéric Briant, Engineer

A Warner Classics/Erato release, © 2006 Parlophone Records Limited ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

Descriptif de l'album

In little more than a decade's time, Fabio Biondi has established himself as one of the world's foremost interpreters of Baroque literature, both as violinist and conductor, and Biondi's group, Europa Galante, fits him like a glove. In Vivaldi, whose status has risen from complete obscurity in the 1920s to that of one of the hottest dead white men in the classical music biz, Biondi knows no peer. So why in blazes would he want to record Mozart? Pick a reason from the following: Mozart moves units, whole festivals are built around Mozart that represent a good opportunity for a group like Biondi's, Virgin asked him to, he personally likes Mozart's music; any of these reasons or yet more will do. If Virgin Classics' Mozart: Violin Concertos 1-3 helps keep Biondi in violin strings and pays the bills, that is great, more power to it. Biondi's Mozart is very gutty, gritty, and rustic, and in the case of the first movement Allegro moderato from the Violin Concerto No. 2 in D, K. 211, this is not such a bad thing, as this particular movement has something of a country-dance flavor to it. Nevertheless, transparency of texture in Mozart is not an accident; nineteenth century practice tended to sweeten and pretty up Mozart's music too much, whereas these performances transform his claret into red wine vinegar. This is not to say that some listeners might not go for this approach in a big way; indeed, if Mozart's name were not above the title, this would be an entirely enjoyable experience as a performance of period orchestral music. In this case, though, the period Biondi is interpreting is the wrong one for the approach that he is utilizing, which makes his Mozart: Violin Concertos 1-3 a hard one to recommend, as well done as it is from the standpoint of playing and recording quality alone.
© TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

John Williams in Vienna

John Williams

John Williams in Vienna John Williams

Orff: Carmina Burana

Gundula Janowitz

Orff: Carmina Burana Gundula Janowitz

Sleep

Max Richter

Sleep Max Richter

The Dark Side Of The Moon

Pink Floyd

À découvrir également
Par Europe Galante

Vivaldi: Argippo

Europe Galante

Vivaldi: Argippo Europe Galante

Antonio Vivaldi : "La Stravaganza"

Europe Galante

Boccherini : String & Guitar Quintets, Minuet in A

Europe Galante

Pergolesi: Stabat Mater & Salve Regina

Europe Galante

Vivaldi: L'Estro Armonico, Op. 3

Europe Galante

Playlists

Dans la même thématique...

Wagner: Das Rheingold

Wiener Philharmonic Orchestra

Wagner: Das Rheingold Wiener Philharmonic Orchestra

John Williams: The Berlin Concert

John Williams

Sibelius: Complete Symphonies

Klaus Mäkelä

Nightscapes

Magdalena Hoffmann

Nightscapes Magdalena Hoffmann

LETTER

Sofiane Pamart

LETTER Sofiane Pamart
Les Grands Angles...
Fabio Biondi & Europa Galante, 30 ans de liberté

Le violoniste et chef italien Fabio Biondi, célèbre notamment pour son interprétation des “Quatre Saisons” de Vivaldi avec son orchestre Europa Galante, est de ceux qui rejettent toute forme de cloisonnement dans la musique. Retour sur le parcours d’un musicien doté d’une grande souplesse d’esprit et figure incontournable du violon baroque.

Glenn Gould : l'extravagance ?

Il ne faisait rien comme les autres et c’est sans doute pour ça qu’il est devenu l’un des pianistes les plus respectés du XXe siècle. Avec ses interprétations inédites des grands classiques du classique, sa façon de jouer les coudes sous le clavier et ses excentricités, Glen Gould était un des musiciens les plus appréciés – et les plus critiqués – de son temps. Retour sur la carrière de ce pianiste d’art et d’essai.

Clara Schumann, entre artiste et épouse

Pianiste la plus renommée de son siècle, enfant prodige, compositrice, pédagogue… Elle reste surtout connue comme « la femme de Robert Schumann ». Avec sa musicalité et sa virtuosité sans précédents, Clara Schumann a ouvert une nouvelle ère et compte aujourd’hui parmi les plus grandes représentantes du romantisme. Et pourtant, ses œuvres sont toujours nettement moins mises en lumière que celles de ses contemporains, et en particulier de son époux. Jetons un œil sur la vie et l’œuvre de Clara Wieck/Schumann, artiste et compositrice qui était aussi une femme en avance sur son temps.

Dans l'actualité...