Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Fabio Biondi/Europa Galante - Mozart Violin Concertos 1,2 & 3

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Mozart Violin Concertos 1,2 & 3

Fabio Biondi/Europa Galante

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

In little more than a decade's time, Fabio Biondi has established himself as one of the world's foremost interpreters of Baroque literature, both as violinist and conductor, and Biondi's group, Europa Galante, fits him like a glove. In Vivaldi, whose status has risen from complete obscurity in the 1920s to that of one of the hottest dead white men in the classical music biz, Biondi knows no peer. So why in blazes would he want to record Mozart? Pick a reason from the following: Mozart moves units, whole festivals are built around Mozart that represent a good opportunity for a group like Biondi's, Virgin asked him to, he personally likes Mozart's music; any of these reasons or yet more will do. If Virgin Classics' Mozart: Violin Concertos 1-3 helps keep Biondi in violin strings and pays the bills, that is great, more power to it. Biondi's Mozart is very gutty, gritty, and rustic, and in the case of the first movement Allegro moderato from the Violin Concerto No. 2 in D, K. 211, this is not such a bad thing, as this particular movement has something of a country-dance flavor to it. Nevertheless, transparency of texture in Mozart is not an accident; nineteenth century practice tended to sweeten and pretty up Mozart's music too much, whereas these performances transform his claret into red wine vinegar. This is not to say that some listeners might not go for this approach in a big way; indeed, if Mozart's name were not above the title, this would be an entirely enjoyable experience as a performance of period orchestral music. In this case, though, the period Biondi is interpreting is the wrong one for the approach that he is utilizing, which makes his Mozart: Violin Concertos 1-3 a hard one to recommend, as well done as it is from the standpoint of playing and recording quality alone.
© TiVo

Plus d'informations

Mozart Violin Concertos 1,2 & 3

Fabio Biondi/Europa Galante

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Copier le lien pour partager la page

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 70 millions de titres avec votre abonnement illimité.

Écoutez cet album et plus de 70 millions de titres avec votre abonnement illimité.

1
Violin Concerto No. 1 in B-Flat Major, K. 207: I. Allegro moderato
Europe Galante
00:06:22

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin - Europa Galante, Orchestra - Frédéric Briant, Engineer - Fabio Biondi/Europa Galante, MainArtist

© 2006 EMI Records Ltd./Virgin Classics ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

2
Violin Concerto No. 1 in B-Flat Major, K. 207: II. Adagio
Europe Galante
00:06:48

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin - Europa Galante, Orchestra - Frédéric Briant, Engineer - Fabio Biondi/Europa Galante, MainArtist

© 2006 EMI Records Ltd./Virgin Classics ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

3
Violin Concerto No. 1 in B-Flat Major, K. 207: III. Presto
Europe Galante
00:05:47

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin - Europa Galante, Orchestra - Frédéric Briant, Engineer - Fabio Biondi/Europa Galante, MainArtist

© 2006 EMI Records Ltd./Virgin Classics ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

4
Violin Concerto No. 2 in D Major, K. 211: I. Allegro moderato
Europe Galante
00:07:33

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin - Europa Galante, Orchestra - Frédéric Briant, Engineer - Fabio Biondi/Europa Galante, MainArtist

© 2006 EMI Records Ltd./Virgin Classics ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

5
Violin Concerto No. 2 in D Major, K. 211: II. Andante
Europe Galante
00:05:35

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin - Europa Galante, Orchestra - Frédéric Briant, Engineer - Fabio Biondi/Europa Galante, MainArtist

© 2006 EMI Records Ltd./Virgin Classics ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

6
Violin Concerto No. 2 in D Major, K. 211: III. Rondeau. Allegro
Europe Galante
00:03:36

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin - Europa Galante, Orchestra - Frédéric Briant, Engineer - Fabio Biondi/Europa Galante, MainArtist

© 2006 EMI Records Ltd./Virgin Classics ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

7
Violin Concerto No. 3 in G Major, K. 216: I. Allegro
Europe Galante
00:07:37

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin - Europa Galante, Orchestra - Frédéric Briant, Engineer - Fabio Biondi/Europa Galante, MainArtist

© 2006 EMI Records Ltd./Virgin Classics ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

8
Violin Concerto No. 3 in G Major, K. 216: II. Adagio
Europe Galante
00:06:19

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin - Europa Galante, Orchestra - Frédéric Briant, Engineer - Fabio Biondi/Europa Galante, MainArtist

© 2006 EMI Records Ltd./Virgin Classics ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

9
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau. Allegro
Europe Galante
00:06:15

Wolfgang Amadeus Mozart, Composer - Fabio Biondi, Conductor, Violin - Europa Galante, Orchestra - Frédéric Briant, Engineer - Fabio Biondi/Europa Galante, MainArtist

© 2006 EMI Records Ltd./Virgin Classics ℗ 2006 Parlophone Records Limited, a Warner Music Group Company

Descriptif de l'album

In little more than a decade's time, Fabio Biondi has established himself as one of the world's foremost interpreters of Baroque literature, both as violinist and conductor, and Biondi's group, Europa Galante, fits him like a glove. In Vivaldi, whose status has risen from complete obscurity in the 1920s to that of one of the hottest dead white men in the classical music biz, Biondi knows no peer. So why in blazes would he want to record Mozart? Pick a reason from the following: Mozart moves units, whole festivals are built around Mozart that represent a good opportunity for a group like Biondi's, Virgin asked him to, he personally likes Mozart's music; any of these reasons or yet more will do. If Virgin Classics' Mozart: Violin Concertos 1-3 helps keep Biondi in violin strings and pays the bills, that is great, more power to it. Biondi's Mozart is very gutty, gritty, and rustic, and in the case of the first movement Allegro moderato from the Violin Concerto No. 2 in D, K. 211, this is not such a bad thing, as this particular movement has something of a country-dance flavor to it. Nevertheless, transparency of texture in Mozart is not an accident; nineteenth century practice tended to sweeten and pretty up Mozart's music too much, whereas these performances transform his claret into red wine vinegar. This is not to say that some listeners might not go for this approach in a big way; indeed, if Mozart's name were not above the title, this would be an entirely enjoyable experience as a performance of period orchestral music. In this case, though, the period Biondi is interpreting is the wrong one for the approach that he is utilizing, which makes his Mozart: Violin Concertos 1-3 a hard one to recommend, as well done as it is from the standpoint of playing and recording quality alone.
© TiVo

À propos

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Prokofiev: Piano Concerto No.3 / Ravel: Piano Concerto In G Major

Martha Argerich

Martha Argerich - Debut Recital

Martha Argerich

Chopin: Piano Concerto No. 1 / Liszt: Piano Concerto No. 1

Martha Argerich

Martha Argerich and Friends Live from Lugano 2015

Martha Argerich

À découvrir également
Par Fabio Biondi/Europa Galante

Antonio Vivaldi : "La Stravaganza"

Fabio Biondi/Europa Galante

Antonio Vivaldi : "La Stravaganza" Fabio Biondi/Europa Galante

Vivaldi - L'Estro Armonico, Op.3

Fabio Biondi/Europa Galante

Vivaldi - L'Estro Armonico, Op.3 Fabio Biondi/Europa Galante

Vivaldi - Concerti con molti strumenti

Fabio Biondi/Europa Galante

Vivaldi - Concerti con molti strumenti Fabio Biondi/Europa Galante

Boccherini : String & Guitar Quintets, Minuet in A

Fabio Biondi/Europa Galante

Vivaldi - Concerti con titoli

Fabio Biondi/Europa Galante

Vivaldi - Concerti con titoli Fabio Biondi/Europa Galante

Playlists

Dans la même thématique...

Brahms: Piano Concertos

András Schiff

Brahms: Piano Concertos András Schiff

Schubert: Winterreise

Mark Padmore

Schubert: Winterreise Mark Padmore

Souvenirs d'Italie

Maurice Steger

Souvenirs d'Italie Maurice Steger

Debussy – Rameau

Víkingur Ólafsson

Debussy – Rameau Víkingur Ólafsson

El Nour

Fatma Said

El Nour Fatma Said
Les Grands Angles...
Giovanni Antonini & Il Giardino Armonico, la liberté retrouvée

A la tête de l’ensemble Il Giardino Armonico, qu’il a fondé avec Luca Pianca en 1985, Giovanni Antonini a commencé l’enregistrement des 107 symphonies de Joseph Haydn. Cette monumentale entreprise en est actuellement à son 8e volume et s’achèvera en 2032, à l’occasion des 300 ans de la naissance du Père de la symphonie. Retour sur le parcours de l’audacieux chef milanais.

Bruno Walter, souvenirs d’un esprit disparu

Écouter les enregistrements de Bruno Walter à la lumière des splendides remastérisations publiées par Sony Classical, c’est s’abreuver à une culture humaniste. Immense chef d’orchestre, la musique est pour lui un sacerdoce, un art de vivre et un art de penser. Ses enregistrements ont conservé son art du chant, intense mais jamais sentimental, grâce à une ligne claire animée d’un rythme souple, assurant clarté, cohérence et vitalité.

Alpha : vingt ans, dix moments

Depuis les débuts de Qobuz en 2008, Alpha est un de nos labels favoris pour son exigence artistique, la qualité régulière de ses productions, ses propositions de répertoires parfois audacieuses et la qualité de ses livrets. On ne pouvait donc manquer le 20e anniversaire de la maison. Voici quelques pistes pour découvrir la richesse de cet étonnant catalogue.

Dans l'actualité...