Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Steve Kuhn has been recording professionally for close to five decades, most of which time he's operated stealthily, rarely achieving the level of recognition he so richly deserves for contributing his immaculate pianistry to a range of jazz greats who have included John Coltrane, Stan Getz, Ornette Coleman, Art Farmer and others, or for leading his own diverse bands. In the mid-'80s Kuhn worked briefly in a trio setting with bassist extraordinaire Ron Carter and drummer Al Foster, cutting a pair of releases, The Vanguard Date and Life's Magic. Two decades later, that trio reconvened at New York's Birdland, and this exquisite aural document of their performance serves as a reminder that, at close to 70, Kuhn is one of jazz piano's unheralded giants. He is as sharp, imaginative and dexterous as he was during his younger years, and with Carter and Foster he is at home -- the musicians reportedly didn't rehearse for these shows, yet they sound as if they'd been at one another's sides for the past 20 years. At Birdland, the trio revisited four compositions that appeared on the earlier albums: Kuhn's own "Clotilde" and "Two by Two," Carter's "Little Waltz" and the Fats Waller standard "Jitterbug Waltz," the latter deconstructed into an 11-minute tour de force that, like much of the music in the set, allows the three musicians to explore a number of tempos, moods and tones. Kuhn, Carter and Foster alternately strut individually and lock intuitively into an airtight groove that takes surprising and pleasing twists before returning to the initial theme. Whether on the opening track, Frank Loesser's "If I Were a Bell," the fusing of Debussy's "La Plus Que Lente" and Billy Strayhorn's "Passion Flower," or the closer, Charlie Parker's "Confirmation," Kuhn establishes a template with light and sensitively executed solo figures before opening things up for all to take off to places unknown. There's a fine balance of simplicity and complexity at work here, but perhaps because he no longer needs to prove anything at this stage in his career, Kuhn seems to have lightened up -- the experimentalism of his ECM period has given way to an approach that is, while still at times blindingly intense, simultaneously light and playful. It's not a bad place for a master to be.
© Jeff Tamarkin /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Ron Carter, AssociatedPerformer, Bass (Vocal) - FRANK LOESSER, ComposerLyricist - Al Foster, Drums, AssociatedPerformer - Eli Wolf, Producer - Steve Kuhn, Producer, MainArtist - Mark Nixdorf, Production Coordinator, StudioPersonnel - Katherine Miller, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Eiji Takasugi, Asst. Recording Engineer, StudioPersonnel
(C) 2007 The Blue Note Label Group ℗ 2006 Blue Note Records
Ron Carter, AssociatedPerformer, Bass (Vocal) - Thomas "Fats" Waller, Composer - Al Foster, Drums, AssociatedPerformer - Eli Wolf, Producer - Steve Kuhn, Producer, MainArtist - Mark Nixdorf, Production Coordinator, StudioPersonnel - Katherine Miller, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Eiji Takasugi, Asst. Recording Engineer, StudioPersonnel
(C) 2007 The Blue Note Label Group ℗ 2006 Blue Note Records
Ron Carter, AssociatedPerformer, Bass (Vocal) - Al Foster, Drums, AssociatedPerformer - Eli Wolf, Producer - Steve Kuhn, Composer, Producer, MainArtist - Mark Nixdorf, Production Coordinator, StudioPersonnel - Katherine Miller, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Eiji Takasugi, Asst. Recording Engineer, StudioPersonnel
(C) 2007 The Blue Note Label Group ℗ 2006 Blue Note Records
Claude Debussy, Composer - Ron Carter, AssociatedPerformer, Bass (Vocal) - Billy Strayhorn, Composer - Al Foster, Drums, AssociatedPerformer - Eli Wolf, Producer - Steve Kuhn, Producer, MainArtist - Mark Nixdorf, Production Coordinator, StudioPersonnel - Katherine Miller, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Eiji Takasugi, Asst. Recording Engineer, StudioPersonnel
(C) 2007 The Blue Note Label Group ℗ 2006 Blue Note Records
Ron Carter, Composer, AssociatedPerformer, Bass (Vocal) - Al Foster, Drums, AssociatedPerformer - Eli Wolf, Producer - Steve Kuhn, Producer, MainArtist - Mark Nixdorf, Production Coordinator, StudioPersonnel - Katherine Miller, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Eiji Takasugi, Asst. Recording Engineer, StudioPersonnel
(C) 2007 The Blue Note Label Group ℗ 2006 Blue Note Records
Ron Carter, AssociatedPerformer, Bass (Vocal) - Kenny Dorham, Composer - Al Foster, Drums, AssociatedPerformer - Eli Wolf, Producer - Steve Kuhn, Producer, MainArtist - Mark Nixdorf, Production Coordinator, StudioPersonnel - Katherine Miller, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Eiji Takasugi, Asst. Recording Engineer, StudioPersonnel
(C) 2007 The Blue Note Label Group ℗ 2006 Blue Note Records
Ned Washington, ComposerLyricist - Ron Carter, AssociatedPerformer, Bass (Vocal) - Victor P. Young, ComposerLyricist - Al Foster, Drums, AssociatedPerformer - Eli Wolf, Producer - Steve Kuhn, Producer, MainArtist - Mark Nixdorf, Production Coordinator, StudioPersonnel - Katherine Miller, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Eiji Takasugi, Asst. Recording Engineer, StudioPersonnel
(C) 2007 The Blue Note Label Group ℗ 2006 Blue Note Records
Norman Gimbel, Composer - Henry Mancini, Composer - Ron Carter, AssociatedPerformer, Bass (Vocal) - Al Foster, Drums, AssociatedPerformer - Eli Wolf, Producer - Steve Kuhn, Producer, MainArtist - Mark Nixdorf, Production Coordinator, StudioPersonnel - Katherine Miller, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Eiji Takasugi, Asst. Recording Engineer, StudioPersonnel
(C) 2007 The Blue Note Label Group ℗ 2006 Blue Note Records
Ron Carter, AssociatedPerformer, Bass (Vocal) - Al Foster, Drums, AssociatedPerformer - Eli Wolf, Producer - Steve Kuhn, Composer, Producer, MainArtist - Mark Nixdorf, Production Coordinator, StudioPersonnel - Katherine Miller, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Eiji Takasugi, Asst. Recording Engineer, StudioPersonnel
(C) 2007 The Blue Note Label Group ℗ 2006 Blue Note Records
Ron Carter, AssociatedPerformer, Bass (Vocal) - Charlie Parker, Composer - Al Foster, Drums, AssociatedPerformer - Eli Wolf, Producer - Steve Kuhn, Producer, MainArtist - Mark Nixdorf, Production Coordinator, StudioPersonnel - Katherine Miller, Mastering Engineer, Recording Engineer, Mix Engineer, StudioPersonnel - Eiji Takasugi, Asst. Recording Engineer, StudioPersonnel
(C) 2007 The Blue Note Label Group ℗ 2006 Blue Note Records
Chronique
Steve Kuhn has been recording professionally for close to five decades, most of which time he's operated stealthily, rarely achieving the level of recognition he so richly deserves for contributing his immaculate pianistry to a range of jazz greats who have included John Coltrane, Stan Getz, Ornette Coleman, Art Farmer and others, or for leading his own diverse bands. In the mid-'80s Kuhn worked briefly in a trio setting with bassist extraordinaire Ron Carter and drummer Al Foster, cutting a pair of releases, The Vanguard Date and Life's Magic. Two decades later, that trio reconvened at New York's Birdland, and this exquisite aural document of their performance serves as a reminder that, at close to 70, Kuhn is one of jazz piano's unheralded giants. He is as sharp, imaginative and dexterous as he was during his younger years, and with Carter and Foster he is at home -- the musicians reportedly didn't rehearse for these shows, yet they sound as if they'd been at one another's sides for the past 20 years. At Birdland, the trio revisited four compositions that appeared on the earlier albums: Kuhn's own "Clotilde" and "Two by Two," Carter's "Little Waltz" and the Fats Waller standard "Jitterbug Waltz," the latter deconstructed into an 11-minute tour de force that, like much of the music in the set, allows the three musicians to explore a number of tempos, moods and tones. Kuhn, Carter and Foster alternately strut individually and lock intuitively into an airtight groove that takes surprising and pleasing twists before returning to the initial theme. Whether on the opening track, Frank Loesser's "If I Were a Bell," the fusing of Debussy's "La Plus Que Lente" and Billy Strayhorn's "Passion Flower," or the closer, Charlie Parker's "Confirmation," Kuhn establishes a template with light and sensitively executed solo figures before opening things up for all to take off to places unknown. There's a fine balance of simplicity and complexity at work here, but perhaps because he no longer needs to prove anything at this stage in his career, Kuhn seems to have lightened up -- the experimentalism of his ECM period has given way to an approach that is, while still at times blindingly intense, simultaneously light and playful. It's not a bad place for a master to be.
© Jeff Tamarkin /TiVo
À propos
- 1 disque(s) - 10 piste(s)
- Durée totale : 01:15:40
- Artistes principaux : The Steve Kuhn Trio
- Compositeur : Various Composers
- Label : Blue Note Records
- Genre : Jazz
© 2007 The Blue Note Label Group ℗ 2007 The Blue Note Label Group
Améliorer les informations de l'album
Pourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.