Catégories :
Panier 0

Votre panier est vide

Ledisi - Ledisi Sings Nina

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Ledisi Sings Nina

Ledisi

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

Ledisi's profound connection with Nina Simone's music began in 2003, when a radio DJ's spin of "Trouble in Mind" provoked a moment of catharsis at an extremely low period in the singer's life. Over the years, Ledisi performed and recorded the Simone composition "Four Women," seen on BET's Black Girls Rock, and heard on the soundtrack of For Colored Girls, headlined numerous Simone-themed concerts, and put on a Simone-honoring autobiographical play -- one that culminated in her interpretation of the song that was her providential gateway to (or lifeline from) the high priestess. Immediately preceded and followed by other celebrations of Simone, such as a PBS special and a Hollywood Bowl date, Ledisi Sings Nina strengthens the bond. Much ground is covered in its brief duration. It varies in mood and style amid a mix of songs Simone either wrote or re-envisioned, with Ledisi supported in grand style by her hometown New Orleans Jazz Orchestra and the Netherlands' Metropole Orkest. On a new version of "Four Women," Ledisi takes the spotlight after strong turns from Lizz Wright, Alice Smith, and Lisa Fischer, thereby reprising her role as "fourth woman" Peaches. She belts "I'll kill the first mother I see" as if her blood is boiling instead of cold, and the threat startles even when it's anticipated. "Feeling Good" and "My Baby Just Cares for Me" -- the latter updated with some winking modern references -- seemed done to death until Ledisi's frisky resuscitations here. On a stark and stirring "Ne me quitte pas," Ledisi craftily switches from Jacques Brel's original French lyrics to Rod McKuen's English adaptation. "Work Song" is flashier without trivializing the subject's grave circumstances. "I'm Going Back Home," high-energy gospel in original form, gets a brilliant NOLA second-line overhaul that celebrates Ledisi's origin and inspiration with equally elevated levels of conviction. What's most appealing is that Ledisi is herself at all times, empowered by Simone yet utterly distinct. Whereas most tribute sets are merely pleasant stop-gaps between proper LPs, this is as crucial to Ledisi's discography as any of her four Grammy-nominated albums. She put all of herself into it.
© Andy Kellman /TiVo

Plus d'informations

Ledisi Sings Nina

Ledisi

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Copier le lien pour partager la page

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 70 millions de titres avec votre abonnement illimité.

Écoutez cet album et plus de 70 millions de titres avec votre abonnement illimité.

1
Feeling Good
00:03:54

Rex Rideout, Producer, Vocal Recording Engineer - Jonathan Allen, Engineer - Anthony Newley, Composer - Leslie Bricusse, Composer - RAY BARDANI, Engineer - Andy Greenwood, Trumpet - Tom Rees-Roberts, Trumpet - Rik Mol, Trumpet - Jan Oosting, Trombone - Tom Walsh, Trumpet - Hans Vroomans, Keyboards - Peter Tiehuis, Guitar - Mieke Honingh, Viola - Julia Jowett, Viola - Aram Kersbergen, Bass - Ledisi, Producer, Vocals, MainArtist - Rani Kumar, Viola - Martijn Vink, Drums - Reuben Cohen, Engineer - Eddy Koopman, Percussion - Metropole Orkest, Orchestra, MainArtist - Paul van der Feen, Saxophone - Mariël van den Bos, Flute - Iris Schut, Viola - Isabella Petersen, Viola - Jascha Albracht, Cello - Joke Schonewille, Harp - Martin van den Berg, Bass Trombone - Arend Liefkes, Double Bass - Leo Janssen, Saxophone - Max Boeree, Saxophone - Murk Jiskoot, Percussion - Jules Buckley, Conductor, Producer - Martijn Sohier, Trombone - Sjoerd Dijkhuizen, Saxophone - Hans Wolters, Oboe - Emile Visser, Cello - Norman Jansen, Viola - Pablo Martínez Hernández, Trombone - Robinson Khoury, Trombone - Ray Bruinsma, Trumpet - Mariette Laport, Cello - Pieter Hunfeld, French Horn - Erik Winkelmann, Double Bass - Yoran Aarssen, Saxophone - Sjeng Schupp, Double Bass - Greg Foeller, Vocal Recording Engineer - Susanne Rosmolen, Cello - Janneke Groesz, Flute - Liz Hunfeld, French Horn - Timothy Wyman, Assistant Mixer

© 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC

2
My Baby Just Cares for Me
00:03:39

Rex Rideout, Producer, Vocal Recording Engineer - Jonathan Allen, Engineer - Anthony Newley, Composer - Leslie Bricusse, Composer - RAY BARDANI, Engineer - Andy Greenwood, Trumpet - Tom Rees-Roberts, Trumpet - Rik Mol, Trumpet - Jan Oosting, Trombone - Tom Walsh, Trumpet - Hans Vroomans, Keyboards - Peter Tiehuis, Guitar - Mieke Honingh, Viola - Julia Jowett, Viola - Aram Kersbergen, Bass - Ledisi, Producer, Vocals, MainArtist - Rani Kumar, Viola - Martijn Vink, Drums - Reuben Cohen, Engineer - Eddy Koopman, Percussion - Metropole Orkest, Orchestra, MainArtist - Paul van der Feen, Saxophone - Mariël van den Bos, Flute - Iris Schut, Viola - Isabella Petersen, Viola - Jascha Albracht, Cello - Joke Schonewille, Harp - Martin van den Berg, Bass Trombone - Arend Liefkes, Double Bass - Leo Janssen, Saxophone - Max Boeree, Saxophone - Murk Jiskoot, Percussion - Jules Buckley, Conductor, Producer - Martijn Sohier, Trombone - Sjoerd Dijkhuizen, Saxophone - Hans Wolters, Oboe - Emile Visser, Cello - Norman Jansen, Viola - Pablo Martínez Hernández, Trombone - Robinson Khoury, Trombone - Ray Bruinsma, Trumpet - Mariette Laport, Cello - Pieter Hunfeld, French Horn - Erik Winkelmann, Double Bass - Yoran Aarssen, Saxophone - Sjeng Schupp, Double Bass - Greg Foeller, Vocal Recording Engineer - Susanne Rosmolen, Cello - Janneke Groesz, Flute - Liz Hunfeld, French Horn - Timothy Wyman, Assistant Mixer

© 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC

3
Ne Me Quitte Pas (Don't Leave Me)
00:05:11

Rex Rideout, Producer, Vocal Recording Engineer - Jonathan Allen, Engineer - Anthony Newley, Composer - Leslie Bricusse, Composer - RAY BARDANI, Engineer - Andy Greenwood, Trumpet - Tom Rees-Roberts, Trumpet - Rik Mol, Trumpet - Jan Oosting, Trombone - Tom Walsh, Trumpet - Hans Vroomans, Keyboards - Peter Tiehuis, Guitar - Mieke Honingh, Viola - Julia Jowett, Viola - Aram Kersbergen, Bass - Ledisi, Producer, Vocals, MainArtist - Rani Kumar, Viola - Martijn Vink, Drums - Reuben Cohen, Engineer - Eddy Koopman, Percussion - Metropole Orkest, Orchestra, MainArtist - Paul van der Feen, Saxophone - Mariël van den Bos, Flute - Iris Schut, Viola - Isabella Petersen, Viola - Jascha Albracht, Cello - Joke Schonewille, Harp - Martin van den Berg, Bass Trombone - Arend Liefkes, Double Bass - Leo Janssen, Saxophone - Max Boeree, Saxophone - Murk Jiskoot, Percussion - Jules Buckley, Conductor, Producer - Martijn Sohier, Trombone - Sjoerd Dijkhuizen, Saxophone - Hans Wolters, Oboe - Emile Visser, Cello - Norman Jansen, Viola - Pablo Martínez Hernández, Trombone - Robinson Khoury, Trombone - Ray Bruinsma, Trumpet - Mariette Laport, Cello - Pieter Hunfeld, French Horn - Erik Winkelmann, Double Bass - Yoran Aarssen, Saxophone - Sjeng Schupp, Double Bass - Greg Foeller, Vocal Recording Engineer - Susanne Rosmolen, Cello - Janneke Groesz, Flute - Liz Hunfeld, French Horn - Timothy Wyman, Assistant Mixer

© 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC

4
Wild Is The Wind (Live)
00:03:36

Michael Ripoll, Guitar - David Parks, Bass - Dimitri Tiomkin, Composer, Writer - Ned Washington, Composer, Writer - Ledisi, Producer, Vocals, MainArtist - Reuben Cohen, Engineer - Gregg Field, Producer, Engineer - Brian Collier, Drums - Brandon Waddles, Piano - Ronald Gutiérrez, Percussion - Benny Brigg, Engineer

© 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC

5
Work Song
00:06:20

Rex Rideout, Producer, Vocal Recording Engineer - Jonathan Allen, Engineer - Anthony Newley, Composer - Leslie Bricusse, Composer - RAY BARDANI, Engineer - Andy Greenwood, Trumpet - Tom Rees-Roberts, Trumpet - Rik Mol, Trumpet - Jan Oosting, Trombone - Tom Walsh, Trumpet - Hans Vroomans, Keyboards - Peter Tiehuis, Guitar - Mieke Honingh, Viola - Julia Jowett, Viola - Aram Kersbergen, Bass - Ledisi, Producer, Vocals, MainArtist - Rani Kumar, Viola - Martijn Vink, Drums - Reuben Cohen, Engineer - Eddy Koopman, Percussion - Metropole Orkest, Orchestra, MainArtist - Paul van der Feen, Saxophone - Mariël van den Bos, Flute - Iris Schut, Viola - Isabella Petersen, Viola - Jascha Albracht, Cello - Joke Schonewille, Harp - Martin van den Berg, Bass Trombone - Arend Liefkes, Double Bass - Leo Janssen, Saxophone - Max Boeree, Saxophone - Murk Jiskoot, Percussion - Jules Buckley, Conductor, Producer - Martijn Sohier, Trombone - Sjoerd Dijkhuizen, Saxophone - Hans Wolters, Oboe - Emile Visser, Cello - Norman Jansen, Viola - Pablo Martínez Hernández, Trombone - Robinson Khoury, Trombone - Ray Bruinsma, Trumpet - Mariette Laport, Cello - Pieter Hunfeld, French Horn - Erik Winkelmann, Double Bass - Yoran Aarssen, Saxophone - Sjeng Schupp, Double Bass - Greg Foeller, Vocal Recording Engineer - Susanne Rosmolen, Cello - Janneke Groesz, Flute - Liz Hunfeld, French Horn - Timothy Wyman, Assistant Mixer

© 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC

6
Four Women
00:04:49

Rex Rideout, Producer, Vocal Recording Engineer - Alice Smith, Vocals - Jonathan Allen, Engineer - Anthony Newley, Composer - Leslie Bricusse, Composer - RAY BARDANI, Engineer - Lisa Fischer, Vocals - Andy Greenwood, Trumpet - Tom Rees-Roberts, Trumpet - Rik Mol, Trumpet - Jan Oosting, Trombone - Tom Walsh, Trumpet - Hans Vroomans, Keyboards - Peter Tiehuis, Guitar - Mieke Honingh, Viola - Julia Jowett, Viola - Aram Kersbergen, Bass - Ledisi, Producer, Vocals, MainArtist - Rani Kumar, Viola - Martijn Vink, Drums - Reuben Cohen, Engineer - Eddy Koopman, Percussion - Metropole Orkest, Orchestra, MainArtist - Lizz Wright, Vocals - Paul van der Feen, Saxophone - Mariël van den Bos, Flute - Iris Schut, Viola - Isabella Petersen, Viola - Jascha Albracht, Cello - Joke Schonewille, Harp - Martin van den Berg, Bass Trombone - Arend Liefkes, Double Bass - Leo Janssen, Saxophone - Max Boeree, Saxophone - Murk Jiskoot, Percussion - Jules Buckley, Conductor, Producer - Martijn Sohier, Trombone - Sjoerd Dijkhuizen, Saxophone - Hans Wolters, Oboe - Emile Visser, Cello - Norman Jansen, Viola - Pablo Martínez Hernández, Trombone - Robinson Khoury, Trombone - Ray Bruinsma, Trumpet - Mariette Laport, Cello - Pieter Hunfeld, French Horn - Erik Winkelmann, Double Bass - Yoran Aarssen, Saxophone - Sjeng Schupp, Double Bass - Greg Foeller, Vocal Recording Engineer - Susanne Rosmolen, Cello - Janneke Groesz, Flute - Liz Hunfeld, French Horn - Timothy Wyman, Assistant Mixer

© 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC

7
I'm Going Back Home
00:03:20

Michael Watson, Trombone - Rex Rideout, Producer - RAY BARDANI, Engineer - Adonis Rose, Conductor, Producer, Drums, Tambourine, Background Vocals - Ledisi, Producer, Vocals, MainArtist - Reuben Cohen, Engineer - Rudy Stevenson, Composer - Ed Petersen, Tenor Saxophone - Chris Butcher, Trombone - Jason Stewart, Acoustic Bass - Misha Kachkachishvili, Engineer - Victor Atkins, Piano - Khari Allen Lee, Alto Saxophone - Ashlin Parker, Trumpet - Branden Lewis, Trumpet - Barney Floyd, Trumpet - Steven Glenn, Tuba - TJ Norris, Trombone - John Michael Bradford, Trumpet - Timothy Wyman, Assistant Mixer - Jeronne Ansari, Alto Saxophone - Ricardo Pascal, Tenor Saxophone - Ricio Fruge, Trumpet - Tim Stanbaugh, Engineer - Trevarri Huff Boone, Baritone Saxophone

© 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2021 Listen Back Entertainment, LLC under exclusive license to BMG Rights Management (US) LLC

Descriptif de l'album

Ledisi's profound connection with Nina Simone's music began in 2003, when a radio DJ's spin of "Trouble in Mind" provoked a moment of catharsis at an extremely low period in the singer's life. Over the years, Ledisi performed and recorded the Simone composition "Four Women," seen on BET's Black Girls Rock, and heard on the soundtrack of For Colored Girls, headlined numerous Simone-themed concerts, and put on a Simone-honoring autobiographical play -- one that culminated in her interpretation of the song that was her providential gateway to (or lifeline from) the high priestess. Immediately preceded and followed by other celebrations of Simone, such as a PBS special and a Hollywood Bowl date, Ledisi Sings Nina strengthens the bond. Much ground is covered in its brief duration. It varies in mood and style amid a mix of songs Simone either wrote or re-envisioned, with Ledisi supported in grand style by her hometown New Orleans Jazz Orchestra and the Netherlands' Metropole Orkest. On a new version of "Four Women," Ledisi takes the spotlight after strong turns from Lizz Wright, Alice Smith, and Lisa Fischer, thereby reprising her role as "fourth woman" Peaches. She belts "I'll kill the first mother I see" as if her blood is boiling instead of cold, and the threat startles even when it's anticipated. "Feeling Good" and "My Baby Just Cares for Me" -- the latter updated with some winking modern references -- seemed done to death until Ledisi's frisky resuscitations here. On a stark and stirring "Ne me quitte pas," Ledisi craftily switches from Jacques Brel's original French lyrics to Rod McKuen's English adaptation. "Work Song" is flashier without trivializing the subject's grave circumstances. "I'm Going Back Home," high-energy gospel in original form, gets a brilliant NOLA second-line overhaul that celebrates Ledisi's origin and inspiration with equally elevated levels of conviction. What's most appealing is that Ledisi is herself at all times, empowered by Simone yet utterly distinct. Whereas most tribute sets are merely pleasant stop-gaps between proper LPs, this is as crucial to Ledisi's discography as any of her four Grammy-nominated albums. She put all of herself into it.
© Andy Kellman /TiVo

À propos

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Aqualung

Jethro Tull

Aqualung Jethro Tull

Crime Of The Century [2014 - HD Remaster]

Supertramp

Thick as a Brick

Jethro Tull

Thick as a Brick Jethro Tull

Misplaced Childhood

Marillion

À découvrir également
Par Ledisi

The Wild Card

Ledisi

The Wild Card Ledisi

Ledisi Live at the Troubadour

Ledisi

Lost And Found

Ledisi

Let Love Rule

Ledisi

Let Love Rule Ledisi

Feeling Good

Ledisi

Feeling Good Ledisi

Playlists

Dans la même thématique...

Side-Eye NYC (V1.IV)

Pat Metheny

Side-Eye NYC (V1.IV) Pat Metheny

BD Music Presents Miles Davis

Miles Davis

Le Jazz de Cabu - Une petite histoire du swing de Louis Armstrong à Miles Davis...

Various Artists

On Vacation

Till Brönner

On Vacation Till Brönner

Sunset In The Blue (Deluxe Version)

Melody Gardot

Les Grands Angles...
Les 10 titres qui ont fait la French Touch

Il y a vingt ans, la French Touch envahissait les clubs et les ondes radio du monde entier, installant l’Hexagone en bonne place sur la carte des musiques électroniques. Qobuz vous raconte l’histoire des 10 titres qui ont marqué cette période dorée pour les producteurs français.

Norah Jones en 10 chansons

Même si ses albums paraissent sur le label Blue Note, Norah Jones n’a jamais été vraiment jazz. Comme elle n’a jamais vraiment été pop, ni folk, country ou soul… Depuis le début des années 2000, la chanteuse et pianiste américaine a toujours tout fait pour flouter, voire éradiquer, les frontières stylistiques au profit de sa propre musique apatride, qu’elle adore partager avec d’autres musiciens venus d’horizons divers. Petit tour de son monde en 10 titres.

La nouvelle scène jazz anglaise en 10 albums

Hard bop ou hip-hop, free ou groovy, électro ou calypso, expérimentale ou caribéenne, la scène jazz britannique contemporaine regorge d’aventuriers aux oreilles bien ouvertes. Des musiciens connaissant leurs classiques qu’ils embarquent sur tous les types de terrains possibles et dont voici 10 albums symbolisant l’éclectisme salvateur.

Dans l'actualité...