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Skip Sempé|J.S. Bach:Concerti - Ciaconna & Partita

J.S. Bach:Concerti - Ciaconna & Partita

Skip Sempé

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Langue disponible : anglais

For Skip Sempe, the point of playing Bach on the harpsichord is not to re-create the music, but to create the music; not to perform the music, but to compose the music. Now, of course, that's ridiculous: Bach wrote the music, not Sempe, and anyone who says otherwise is ready for the Happy Dale Asylum. And yet, while listening to this recital by Sempe, one is strangely, inexplicably, uncannily under the delusion that Sempe did indeed compose the music he's performing. It's not that there's a great deal of freedom to Sempe's playing, although he does play with more freedom than any harpsichordist since Landowska. And it's not that Sempe has improvised a transcription of Bach's "Ciaccona in D" from the Partita for solo violin, BWV 1004, although that, too, is the case. It's that Sempe has re-imagined himself inside the music; re-imagined the counterpoint, the harmonies, the rhythm, the color, the articulation, and the structure; re-imagined everything in the works he performs so that his performances don't sound like performances but like improvised compositions. Of course, it doesn't hurt that Sempe is a marvelous virtuoso whose technique is matched by his flamboyant interpretations. But one comes away from this disc with the weird sensation that it is Sempe, not Bach, who composed these works. Deutsche Harmonia Mundi's digital sound is clear, warm, and vivid.

© TiVo

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J.S. Bach:Concerti - Ciaconna & Partita

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1
Partita for Solo Violin No. 2 in D Minor, BWV 1004: Ciaccona
00:11:01

Skip Sempé, Harpsichord - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Producer - Georges Kisselhoff, Recording Engineer

(P)1993 BMG Entertainment

Harpsichord Concerto No. 3 in D Major, BWV 1054 (Johann Sebastian Bach)

2
I. Allegro
00:06:50

Skip Sempé, Harpsichord - Capriccio Stravagante, Performer - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Producer - Georges Kisselhoff, Recording Engineer

(P)1993 BMG Entertainment

3
II. Adagio e piano sempre
00:05:25

Skip Sempé, Harpsichord - Capriccio Stravagante, Performer - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Producer - Georges Kisselhoff, Recording Engineer

(P)1993 BMG Entertainment

4
III. Allegro
00:02:31

Skip Sempé, Harpsichord - Capriccio Stravagante, Performer - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Recording Engineer - Georges Kisselhoff, Producer

(P)1993 BMG Entertainment

Partita for Harpsichord No. 4 in D Major, BWV 828 (Johann Sebastian Bach)

5
I. Ouverture
00:06:02

Skip Sempé, Harpsichord - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Recording Engineer - Georges Kisselhoff, Producer

(P)1993 BMG Entertainment

6
II. Allemande
00:09:25

Skip Sempé, Harpsichord - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Recording Engineer - Georges Kisselhoff, Producer

(P)1993 BMG Entertainment

7
III. Courante
00:03:33

Skip Sempé, Harpsichord - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Recording Engineer - Georges Kisselhoff, Producer

(P)1993 BMG Entertainment

8
IV. Aria
00:02:06

Skip Sempé, Harpsichord - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Recording Engineer - Georges Kisselhoff, Producer

(P)1993 BMG Entertainment

9
V. Sarabande
00:05:44

Skip Sempé, Harpsichord - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Recording Engineer - Georges Kisselhoff, Producer

(P)1993 BMG Entertainment

10
VI. Menuet
00:01:15

Skip Sempé, Harpsichord - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Recording Engineer - Georges Kisselhoff, Producer

(P)1993 BMG Entertainment

11
VII. Gigue
00:03:22

Skip Sempé, Harpsichord - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Recording Engineer - Georges Kisselhoff, Producer

(P)1993 BMG Entertainment

Harpsichord Concerto No. 4 in A major, BWV 1055 (Johann Sebastian Bach)

12
Allegro
00:03:34

Skip Sempé, Harpsichord - Capriccio Stravagante, Performer - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Recording Engineer - Georges Kisselhoff, Producer

(P)1993 BMG Entertainment

13
Larghetto
00:04:06

Skip Sempé, Harpsichord - Capriccio Stravagante, Performer - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Recording Engineer - Georges Kisselhoff, Producer

(P)1993 BMG Entertainment

14
Allegro ma non tanto
00:03:48

Skip Sempé, Harpsichord - Capriccio Stravagante, Performer - Jan Höfermann, Executive Producer - Johann Sebastian Bach, Composer - Georges Kisselhoff, Recording Engineer - Georges Kisselhoff, Producer

(P)1993 BMG Entertainment

Chronique

For Skip Sempe, the point of playing Bach on the harpsichord is not to re-create the music, but to create the music; not to perform the music, but to compose the music. Now, of course, that's ridiculous: Bach wrote the music, not Sempe, and anyone who says otherwise is ready for the Happy Dale Asylum. And yet, while listening to this recital by Sempe, one is strangely, inexplicably, uncannily under the delusion that Sempe did indeed compose the music he's performing. It's not that there's a great deal of freedom to Sempe's playing, although he does play with more freedom than any harpsichordist since Landowska. And it's not that Sempe has improvised a transcription of Bach's "Ciaccona in D" from the Partita for solo violin, BWV 1004, although that, too, is the case. It's that Sempe has re-imagined himself inside the music; re-imagined the counterpoint, the harmonies, the rhythm, the color, the articulation, and the structure; re-imagined everything in the works he performs so that his performances don't sound like performances but like improvised compositions. Of course, it doesn't hurt that Sempe is a marvelous virtuoso whose technique is matched by his flamboyant interpretations. But one comes away from this disc with the weird sensation that it is Sempe, not Bach, who composed these works. Deutsche Harmonia Mundi's digital sound is clear, warm, and vivid.

© TiVo

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