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Johann Sebastian Bach|Famous Cantatas Vol. 1

Famous Cantatas Vol. 1

Ton Koopman & Amsterdam Baroque Orchestra & Choir

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The first volume in a series devoted to Bach's famous Cantatas with Ton Koopman and the Amsterdam Baroque Orchestra & Choir. The project is chronologically structured, so this first volume includes Cantatas composed at Mulhausen in the years 1707 and 1708. It contains four great and well-known masterpieces which convey the mastery and maturity of the young Bach, aged 22 at that time.

Bach's sacred music written before he went to Leipzig, including all the works from the Weimar period, are often lumped together as "early" cantatas. This is misleading and ultimately inaccurate, since Bach was already 38 years old when he moved from his post as Kapellmeister at Kothen in 1723 to take up his duties as Kantor at the Thomaskirche in Leipzig. In fact most of Bach's church cantatas date from the Leipzig years, as does the consolidation of the stylistic, structural and technical features of his vocal works, but even the repertoire composed before 1714 can hardly be termed "early". The works composed at Mühlhausen, demonstrating a striking sureness of touch in their conception, placed the 22-year-old among the finest contemporary cantata composers. Bach's earliest church cantatas are still clearly marked by 17th-century traditions. As well as the influences of older members of the Bach family, those of Buxtehude and Pachelbel the Elder, and Italian and French masters are evident, technically, structurally and stylistically.

A particularly characteristic feature of the pre-Leipzig cantatas is Bach's exceptional delight in experimental and complex handling of an extremely wide range of instruments, with refined sound effects (such as the use of the bassoon) and poly- and homophonic settings and forms. © Challenge Records

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Famous Cantatas Vol. 1

Johann Sebastian Bach

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1
Christ lag in Todesbanden BWV 4: Sinfonia
Ton Koopman
00:01:11

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

2
Christ lag in Todesbanden BWV 4: Versus I - Chorus: Christ lag in Todesbanden
Ton Koopman
00:03:42

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

3
Christ lag in Todesbanden BWV 4: Versus II - Duet: Den Tod niemand zwingen kunnt
Ton Koopman
00:03:44

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

4
Christ lag in Todesbanden BWV 4: Versus III - Jesus Christus, Gottes Sohn (tenor)
Ton Koopman
00:02:02

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

5
Christ lag in Todesbanden BWV 4: Versus IV - Chorus: Es war ein wunderlicher Krieg
Ton Koopman
00:02:07

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

6
Christ lag in Todesbanden BWV 4: Versus V - Hier ist das rechte Osterlamm (bass)
Ton Koopman
00:02:54

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

7
Christ lag in Todesbanden BWV 4: Versus VI - Duet: So feiern wir das hohe Fest
Ton Koopman
00:01:57

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

8
Christ lag in Todesbanden BWV 4: Versus VII Choral: Wir essen und leben wohl (chorus)
Ton Koopman
00:01:21

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

9
Gott ist mein König BWV 71: Gott ist mein konig (Chorus)
Ton Koopman
00:01:48

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

10
Gott ist mein König BWV 71: Chorale Aria: Ich bin nun achzig Jahr (Tenor, Soprano)
Ton Koopman
00:03:28

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

11
Gott ist mein König BWV 71: Dein Alter sei wie deine Jugend (Chorus)
Ton Koopman
00:01:30

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

12
Gott ist mein König BWV 71: Arioso: Tag und Nacht ist dein (Bass)
Ton Koopman
00:02:51

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

13
Gott ist mein König BWV 71: Aria: Durch machtige Kraft (Alto)
Ton Koopman
00:01:11

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

14
Gott ist mein König BWV 71: Du wollest dem Feinde nicht geben (Chorus)
Ton Koopman
00:03:50

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

15
Gott ist mein König BWV 71: Das neue Regiment (Chorus)
Ton Koopman
00:03:42

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

16
Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Sinfonia: Aus der Tiefe rufe ich
Ton Koopman
00:04:18

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

17
Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Aria: So du willst (Bass, Soprano)
Ton Koopman
00:04:20

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

18
Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Ich harre des Herrn (Chorus)
Ton Koopman
00:03:34

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

19
Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Aria: Meine Seele wartet auf den Derrn (Tenor, Alto)
Ton Koopman
00:06:04

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

20
Aus der Tiefe rufe ich, Herr, zu dir BWV 131: Israel, hoffe auf den Herrn (Chorus)
Ton Koopman
00:04:05

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

21
Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106: Sonatina
Ton Koopman
00:02:34

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

22
Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106: a. Gottes Zeit ist die allerbeste Zeit (Chorus) b. Arioso: Ach, Herr, lehre uns bedenken (Tenor) c. Arioso: Bestelle dein Haus (Bass)
Ton Koopman
00:08:23

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

23
Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106: a. Aria: In deine Hande befehle ich meinen Geist (Alto) b. Chorale: Heute wirst du mit mir (Alto, Bass)
Ton Koopman
00:05:55

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

24
Gottes Zeit ist die allerbeste Zeit (Actus tragicus) BWV 106: Glorie, Lob, Ehr und Herrlichkeit (Chorus)
Ton Koopman
00:03:03

Johann Sebastian Bach, Composer - Ton Koopman, Conductor, MainArtist - Amsterdam Baroque Orchestra & Choir, MainArtist

(C) 2021 Challenge Classics (P) 2021 Challenge Classics

Descriptif de l'album

The first volume in a series devoted to Bach's famous Cantatas with Ton Koopman and the Amsterdam Baroque Orchestra & Choir. The project is chronologically structured, so this first volume includes Cantatas composed at Mulhausen in the years 1707 and 1708. It contains four great and well-known masterpieces which convey the mastery and maturity of the young Bach, aged 22 at that time.

Bach's sacred music written before he went to Leipzig, including all the works from the Weimar period, are often lumped together as "early" cantatas. This is misleading and ultimately inaccurate, since Bach was already 38 years old when he moved from his post as Kapellmeister at Kothen in 1723 to take up his duties as Kantor at the Thomaskirche in Leipzig. In fact most of Bach's church cantatas date from the Leipzig years, as does the consolidation of the stylistic, structural and technical features of his vocal works, but even the repertoire composed before 1714 can hardly be termed "early". The works composed at Mühlhausen, demonstrating a striking sureness of touch in their conception, placed the 22-year-old among the finest contemporary cantata composers. Bach's earliest church cantatas are still clearly marked by 17th-century traditions. As well as the influences of older members of the Bach family, those of Buxtehude and Pachelbel the Elder, and Italian and French masters are evident, technically, structurally and stylistically.

A particularly characteristic feature of the pre-Leipzig cantatas is Bach's exceptional delight in experimental and complex handling of an extremely wide range of instruments, with refined sound effects (such as the use of the bassoon) and poly- and homophonic settings and forms. © Challenge Records

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