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Green Day - Dookie

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Dookie

Green Day

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Green Day a remis au goût du jour avec Dookie le rock efficace et percutant de The Ramones et des Buzzcocks.

Mais, contrairement à ses précurseurs britanniques, le punk californien est ici dénué de prétention révolutionnaire, et ne conserve que la rébellion stérile des gosses de banlieue Middle class. A l’image du Loser de Beck sorti au même moment les chansons du groupe traitent de l’ennui ou de l’anxiété de l ‘époque.

Billie Joe Amstrong y tente, avec plus ou moins de succès, de prendre l’accent Cockney pour ressembler à ses glorieux aînés.

Dookie comporte quatorze mélodies énervées qui vont résonner aux oreilles des slackers, et faire écho à leurs préoccupations : l’amour, la jalousie, la bisexualité, la masturbation ou l’ennui .

Green Day va leur servir d’étendard pour extérioriser leur tension adolescente. Les Skaters adoptent alors et popularisent les groupes néo-punk californiens tel que Green Day ou The Offspring pour en faire un genre à part entière.

La chaîne MTV soutient le groupe et diffuse largement les singles du groupe, trois des cinq singles atteignent la première place des charts : « Longview », « Basket Case », et « When I Come Around ».

Le disque va rester pendant deux ans dans les classements américains et est encore à ce jour le disque de punk le plus vendu de l’histoire avec 13 millions d’exemplaires.

 

 
© ©Copyright Music Story Christophe Deniau 2016

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Dookie

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1
Burnout (Album Version)
00:02:07

Tre Cool, Producer, Drums, Writer, Background Vocals - Billie Joe Armstrong, Producer, Guitar, Lead Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Writer, Background Vocals - Rob Cavallo, Producer - Green Day, MainArtist - Jerry Finn, Mixing Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

2
Having a Blast (Album Version)
00:02:44

Tre Cool, Producer, Drums, Writer, Background Vocals - Billie Joe Armstrong, Producer, Guitar, Lead Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Writer, Background Vocals - Rob Cavallo, Producer - Green Day, MainArtist - Jerry Finn, Mixing Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

3
Chump (Album Version)
00:02:54

Tre Cool, Producer, Drums, Writer, Background Vocals - Billie Joe Armstrong, Producer, Guitar, Lead Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Writer, Background Vocals - Rob Cavallo, Producer - Green Day, MainArtist - Jerry Finn, Mixing Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

4
Longview (Album Version)
00:03:53

Tre Cool, Producer, Drums, Writer, Background Vocals - Billie Joe Armstrong, Producer, Guitar, Lead Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Writer, Background Vocals - Rob Cavallo, Producer, Mixer - Green Day, Producer, Mixer, MainArtist - Jerry Finn, Mixer, Mixing Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

5
Welcome to Paradise (Album Version)
00:03:44

Tre Cool, Producer, Drums, Guitar, Lead Vocals, Writer, Background Vocals - Billie Joe Armstrong, Producer, Guitar, Lead Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Writer, Background Vocals - Rob Cavallo, Producer - Green Day, MainArtist - Jerry Finn, Mixing Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

6
Pulling Teeth (Album Version)
00:02:30

Tre Cool, Producer, Drums, Guitar, Lead Vocals, Writer, Background Vocals - Billie Joe Armstrong, Producer, Guitar, Lead Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Writer, Background Vocals - Rob Cavallo, Producer - Green Day, MainArtist - Jerry Finn, Mixing Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

7
Basket Case (Album Version)
00:03:01

Tre Cool, Producer, Drums, Guitar, Vocals, Lead Vocals, Writer, Background Vocals - Billie Joe Armstrong, Producer, Guitar, Lead Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Writer, Background Vocals - Rob Cavallo, Producer - Green Day, MainArtist - Jerry Finn, Mixing Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

8
She (Album Version)
00:02:14

Tre Cool, Producer, Drums, Vocals, Writer - Billie Joe Armstrong, Producer, Guitar, Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Vocals, Writer - Rob Cavallo, Producer, Mixer - Green Day, Producer, Mixer, MainArtist - Jerry Finn, Mixer, Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

9
Sassafras Roots (Album Version)
00:02:37

Tre Cool, Producer, Drums, Writer, Background Vocals - Billie Joe Armstrong, Producer, Guitar, Lead Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Writer, Background Vocals - Rob Cavallo, Producer - Green Day, MainArtist - Jerry Finn, Mixing Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

10
When I Come Around (Album Version)
00:02:58

Tre Cool, Producer, Drums, Vocals, Writer - Billie Joe Armstrong, Producer, Guitar, Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Vocals, Writer - Rob Cavallo, Producer, Mixer - Green Day, Producer, Mixer, MainArtist - Jerry Finn, Mixer, Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

11
Coming Clean (Album Version)
00:01:34

Tre Cool, Producer, Drums, Writer, Background Vocals - Billie Joe Armstrong, Producer, Guitar, Lead Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Writer, Background Vocals - Rob Cavallo, Producer - Green Day, MainArtist - Jerry Finn, Mixing Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

12
Emenius Sleepus (Album Version)
00:01:43

Tre Cool, Producer, Drums, Writer, Background Vocals - Billie Joe Armstrong, Producer, Guitar, Lead Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Writer, Background Vocals - Rob Cavallo, Producer - Green Day, MainArtist - Jerry Finn, Mixing Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

13
In the End (Album Version)
00:01:46

Tre Cool, Producer, Drums, Writer, Background Vocals - Billie Joe Armstrong, Producer, Guitar, Lead Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Writer, Background Vocals - Rob Cavallo, Producer - Green Day, MainArtist - Jerry Finn, Mixing Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

14
F.O.D. (Album Version)
00:02:50

Tre Cool, Producer, Drums, Writer, Background Vocals - Billie Joe Armstrong, Lyricist, Producer, Guitar, Lead Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Writer, Background Vocals - Rob Cavallo, Producer - Green Day, Composer, Producer, MainArtist - Jerry Finn, Mixing Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

15
All by Myself (Album Version)
00:01:40

Tre Cool, Producer, Guitar, Lead Vocals, Writer - Billie Joe Armstrong, Producer, Writer - Mike Dirnt, Producer, Writer - Rob Cavallo, Producer - Green Day, MainArtist - Jerry Finn, Mixing Engineer - Neill King, Engineer - Casey McCrankin, Additional Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

Descriptif de l'album

Green Day a remis au goût du jour avec Dookie le rock efficace et percutant de The Ramones et des Buzzcocks.

Mais, contrairement à ses précurseurs britanniques, le punk californien est ici dénué de prétention révolutionnaire, et ne conserve que la rébellion stérile des gosses de banlieue Middle class. A l’image du Loser de Beck sorti au même moment les chansons du groupe traitent de l’ennui ou de l’anxiété de l ‘époque.

Billie Joe Amstrong y tente, avec plus ou moins de succès, de prendre l’accent Cockney pour ressembler à ses glorieux aînés.

Dookie comporte quatorze mélodies énervées qui vont résonner aux oreilles des slackers, et faire écho à leurs préoccupations : l’amour, la jalousie, la bisexualité, la masturbation ou l’ennui .

Green Day va leur servir d’étendard pour extérioriser leur tension adolescente. Les Skaters adoptent alors et popularisent les groupes néo-punk californiens tel que Green Day ou The Offspring pour en faire un genre à part entière.

La chaîne MTV soutient le groupe et diffuse largement les singles du groupe, trois des cinq singles atteignent la première place des charts : « Longview », « Basket Case », et « When I Come Around ».

Le disque va rester pendant deux ans dans les classements américains et est encore à ce jour le disque de punk le plus vendu de l’histoire avec 13 millions d’exemplaires.

 

 
© ©Copyright Music Story Christophe Deniau 2016

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