Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Promo - 40%Langue disponible : anglais
The prolific Latvian conductor Mariss Jansons, despite his general orientation toward the late Romantics, rarely conducted Bruckner over most of his long career. That all changed in the late 2010s with a series of Bruckner recordings, including a cycle with Jansons' current band, the Sinfonieorchester des bayerischen Rundfunks (Bavarian Radio Symphony Orchestra). Some believe that conductors should wait until late middle age before attempting Bruckner, and indeed they can point to this fine recording of the Symphony No. 9 in D minor, WAB 109, as evidence. The work was left unfinished at Bruckner's death; various completions of the partially finished finale exist, but Jansons makes a powerful case for performing only the torso. Sample the 22-minute finale, which seems to end on a mystical plane in Jansons' deliberate reading. Jansons actually recorded the Ninth just three years before the 2019 release of this album, with the Royal Concertgebouw Orchestra, but Bruckner lovers may wish to have both versions, for Jansons does not repeat himself. This reading is several minutes slower than the RCO version, as if Jansons wanted to broaden the scope of the earlier limpid, transparent reading. He keeps the transparency, though, and both of the 20-minute-plus outer movements unfold with a deep pulse that is essential to Bruckner. The music moves along in waves that may bring to mind the work of Jansons' first major teacher, Yevgeny Mravinsky. The Bavarian Radio players are native to the music of this period, and they realize Jansons' level of detail in a way that even other top-rank orchestras might not. Special praise must be directed toward the orchestra's house engineering staff (the album appears on the orchestra's own BR Klassik label), who separate out the various strands of this complex work with awesome clarity.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de CHF 14,99/mois
Symphony No. 9 in D Minor, WAB 109 (Anton Bruckner)
Mariss Jansons, Conductor, MainArtist - Anton BRUCKNER, Composer - Bavarian Radio Symphony Orchestra, Orchestra, FeaturedArtist
2018 BR-Klassik 2018 (P) BR-Klassik
Mariss Jansons, Conductor, MainArtist - Anton BRUCKNER, Composer - Bavarian Radio Symphony Orchestra, Orchestra, MainArtist
2018 BR-Klassik 2018 (P) BR-Klassik
Mariss Jansons, Conductor, MainArtist - Anton BRUCKNER, Composer - Bavarian Radio Symphony Orchestra, Orchestra, MainArtist
2018 BR-Klassik 2018 (P) BR-Klassik
Chronique
The prolific Latvian conductor Mariss Jansons, despite his general orientation toward the late Romantics, rarely conducted Bruckner over most of his long career. That all changed in the late 2010s with a series of Bruckner recordings, including a cycle with Jansons' current band, the Sinfonieorchester des bayerischen Rundfunks (Bavarian Radio Symphony Orchestra). Some believe that conductors should wait until late middle age before attempting Bruckner, and indeed they can point to this fine recording of the Symphony No. 9 in D minor, WAB 109, as evidence. The work was left unfinished at Bruckner's death; various completions of the partially finished finale exist, but Jansons makes a powerful case for performing only the torso. Sample the 22-minute finale, which seems to end on a mystical plane in Jansons' deliberate reading. Jansons actually recorded the Ninth just three years before the 2019 release of this album, with the Royal Concertgebouw Orchestra, but Bruckner lovers may wish to have both versions, for Jansons does not repeat himself. This reading is several minutes slower than the RCO version, as if Jansons wanted to broaden the scope of the earlier limpid, transparent reading. He keeps the transparency, though, and both of the 20-minute-plus outer movements unfold with a deep pulse that is essential to Bruckner. The music moves along in waves that may bring to mind the work of Jansons' first major teacher, Yevgeny Mravinsky. The Bavarian Radio players are native to the music of this period, and they realize Jansons' level of detail in a way that even other top-rank orchestras might not. Special praise must be directed toward the orchestra's house engineering staff (the album appears on the orchestra's own BR Klassik label), who separate out the various strands of this complex work with awesome clarity.
© TiVo
À propos
- 1 disque(s) - 3 piste(s)
- Durée totale : 00:57:06
- 1 Livret Numérique
- Artistes principaux : Mariss Jansons Symphonieorchester Des Bayerischen Rundfunks
- Compositeur : Anton Bruckner
- Label : BR-Klassik
- Genre : Classique
2018 BR-Klassik 2018 BR-Klassik
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.