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Richard Goode|Bach: Partitas Nos. 1, 3 & 6

Bach: Partitas Nos. 1, 3 & 6

Richard Goode

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Richard Goode is known to be an excellent musical interpreter, and the performance of these Bach partitas is an example of his skill. He balances just the right amount of dynamic shading and freedoms with tempos to make these partitas come alive on the piano, but not sound overly dramatic. Most of the movements are so complex that keeping the musical lines clear and separate provides enough drama. Goode makes it obvious which lines are important and where each is going, even in the third and first partitas, where he uses fewer dynamic colorings. His touch is not too light and not too heavy, giving the sense that his performance would sound well on the harpsichord, although most of the dynamic coloring would be lost. The album starts with the least-known of the partitas, No. 3 in A minor, with its unusual movements (a Sarabande without the usual emphasis on the second beat; a "Burlesca" instead of a minuet; a "Giga" that is really a fugue). He takes a breather with the somewhat technically easier No. 1 in B flat major, then finishes with the tricky -- both technically and musically -- No. 6 in E minor. The sound quality of the recording gives the piano an intimate feel and although the performance is personal, overall it does not sound introverted. The liner notes give an accurate, movement by movement description of Goode's interpretation of Bach's intentions. In short, this is a good (no pun intended) introduction to Bach's partitas for keyboard.
© TiVo

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Bach: Partitas Nos. 1, 3 & 6

Richard Goode

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1
Partita no. 3 in A Minor, BWV 827: Fantasia
00:02:03

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

2
Partita no. 3 in A Minor, BWV 827: Allemande
00:02:51

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

3
Partita no. 3 in A Minor, BWV 827: Corrente
00:02:37

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

4
Partita no. 3 in A Minor, BWV 827: Sarabande
00:03:38

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

5
Partita no. 3 in A Minor, BWV 827: Burlesca
00:01:55

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

6
Partita no. 3 in A Minor, BWV 827: Scherzo
00:00:59

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

7
Partita no. 3 in A Minor, BWV 827: Gigue
00:03:03

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

8
Partita no. 1 in B-flat Major, BWV 825: Praeludium
00:01:46

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

9
Partita no. 1 in B-flat Major, BWV 825: Allemande
00:03:09

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

10
Partita no. 1 in B-flat Major, BWV 825: Corrente
00:02:39

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

11
Partita no. 1 in B-flat Major, BWV 825: Sarabande
00:05:01

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

12
Partita no. 1 in B-flat Major, BWV 825: Menuet 1 and Menuet 2
00:02:48

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

13
Partita no. 1 in B-flat Major, BWV 825: Giga
00:02:05

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

14
Partita no. 6 in E Minor, BWV 830: Toccata
00:07:10

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

15
Partita no. 6 in E Minor, BWV 830: Allemanda
00:03:11

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

16
Partita no. 6 in E Minor, BWV 830: Corrente
00:04:38

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

17
Partita no. 6 in E Minor, BWV 830: Air
00:01:30

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

18
Partita no. 6 in E Minor, BWV 830: Sarabande
00:05:53

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

19
Partita no. 6 in E Minor, BWV 830: Tempo di Gavotta
00:01:59

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

20
Partita no. 6 in E Minor, BWV 830: Gigue
00:05:27

Johann Sebastian Bach, Composer - Richard Goode, MainArtist

© 2003 Nonesuch Records ℗ 2003 Nonesuch Records

Descriptif de l'album

Richard Goode is known to be an excellent musical interpreter, and the performance of these Bach partitas is an example of his skill. He balances just the right amount of dynamic shading and freedoms with tempos to make these partitas come alive on the piano, but not sound overly dramatic. Most of the movements are so complex that keeping the musical lines clear and separate provides enough drama. Goode makes it obvious which lines are important and where each is going, even in the third and first partitas, where he uses fewer dynamic colorings. His touch is not too light and not too heavy, giving the sense that his performance would sound well on the harpsichord, although most of the dynamic coloring would be lost. The album starts with the least-known of the partitas, No. 3 in A minor, with its unusual movements (a Sarabande without the usual emphasis on the second beat; a "Burlesca" instead of a minuet; a "Giga" that is really a fugue). He takes a breather with the somewhat technically easier No. 1 in B flat major, then finishes with the tricky -- both technically and musically -- No. 6 in E minor. The sound quality of the recording gives the piano an intimate feel and although the performance is personal, overall it does not sound introverted. The liner notes give an accurate, movement by movement description of Goode's interpretation of Bach's intentions. In short, this is a good (no pun intended) introduction to Bach's partitas for keyboard.
© TiVo

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