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CD2,99 Fr.

Handy-Man

The Knife

Electronic - Erschienen am 14. August 2021 | Rabid Records

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HI-RES1,99 Fr.
CD1,49 Fr.

Pass This On

The Knife

Electronic - Erschienen am 9. Juni 2021 | Rabid Records

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CD1,49 Fr.

Falling

Fever Ray

Alternativ und Indie - Erschienen am 18. Oktober 2019 | Rabid Records

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CD1,49 Fr.

This Country Makes It Hard To Fuck

Fever Ray

Alternativ und Indie - Erschienen am 6. September 2019 | Rabid Records

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CD1,49 Fr.

I'm Not Done

Fever Ray

Alternativ und Indie - Erschienen am 30. August 2019 | Rabid Records

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HI-RES17,49 Fr.
CD12,49 Fr.

Live at Troxy

Fever Ray

Alternativ und Indie - Erschienen am 2. August 2019 | Rabid Records

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Karin Dreijer never passes up an opportunity to reimagine their music in a live setting. Just as Shaken-Up Versions documented how the Knife reinvented their music in concert, Live at Troxy captures how the shows Fever Ray played in support of 2017's excellent Plunge united that album and 2009's self-titled debut into a ferocious, joyous whole. Recorded at Fever Ray's March 2018 show at the London venue, Live at Troxy's celebratory feel is palpable. The songs from Plunge sound more vital than ever, from the raging opener "An Itch" to the stark, towering rendition of "This Country," a tirade against sexual repression that only feels more subversively powerful performed for a crowd. Meanwhile, Fever Ray's darker songs offer a potent contrast; in particular, "If I Had a Heart"'s glowering need is even more compelling next to Plunge's neon outbursts. The way Dreijer combines -- and sometimes reinvents -- the strengths of their albums on Live at Troxy makes for fascinating listening. As they merge Fever Ray's ice with Plunge's fire, the results are never lukewarm. Plunge's hypnotic hyperballad "Red Trails" is the perfect counterpart to the midnight depths of Fever Ray's "Concrete Walls" (one of the few songs on Troxy that keeps the pitch-shifted vocals that used to be a mainstay of Dreijer's work). Elsewhere, a brassy, emphatic version of "Triangle Walks" echoes "To the Moon and Back," the vivid single that kicked off the Plunge era. Some of Live at Troxy's biggest revelations occur when Dreijer brings that album's heat and light to their debut's shadowy songs. "When I Grow Up," one of the first songs that hinted at their potential as a solo artist, is reborn as a futuristic Carnaval celebration with a surprisingly booty-shaking beat. "I'm Not Done" takes the mood even further, trading the original version's gloom for anthemic, funky self-confidence. The bold, political-is-personal mood of Live at Troxy stretches beyond its music to the crew and performers who helped make the show possible: On the Plunge tour, Dreijer worked with as many female and non-binary artists -- many of whom, like Dreijer, were mothers over 40 -- as they could. Along with its generous set list and powerful performances, the attention to details like these makes Live at Troxy another riveting expression of Dreijer's passionate commitment to their work. © Heather Phares /TiVo
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CD1,49 Fr.

I'm Not Done (Still Not Done Mix)

Fever Ray

Alternativ und Indie - Erschienen am 15. Juli 2019 | Rabid Records

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CD1,49 Fr.

Mustn't Hurry

Fever Ray feat. Aasthma

Techno - Erschienen am 6. Juli 2018 | Rabid Records

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HI-RES1,99 Fr.
CD1,49 Fr.

To The Moon And Back

Fever Ray

Techno - Erschienen am 22. Juni 2018 | Rabid Records

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CD1,49 Fr.

Wanna Sip

Fever Ray feat. Olof Dreijer

Techno - Erschienen am 15. Juni 2018 | Rabid Records

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HI-RES1,99 Fr.
CD1,49 Fr.

Plunge

Fever Ray feat. Faka

Techno - Erschienen am 8. Juni 2018 | Rabid Records

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CD1,49 Fr.

Plunge

Fever Ray feat. DJ Marfox

Techno - Erschienen am 1. Juni 2018 | Rabid Records

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HI-RES1,99 Fr.
CD1,49 Fr.

IDK About You

Fever Ray

Techno - Erschienen am 11. Mai 2018 | Rabid Records

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CD1,49 Fr.

To The Moon And Back

Fever Ray

Techno - Erschienen am 4. Mai 2018 | Rabid Records

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HI-RES1,99 Fr.
CD1,49 Fr.

To the Moon and Back

Fever Ray feat. NAR

Techno - Erschienen am 2. Mai 2018 | Rabid Records

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CD3,99 Fr.

Mustn't Hurry

Fever Ray

Techno - Erschienen am 27. April 2018 | Rabid Records

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CD1,49 Fr.

This Country

Fever Ray feat. Paula Temple

Techno - Erschienen am 13. April 2018 | Rabid Records

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CD1,49 Fr.

IDK About You

Fever Ray

Alternativ und Indie - Erschienen am 1. März 2018 | Rabid Records

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CD1,49 Fr.

Wanna Sip

Fever Ray

Alternativ und Indie - Erschienen am 23. Januar 2018 | Rabid Records

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CD12,49 Fr.

Plunge

Fever Ray

Alternativ und Indie - Erschienen am 27. Oktober 2017 | Rabid Records

Auszeichnungen 4F de Télérama
"Hey, remember me? I've been busy working like crazy," Karin Dreijer sings on Plunge, but even though Fever Ray's second album arrived eight years after the project's self-titled debut and five years after the Knife's Shaking the Habitual, Dreijer remains unforgettable. With both of those acts, they pioneered crystalline electronic sounds that became the blueprint for many acts during the time between their albums. With Plunge, Dreijer reaffirms that they're still more fearless than most of their would-be peers. From its title to its songs, the album is a sudden, total immersion in the unexpected. On Fever Ray, Dreijer mined pure darkness for all it was worth; this time, they throw more light on their music, and it's stranger and brighter sounding than it has been in years. Frequently, Plunge recalls the way the Knife's early albums filtered tropical sounds through an iceberg. On the title track, the synths sound like steel drums and splashing water, and thanks to Portuguese producer Nidia's galloping beat, "IDK About You" resembles a futuristic-yet-feral mating ritual. Yet Plunge sounds fresher -- sharper -- than the Knife's later releases, even as it touches on similar themes. Since Silent Shout, Dreijer has eloquently expressed the need for intimacy, as well as its consequences, by blurring the lines between love songs and horror themes. "Falling," which echoes Fever Ray's icy isolation, upholds that tradition, but so do the fierce and tempting "Wanna Sip" and the equally nightmarish and poignant "An Itch," a pair of songs that explore the potentially terrifying possibility of connecting with someone else. The fear and hope surrounding letting the right one in peaks on "Red Trails," where Dreijer sings about a vampiric relationship ("blood was our favorite paint/You were my favorite pain") over violin and a ricocheting beat to stunning effect. Elsewhere, Dreijer makes the album's defiance overtly political on "This Country," where "Destroy boring" and "Every time we f*ck, we win" are key parts of their manifesto, and on "To the Moon and Back," where their bold statements are all the more subversive because of their deceptively sugary sounds. Dreijer matches these expressions of individuality with a wish to belong that, remarkably, doesn't feel contradictory. The somber patience of "Mustn't Hurry" and "A Part of Us" culminates with "Mama's Hand," which gives the album a surprisingly happy conclusion thanks to "a little thing called love." Boasting more moods and colors than Fever Ray's debut, or any single Knife album, Plunge's headlong dive into commitment is Dreijer's most powerful work yet. © Heather Phares /TiVo