Patricia Kopatchinskaja
Text in englischer Sprache verfügbarViolinist Patricia Kopatchinskaja is an unusually versatile musician, active in both mainstream repertory and the historical performance scene. She has also played contemporary music and has given at least a dozen world premieres. Kopatchinskaja was born in Chisinau, then in the Moldavian Socialist Republic of the Soviet Union, in 1977. Her mother, a violinist, and her father, a percussionist, both played in a regional state folk music ensemble. Kopatchinskaja took up the violin at six, studying with a local teacher who had been a student of David Oistrakh. When she was 17, her family moved to Vienna, Austria, and she enrolled at the University of Music and the Performing Arts, studying both violin and composition. Kopatchinskaja completed her education at the Hochschule für Musik in Bern, Switzerland, where her teacher was Igor Ozim. She has continued to live in Bern, where she has married and raised a family. Her résumé of concerto appearances with top orchestras is long and includes the Vienna, Berlin, and London Philharmonic Orchestras. Kopatchinskaja owns several violins, including a 1780s Neapolitan instrument by Ferdinando Gagliano that she uses in historical performances. She had to give up a loaner Guarneri del Gesù "ex-Carrodus" of 1741, however, because the logistics of importing it into Switzerland proved too arduous. Kopatchinskaja is equally well known in mainstream and historical-performance spheres; in the latter, she has performed with such ensembles as Il Giardino Armonico, the Orchestra of the Age of Enlightenment, and the innovative MusicAeterna in Perm, Russia. Her chamber music partners include cellist Sol Gabetta, clarinetist Reto Bieri, and pianist Markus Hinterhäuser. Her advocacy of contemporary music has been vigorous, and her world premieres include that of her own violin concerto, Hortus animae, with the Camerata Bern in 2014. Increasingly active in the U.S., Kopatchinskaja has served as an artistic partner with the St. Paul Chamber Orchestra since 2014. An inspiring musical administrator, she became the artistic director of the Camerata Bern in 2018 and assumed the same position at the Ojai Music Festival in California that same year. Kopatchinskaja's recording catalog includes albums on the Naïve, Audite, ECM, and Alpha labels; on Alpha, she released Time & Eternity with Camerata Bern in 2019.
© James Manheim /TiVo Mehr lesen
Violinist Patricia Kopatchinskaja is an unusually versatile musician, active in both mainstream repertory and the historical performance scene. She has also played contemporary music and has given at least a dozen world premieres.
Kopatchinskaja was born in Chisinau, then in the Moldavian Socialist Republic of the Soviet Union, in 1977. Her mother, a violinist, and her father, a percussionist, both played in a regional state folk music ensemble. Kopatchinskaja took up the violin at six, studying with a local teacher who had been a student of David Oistrakh. When she was 17, her family moved to Vienna, Austria, and she enrolled at the University of Music and the Performing Arts, studying both violin and composition. Kopatchinskaja completed her education at the Hochschule für Musik in Bern, Switzerland, where her teacher was Igor Ozim. She has continued to live in Bern, where she has married and raised a family.
Her résumé of concerto appearances with top orchestras is long and includes the Vienna, Berlin, and London Philharmonic Orchestras. Kopatchinskaja owns several violins, including a 1780s Neapolitan instrument by Ferdinando Gagliano that she uses in historical performances. She had to give up a loaner Guarneri del Gesù "ex-Carrodus" of 1741, however, because the logistics of importing it into Switzerland proved too arduous. Kopatchinskaja is equally well known in mainstream and historical-performance spheres; in the latter, she has performed with such ensembles as Il Giardino Armonico, the Orchestra of the Age of Enlightenment, and the innovative MusicAeterna in Perm, Russia. Her chamber music partners include cellist Sol Gabetta, clarinetist Reto Bieri, and pianist Markus Hinterhäuser. Her advocacy of contemporary music has been vigorous, and her world premieres include that of her own violin concerto, Hortus animae, with the Camerata Bern in 2014. Increasingly active in the U.S., Kopatchinskaja has served as an artistic partner with the St. Paul Chamber Orchestra since 2014. An inspiring musical administrator, she became the artistic director of the Camerata Bern in 2018 and assumed the same position at the Ojai Music Festival in California that same year.
Kopatchinskaja's recording catalog includes albums on the Naïve, Audite, ECM, and Alpha labels; on Alpha, she released Time & Eternity with Camerata Bern in 2019.
© James Manheim /TiVo
-
Sol & Pat
Patricia Kopatchinskaja
Klassik - Erschienen bei Alpha Classics am 08.10.2021
Dieses Album feiert eine seit zwanzig Jahren andauernde musikalische Verbindung und vor allem eine echte Freundschaft: "Wir sind wie zwei Schwestern, ...
24-Bit 96.0 kHz - Stereo -
Le monde selon George Antheil
Patricia Kopatchinskaja
Klassik - Erschienen bei Alpha Classics am 13.05.2022
"Pianist - Futurist", so stellte sich der amerikanische Klaviervirtuose George Antheil (1900-1959) einmal vor. Man könnte ihn auch als "Bad Boy" oder ...
24-Bit 96.0 kHz - Stereo -
Stravinsky & Prokofiev : Concertos pour violon
Patricia Kopatchinskaja
Klassik - Erschienen bei naïve classique am 14.10.2013
4 étoiles ClassicaGramophone Editor's ChoiceHi-Res Audio24-Bit 96.0 kHz - Stereo -
Bartok: Violin Concerto No. 2 / Eötvös: Seven & Ligeti: Violin Concerto
Patricia Kopatchinskaja
Klassik - Erschienen bei naïve classique am 22.10.2012
4F de Télérama5 de DiapasonGramophone Record of the YearHi-Res Audio24-Bit 44.1 kHz - Stereo -
Beethoven: Intégrale de l'œuvre pour violon et orchestre
Patricia Kopatchinskaja
Instrumentalmusik - Erschienen bei naïve classique am 07.09.2009
4F de Télérama16-Bit CD Quality 44.1 kHz - Stereo -
Plaisirs illuminés
Patricia Kopatchinskaja
Klassik - Erschienen bei Alpha Classics am 08.01.2021
This recording presents the double concerto for violin, cello and orchestra of the Spanish composer Francisco Coll, born in 1985. Les Plaisirs illumin ...
24-Bit 96.0 kHz - Stereo -
Sonates et danses pour violon et piano
Patricia Kopatchinskaja
Kammermusik - Erschienen bei naïve classique am 15.09.2008
9 de Classica-Répertoire16-Bit CD Quality 44.1 kHz - Stereo -
Schoenberg: Pierrot lunaire
Patricia Kopatchinskaja
Klassik - Erschienen bei Alpha Classics am 09.04.2021
Arnold Schoenberg's Pierrot Lunaire, Op. 21, of 1912, is one of the best-known works of his atonal-but-not-12-tone period. It's a cycle of 21 short po ...
24-Bit 96.0 kHz - Stereo -
What's Next Vivaldi?
Patricia Kopatchinskaja
Klassik - Erschienen bei Alpha Classics am 04.09.2020
Giovanni Antonini und sein Ensemble Il Giardino Armonico feiern den Komponisten, der sie berühmt gemacht hat, Antonio Vivaldi. Ihre Aufnahmen der Vier ...
24-Bit 192.0 kHz - Stereo -
Schumann: Complete Symphonic Works
Patricia Kopatchinskaja
Symphonieorchester - Erschienen bei audite Musikproduktion am 02.11.2018
24-Bit 48.0 kHz - Stereo -
Schubert: Death and the Maiden
Patricia Kopatchinskaja
Klassik - Erschienen bei Alpha Classics am 14.10.2016
This "collaborative exploration" of Schubert's String Quartet in D minor, D. 810 ("Death and the Maiden"), is experimental even by the standards of vi ...
24-Bit 192.0 kHz - Stereo -
Time & Eternity
Patricia Kopatchinskaja
Klassik - Erschienen bei Alpha Classics am 13.09.2019
Patricia Kopatchinskaja has constructed a programme entitled Time and Eternity around the masterpiece which is Concerto funebre by Karl-Amadeus Hartma ...
24-Bit 44.1 kHz - Stereo -
Francisco Coll: Orchestral Works
Patricia Kopatchinskaja
Klassik - Erschienen bei PentaTone am 21.05.2021
The Orchestre Philharmonique de Luxembourg and Gustavo Gimeno continue their acclaimed Pentatone series of composer portraits with a monograph of a li ...
24-Bit 192.0 kHz - Stereo -
Faradzh Karaev: Orchestral Works
Patricia Kopatchinskaja
Klassik - Erschienen bei Paladino Music am 01.05.2020
24-Bit 44.1 kHz - Stereo -
Deux (Bartók, Poulenc & Ravel)
Patricia Kopatchinskaja
Klassik - Erschienen bei Alpha Classics am 23.02.2018
Das Spiel der moldawischen Geigerin Patricia Kopatchinskaja lässt einen, um es milde auszudrücken, nicht gleichgültig, so sehr unterscheidet es sich v ...
24-Bit 96.0 kHz - Stereo -
Take Two
Patricia Kopatchinskaja
Klassik - Erschienen bei Alpha Classics am 16.10.2015
24-Bit 96.0 kHz - Stereo -
Rapsodia
Patricia Kopatchinskaja
Klassik - Erschienen bei naïve classique am 20.09.2010
Gramophone Editor's Choice16-Bit CD Quality 44.1 kHz - Stereo -
Schumann: Violin Concerto & Piano Concerto
Patricia Kopatchinskaja
Symphonieorchester - Erschienen bei audite Musikproduktion am 26.02.2016
5 Sterne Fono Forum KlassikNach fast anderthalb Jahren setzt das Label audite seinen Schumann-Zyklus mit einer Doppelfolge fort. Aufgrund der Besetzung und der Werke fraglos ein ...
24-Bit 48.0 kHz - Stereo -
Michael Hersch: End Stages & Violin Concerto
Patricia Kopatchinskaja
Klassik - Erschienen bei New Focus Recordings am 06.07.2018
Auch wenn das Violinkonzert aus dem Jahr 2016 von Michael Hersch (geb. 1971) zunächst schrecklich chaotisch erscheint, wird das Werk daraufhin rasch g ...
16-Bit CD Quality 44.1 kHz - Stereo -
Michael Hersch: Carrion-Miles to Purgatory
Patricia Kopatchinskaja
Klassik - Erschienen bei New Focus Recordings am 17.05.2019
24-Bit 96.0 kHz - Stereo -
Johanna Doderer: Für Violine und Orchester
Patricia Kopatchinskaja
Klassik - Erschienen bei ORF SHOP am 18.02.2022
16-Bit CD Quality 44.1 kHz - Stereo